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PS Audio BHK Signature Preamplifier
Preamplifiers are at the heart of any high-performance music system. They are the critical controlling interface between our sources of music and our loudspeaker chain. Most preamplifiers do a fine job of control and isolation, but only a rare handful make magic happen. Add the BHK Signature Preamplifier into your system and suddenly you are enveloped in a wealth of musicality you’ve not yet experienced: deeper, wider, sound staging, improved separation of instruments and voices, subterranean bass, extended highs, and an openness you're unlikely to have experienced without this instrument in the system.
Design
The BHK Signature Preamplifier features two 12AU7 dual triode vacuum tubes in the input stage that act as a zero feedback balanced input amplification pair. A combination of an input stepped attenuator, built around the highest quality passive components for coarse volume adjustments, coupled with controlling the actual gain of the vacuum tube for finer steps, turned out to be the most sonically transparent level control we have yet heard. Finally, the output stage is a high-bias class A MOSFET design that is unaffected by cable and power amplifier interface challenges.
Application
Preamplifiers play a critical role in any separates audio system, strategically positioned between sources of music: CD players, phono preamps, DACs, tape recorders and tuners—and your power amplifier—the preamp serves essential roles of control and isolation. The BHK Signature Preamplifier features 5 identical balanced and single ended inputs, and converts all input signals into a balanced signal for the lowest possible distortion, and can be used in a two-channel audio system or as part of a home theater system. The high-bias Class A MOSFET output stage ensures unmatched performance with any cable and amplifier interface.
Technology
The BHK Signature Preamplifier is one of the most remarkable musical instruments in the world. It is the perfect interface between your sources and power amplifier. Designed by Bascom H. King, the BHK Signature distills Bascom’s 50 plus years of high-end audio design experience into a single masterpiece of audio amplification. “This is the best sounding preamplifier I have ever designed or heard,” and that’s saying a lot for a man of Bascom’s experience. Preamplifiers play a critical role in any separates audio system, strategically positioned between sources of music: CD players, phono preamps, DACs, tape recorders and tuners – and your power amplifier – the preamp serves essential roles of control and isolation. Control is simple in concept, but extraordinarily difficult to design in an acoustically transparent manner. Control duties such as input switching, volume, balance, and amplification can place unwanted acoustic thumbprints on the music if not designed with extraordinary care. The challenge in any design is to do as little damage to music’s purity as possible. What our Master Designer, BHK, has built will not only stand the test of time, but represents one of the finest musical instruments ever built to honor the music.
At the heart of any preamplifier are the gain stage that provides the amplification, and the volume control that manages how loud or soft the music plays. Inside the BHK Signature Preamp a pair of hand-selected and matched 12AU7 dual triode vacuum tubes provides the unit’s gain. Volume is controlled by a GainCell controling the actual gain of the vacuum tube. This offers the cleanest, lowest impact gain control in precise, half-dB steps. A massive, high-current transformer feeds the BHK Signature Preamp's power supply, which ensures that the unit can reproduce music with a wide dynamic range, without compression or distortion. Painstaking through-hole construction is used, along with the finest, hand-selected components: PRP resistors, high grade Audiophile capacitors---even the solder was auditioned for the best sound. Nothing was spared in the execution of Bascom King's design. Fully-balanced circuitry with a bandwidth that extends almost to DC on the low end and well above audibility on the high end are responsible for the effortless presentation of music BHK preamplifier owners enjoy. First time listeners remark at how much better-defined the space around instruments and vocals appears; the improvements in sound quality are nothing short of ground breaking. Openness, transparency, increased space around instruments---voices come alive in ways most never thought possible.
Bascom King has said, “vacuum tubes are simply more convincing and musically accurate than any other input configuration I have ever tried,” and the BHK Signature preamplifier proves his statement. All inputs, whether single-ended or balanced, are converted to a pure balanced signal by the dual triode vacuum tube for lowest distortion, highest linearity performance. Input switching is accomplished through hand-selected double-pole double-throw, gold plated relays that we’ve chosen for their sonic neutrality. The signals, once selected, are passed directly to the revolutionary new multi-stage attenuator controlling both volume and balance. High-performance analog audio products like the BHK Preamp benefit from the use of through-hole discrete parts in the signal path. Hand-selected through-hole PRP resistors, high grade Audiophile capacitors and the finest discrete parts are used throughout the BHK Signature preamplifier. Nothing was spared in its design. Even the solder we use has been auditioned for best sound. Extended signal bandwidth---from below 0.1 Hz to above 100 kHz--- is partly responsible for the effortless presentation of music produced by the BHK preamplifier. A massive power supply with an oversized toroidal transformer, the Class A MOSFET output circuit ensure that the BHK Preamplifier will effortlessly drive any cable or amplifier.
Features
ZERO-LOSS VACUUM TUBE INPUT STAGE
12V AND 6V TUBE SWITCH
COUPLED & BALANCED MOSFET OUTPUT STAGE
THROUGH-HOLE CONSTRUCTION
PRP RESISTORS IN SIGNAL PATH
5x RCA SINGLE ENDED INPUTS
5 XLR BALANCED INPUTS
SINGLE ENDED & BALANCED INPUTS
FULLY BALANCED INPUT TO OUTPUT
OVERSIZED POWER TRANSFORMER
BHK DESIGNED MOSFET VOLTAGE REGULATORS
BHK DESIGNED MOSFET HEADPHONE STAGE
REMOTE CONTROL
STANDBY BUTTON FOR VACUUM TUBE STAGE
-3dB > 200kHz
VOLUME & BALANCE THROUGH GAIN & ATTENUATION CONTROL
2x OUTPUT DC CONTROL TRIGGERS
EASY ACCESS TO TUBES FOR CUSTOMIZATION
EACH INPUT CAN BE SET TO HT BYPASS
WATT RECOMMENDS
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Professional Reviews 92/100
Deliciously Crispy
Sound Quality
94/100
Build Quality
90/100
Features Connectivity
90/100
Value for Money
92/100
The PS Audio BHK Signature Preamplifier brings recordings alive with expansive three-dimensional imaging, controlled deep bass, and a richly textured, fatigue-free presentation. Erich Wetzel admired its immense sense of space and clear handling of dense mixes, while Karl Sigman found its analog finesse, versatile connectivity, and integrated headphone stage unusually complete.
What Reviewers Are Saying
Pros
Creates an exceptionally large, layered, three-dimensional soundstage with tangible vocal placement.
Combines smooth, natural musicality with clear separation, firm deep bass, and rich vocal texture.
Offers generous flexibility through five XLR/RCA inputs, home-theater bypass, a capable headphone amplifier, and a comprehensive remote.
&
Cons
Its gently warm character can slightly soften upper-register attacks, so it is less suited to listeners seeking maximum clinical neutrality and edge definition.
SOUND QUALITY PERFORMANCE 94/100
Reviewers consistently describe a spacious, richly textured and highly involving presentation. Its character favors smoothness, natural tonal color and dimensional presence over clinical edge, with one reviewer noting a slight softening of the highest-frequency attacks.
Transparency Resolution
92/100
Wetzel found the BHK notably clear, able to unravel complex music easily, while Sigman called its sound transparent, full and open. Resolution is presented without etch, although Wetzel heard slightly smoothed attacks in upper flute and violin registers where a touch more bite might be expected.
Tonal Balance Musicality
95/100
The BHK earned repeated praise for its smooth, natural and fatigue-free musicality. Reviewers heard ample bass, a sweet and texturally rich midrange, detailed highs, and an unusually convincing sense of instrumental timbre; its mild warmth is clearly a deliberate part of the presentation.
Dynamics
91/100
Wetzel described the sound as beautiful and alive, while Sigman heard greater instrumental density, weight and superb bass after inserting the preamp. The reviews emphasize ease and life rather than overtly aggressive punch, but they indicate that the BHK preserves the music's expressive force well.
Soundstage Imaging
96/100
Spatial performance is a major strength. Wetzel called its stages among the largest he had heard from any preamp, with tangible, precisely located voices and a striking illusion of height, while Sigman heard more air, reverb, openness and spatial definition.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
90/100
The review sample was described as rock-solid and excellent to the touch, with particularly precise-feeling front-panel controls and volume adjustment. One small rear-panel misalignment was noted, but it did not detract materially from an otherwise polished and substantial impression.
Features Connectivity
90/100
This is an unusually accommodating analog preamplifier, with five single-ended and five balanced inputs, plus two RCA and two XLR output pairs. It also includes a built-in headphone amplifier, comprehensive remote control and 12V trigger connections, while retaining an all-analog signal path.
Value for Money
92/100
At $5,199, it is a substantial purchase, and Wetzel noted that it costs considerably more than the Simaudio alternative he compared it with. Even so, he felt the PS Audio sounded and felt like the dearer component, while Sigman praised its sound, design, usability and headphone capability as unusually complete at its asking price.
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