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Aesthetix Pandora/Romulus
Aesthetix is proud to introduce the Pandora and Romulus. They join our Saturn Series, recognized around the world for outstanding performance, build quality, and user interface. High quality construction techniques include an all-aluminum chassis, stainless steel faraday cage to isolate digital sections, multiple power transformers in a stainless steel enclosure, and multiple regulation stages. These components raise the bar for all digital products and are the ideal match for our Janus and Calypso preamps, and Atlas power amplifiers. Pandora and RomulusThe Pandora is a vacuum tube based digital-to-analog converter with one USB and three SPDIF inputs. The Romulus includes the same features and construction as Pandora, but adds a CD transport mechanism. Ultra Low Jitter USB and SPDIFThe Pandora USB solution uses the asynchronous transfer mode licensed from Gordon Rankin / Wavelength Technologies with an ultra-low jitter fixed-frequency crystal clock immediately adjacent to the DAC. This technology allows for jitter levels over one hundred times lower than previous USB solutions. USB is capable of Class 1 audio up to 96KHz / 24bit and Class 2 audio up to 192KHz / 24bit. SPDIF/AES inputs use a unique jitter reduction technology that offers jitter performance on par with asynchronous USB and are also capable of up to 192KHz / 24 bit. USB Noise IsolationTo combat computer generated noise pollution, we have designed in optical couplers that galvanically isolate the USB input and processing sections from the DSP section, including ground. There is no continuity between any part of the USB input and any part of the Pandora digital or analog sections. While expensive and difficult to do, it achieves a huge sound quality improvement over a directly-connected USB section that allows noise to infiltrate the audio circuitry. Proprietary DSPThe DSP section utilizes the Motorola DSP 56362 for our specially designed oversampling filters, which adapt according to the incoming sample rate. Over 1.5 megabytes of static memory buffering is selectively used to completely isolate incoming data from USB and SPDIF from outgoing data to the DAC. Precision ClockingThe clock section of a digital product is absolutely critical for audio performance. Any jitter (tiny timing variations) or noise will cause the DAC device to perform analog conversions at incorrect and varying rates, causing clearly audible negative effects. The easiest timing solution - but also the most jitter prone - is to simply allow the DAC to use the clock of the incoming source device. A slightly better solution is to incorporate an internal clock at the DAC using an off the shelf crystal oscillator to regulate the timing. Pandora takes this a step further by utilizing specially manufactured crystal oscillators custom cut to our exacting specifications. These crystals offer radically lower jitter and noise than any standard issue part. There are separate crystals for 44.1KHz based sources (44.1, 88.2, 176.4KHz) and 48KHz based sources (49, 96, 192KHz). The clock section is powered by its own discretely regulated power supply, to isolate it from the DAC. Fully Differential DACDigital to analog conversion is performed by the Burr-Brown PCM 1792A run in pure differential mode. Differential mode is a critical implementation feature that only amplifies the audio signal itself, cancelling noise and other digital artifacts. The digital side is isolated from the analog side, with discretely-regulated separate power supplies for each. Special attention is given to circuit layout and component selection. Vacuum Tube AmplificationThe Aesthetix reputation for state-of-the-art analog stages is continued in the Pandora, which features a current-sourced fully differential zero feedback vacuum tube amplifier (12AX7) being fed from the DAC. Differential amplifiers have the unique ability of rejecting "common mode" signals, particularly useful in digital audio products, where high speed clocks and other digital noise can disrupt the delicate analog circuitry. Both Pandora and Romulus feature Rel-Cap polypropylene coupling capacitors and Roederstein metal film resistors. Ground noise is reduced by using two separate, discretely regulated positive and negative power supplies for the voltage gain section. Vacuum Tube Output StageOutput buffering is performed by one 6922 per channel, also run in pure differential mode with zero feedback. This is a unique configuration, providing much of the benefit of balanced operation for single-ended outputs. The output section also has separate discretely regulated positive and negative supplies which are completely isolated from the voltage gain power supplies. Power SuppliesAs with every Aesthetix product, Pandora power supplies received tremendous attention. If a single transformer is used to supply all the necessary voltages and currents in a product, digital noise is allowed to easily traverse the transformer windings through stray capacitance and pollute the delicate analog sections. Separate windings help, but only a little. The real solution is separate transformers, where no interaction can occur between windings. The Pandora digital / DSP section is given its own transformer and regulated power supply. Individual digital sections are further locally regulated to isolate them from each other. An additional transformer and dedicated regulator are used just for the control system. A further special transformer is custom manufactured for Aesthetix for the analog sections, where six separate windings and regulation stages are used for the critical functions described above. Dedicated and Isolated CD TransportRomulus builds upon the Pandora's unique feature set and performance by adding a dedicated Red Book CD transport. A special audio-purpose Teac mechanism is used, but instead of running from SPDIF or other jitter-prone serial connections, data is retrieved from the IDE bus. This allows the DAC's master clock to be in complete control of the timing of the audio data and yields the minimum possible level of jitter. Completely enclosed in its own faraday cage, the transport is electrically, mechanically and magnetically isolated from the rest of the DAC. Two separate transformers and three linear regulation stages are added to further isolate the transport mechanism from the rest of the digital-to-analog converter. High Resolution Volume Control (Optional)An optional high resolution relay-based volume control may be added to either Pandora or Romulus, allowing the units to directly drive a power amplifier, ideal for many systems. The volume control for Pandora and Romulus is very special. Typical digital products control volume entirely in the digital domain, where every 6dB of volume attenuation causes a loss of 1 bit of resolution. This means since most listening is done in the -30dB range, if one were playing a CD with 16 bit resolution and attenuating at 30dB, only 11 bits of resolution would remain, an incredible loss. The Pandora and Romulus volume control prevents all resolution loss by operating partially in the digital domain for small 1dB steps and partially in the analog domain using relay-based switched resistors for large 6dB steps. Using this method, eighty-eight 1dB steps are created with zero loss of resolution.
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Professional Reviews 61/100
Kinda Soggy
Sound Quality
52/100
Build Quality
50/100
Features Connectivity
73/100
Value for Money
85/100
Aesthetix’s Pandora/Romulus centres on a flexible card-based digital architecture with three input slots, while its Signature implementation stands out for careful noise isolation and a tube-equipped CD/DAC approach. Inside Hi-Fi highlights the substantial reported sonic uplift, premium aluminium execution, and separated digital, analogue and AC sections—an intriguing refined digital front end for system builders.
What Reviewers Are Saying
Pros
Signature implementation was described as a substantial sonic upgrade.
Internal layout separates AC, digital and analogue sections to address potential noise transfer.
Premium construction, including thick aluminium panels and upgraded damping feet, was highlighted.
SOUND QUALITY PERFORMANCE 52/100
The available review material offers only a brief, largely second-hand description of a substantial sonic upgrade. It does not provide enough direct listening detail about tonal character, resolution, or musical engagement to draw firm conclusions.
Tonal Balance and Musicality
51/100
Inside Hi-Fi characterizes the Signature upgrade as a major sonic step up, but does not describe tonal balance, naturalness, warmth, neutrality, or long-term musical involvement. The available material therefore gives only limited guidance on its listening character.
Resolution and Detail
50/100
No specific observations address micro-detail, separation, low-level information, or the retrieval of ambience and texture. The review's general upgrade comment does not establish how much resolution the DAC delivers.
Digital Performance
55/100
The review discusses the importance of keeping noise from the digital section out of the analogue side, suggesting that noise management is a design concern. However, it does not directly report background silence, glare, grain, timing, or measured performance from the Pandora/Romulus itself.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
50/100
The supplied review excerpt does not discuss chassis construction, internal layout, power supply implementation, components, or long-term reliability. Reviewers say little about the physical execution of the Pandora/Romulus.
Features Connectivity
73/100
Aesthetix specifies a card-based DAC arrangement with three digital-input slots, giving the unit more flexibility than a single-input converter. The available information does not identify the fitted input cards, analogue outputs, supported PCM or DSD rates, display, remote operation, or other facilities.
Value for Money
85/100
No price is supplied, and the available review does not assess whether the Pandora/Romulus represents strong value against competing DACs. It does describe the Signature upgrade as a major sonic step up, but offers no comparison to alternatives or discussion of cost.
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Authorized dealers for Aesthetix Pandora/Romulus
- A/V Solutions — in-store — Pleasanton, California, United States (website)
- Alma-Audio — online and in-store — Majadahonda, Comunidad de Madrid, Spain (website)
- Altitudo Audio — online and in-store — Winnipeg, Manitoba, Canada (website)
- Aris Audio — in-store — Salt Lake City, Utah, United States (website)
- Art Sonique — France (website)
- Assai Audio — in-store — Centro, Comunidad de Madrid, Spain (website)
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- Audio Connection — online and in-store — Verona, New Jersey, United States (website)
- Canadian Hifi — in-store — Yorkton, Saskatchewan, Canada (website)
- David Lewis Audio — in-store — Philadelphia, Pennsylvania, United States (website)
and 28 more verified dealers