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Authorized dealers for T+A DAC 200

  • 110Hz — online and in-store — Kielce, Województwo świętokrzyskie, Poland (website)
  • Acoustic Streams — in-store — Lower Drift, England, United Kingdom (website)
  • Alen Audio — in-store — Extramurs, Comunidad Valenciana, Spain (website)
  • Alpha High End — online and in-store — Brasschaat, Vlaams Gewest, Belgium (website)
  • American Sound — in-store — Richmond Hill, Ontario, Canada (website)
  • AUDIO 2000 — in-store — Wuppertal, Nordrhein-Westfalen, Germany (website)
  • Audio 46 — online and in-store — New York, New York, United States (website)
  • Audio Concierge — online and in-store — England, United Kingdom (website)
  • AUDIO EXCLUSIVE — in-store — Wels, Oberösterreich, Austria (website)
  • Audio Gallery — online and in-store — Las Rozas de Madrid, Comunidad de Madrid, Spain (website)

and 95 more verified dealers

Potato score: 92.7

93%

T+A DAC 200 #1
T+A DAC 200 variant 1
T+A DAC 200 variant 2
T+A DAC 200 variant 3

T+A DAC 200

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View at T+A
Balanced Output
Headphone Output
Asynchronous USB
USB DAC Mode
DSD Support
Hi-Res Audio
HDMI ARC
Digital Volume Control
Dual Mono Design
Clock Input

The DAC 200

The DAC 200 is the latest member of an extended family of High-End converters and pre-amplifiers. Every aspect of its design symbolises our uncompromising commitment to science and music. The ability to reproduce DSD 1024 files and its complete galvanic separation are just two highlights which underline the potential of the DAC 200 in impressive style. The DAC 200 is designed to convert a large number of digital formats into natural-sounding analogue signals, and to pass them on via the integral headphone or analogue outputs.


De-Jitter Masterclock

Our belief in totally pure music required an enormous effort on our part to eliminate the most minuscule of interfering influences. The T+A De-Jitter Masterclock was developed with the goal of freeing all T+A DACs from such interference signals, and in particular those which result from the use of computers. This type of interference - known as jitter - is caused by minimal timing errors, which still manage to exert a harmful influence on the sound experience unless they are removed before the conversion into analogue signals.
The De-Jitter Masterclock was developed here in Herford, and constitutes a consistent audiophile response to jitter: in a multi-stage process the incoming signals are examined, and even the largest of jitter artefacts are removed. In the first stage the incoming signal delivers a raw clock pulse which is analysed very closely by micro-processors: the signal is then switched to the Masterclock - but only if its frequency and stability fulfil strict minimum criteria. If those criteria are not met, the signals are cleaned again through a further PLL stage in a specially constructed second jitterbug; this process reduces the residual jitter by a factor of 4.
Signals which fulfil the purity requirements are de-coupled completely from the input jitter by switching to the Masterclock. The incoming signals are further processed by precision oscillators with the best available femto-clock accuracy. Each oscillator is reserved for a single clock family; the Masterclock covers both the odd 44.1 kHz to 705,6 kHz clock as well as the even 48 kHz to 768 kHz clock.


Path Separation Technology

We believe in reproducing music in its purest form. And that is why we make every effort right at the development stage to eliminate even the most insignificant of interference factors, regardless of how minimal they are. Joint processing of PCM and DSD files in a single converter is just such a source of interference: supposedly insignificant, but in fact having a crucial influence on the sound. It was our insistence on eliminating this particular influence that caused us to develop the unique T+A Path Separation Technology: both PCM and DSD have their own converter, specifically tailored to their requirements. These converters exclude adverse sound influences as well as exploiting the potential of each format to the full. For PCM signals we use our quadruple converter, whereas DSD files are processed using the T+A True 1-bit converter, which is unique in the world.


Converters & Filters

Our T+A True 1-bit converter is unique, as it forms a break with a paradigm: conventional converters process DSD signals by converting them into PCM, and reproducing them using the PCM mode. But this conversion contradicts our principles, and caused us to develop the True 1-bit converter, which processes DSD files in their native form, without detrimental conversion processes, and reproduces them in totally pure form as genuine 1 Bit Stream.


Our PCM Quadruple Converter features a double symmetrical circuit design comprising the eight 32-bit Burr-Brown converters, thereby providing above-average compensation for non-linearities in the sound, and reduces the already minimal background noise by a further 6 dB. This sophistication results in amazing dynamism and linearity combined with an equally amazing freedom from distortion. Although we believe in unadulterated music reproduction, the Bezier filters - another in-house development - in the quadruple converter can be exploited by the listener to fine-tune the sound characteristics to his individual taste. The application of polynomials results in perfect timing behaviour for each of the six available filters, two of which are NOS stages.


Galvanic Separation DASS

The analogue sound quality is crucially determined by consistent separation between the digital and analogue sections. This separation, which we term the “Digital Analogue Separation System”, utilises ultra-fast digital isolators from Silicon Labs to provide galvanic separation between the analogue and digital sections. Since it is vital to maintain this separation through the entire signal chain, the mains sections for the analogue and digital signal paths are also completely separated galvanically.


Inputs, & Pre-amp & Outputs

No restrictions of any kind - this maxim was our guide in determining the DAC 200’s connections: its inputs are as universal as they are high in quality: the USB-B inputs are based on the new high-resolution Thesycon chip, which processes signals up to DSD 1024. AES/EBU and BNC are also present, as is SP/DIF in optical and coaxial forms. The T+A SYS Link completes the high-speed signal connection within the Series 200 via the SYS IN input. One analog input is installed as standard, but two stereo HDMI inputs are available as an option.


As a specialised pre-amplifier, the DAC 200 features a discreet Class A pre-amplifier section as well as double mono “State of the Art” outputstage, whilst also providing several outputs designed to cope with any requirement. Balanced XLR and unbalanced RCA outputs transfer the analogue signals to the output stages, while headphones are connected via a balanced 4.4mm Pentaconn headphone output, which draws its signal from a special high-performance headphone amplifier. In contrast to conventional chip solutions, this is of fully discreet construction, and is specially designed for the requirements of headphones. An HDMI output with Audio Return Channel (ARC) for HDMI signal pass-through is available on the optional HDMI board.


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Professional Reviews 93/100

Rating for DAC 200

Deliciously Crispy

Sound Quality

94/100

Build Quality

93/100

Features Connectivity

93/100

Value for Money

89/100

The T+A DAC 200 turns digital music into a spacious, finely focused performance, pairing neutral tonal balance with pin-sharp imaging and richly resolved textures. StereoNET found its clarity and depth remarkably fatigue-free, while selectable filters, separate PCM/DSD conversion, a genuine preamp stage and Class A headphone output make this a versatile digital hub for revealing systems.

What Reviewers Are Saying

"The DAC 200 pulls incredible music and performances from ones and zeros, like nothing in its class."

— Audiophile Style

Pros

Exceptionally clear, detailed and non-fatiguing sound, with natural vocals and an insightful midrange.

Precise imaging and a broad, airy soundstage keep complex mixes clearly separated.

Extensive digital connectivity, selectable filters, analogue preamp functionality and headphone output add genuine system flexibility.

&

Cons

No built-in network audio playback; its Ethernet connection is for system control rather than streaming.

Analogue input provision is limited to unbalanced RCA, with no balanced analogue input.

One reviewer found its price most persuasive with external DSD upsampling via HQPlayer, rather than as a straightforward PCM plug-and-play DAC.

SOUND QUALITY PERFORMANCE 94/100

Reviewers consistently describe an exceptionally clear, refined and emotionally involving converter, combining neutral tonal control with expansive imaging and strong transient expression. Its presentation is detailed and precise without routinely becoming harsh, although one reviewer found the bass a little softer than some rivals and another described the overall balance as potentially dry in a matching system.

Tonal Balance and Musicality

94/100

StereoNET found the DAC 200 precise, accurate and profoundly engaging, with detail presented free of fatigue; HiFi News likewise heard a smooth upper register, uncoloured midband and a detailed, neutral character. Audiophile Style praised its pure, organic realism and emotional impact, while Future Audiophile heard powerful yet controlled bass and a remarkably realistic vocal reproduction.

Resolution and Detail

95/100

Detail retrieval is a repeated strength: StereoNET praised intricate midrange information, ambient recovery and clarity without harshness, while HiFi News heard delicacy, fluency and clearly resolved instrumental textures. Audiophile Style went further, citing percussion texture, transients and nuances it felt the DAC revealed unlike competitors; Golden Sound also called its treble genuinely resolving at low levels.

Digital Performance

92/100

Reviewers report a notably clean, natural digital presentation. StereoNET found the Bezier filtering especially lifelike and able to smooth perceived digital artefacts without sacrificing detail, while HiFi News noted that the DAC could sweeten ordinary CD-quality material; Golden Sound measured strong source-noise isolation and very good, if not flawless, jitter performance.

Assessments of Build Quality, Usability, and Overall Propositions.

Build Quality

93/100

Construction receives direct and repeated praise. HiFi News called the build exemplary, Golden Sound highlighted clean machining and a premium matte finish, and AVComfort described a rigid thick-aluminium enclosure with metal controls; StereoNET also singled out the thoughtful design and finish. The compact casework, large display and substantial controls are widely presented as both polished and practical.

Features Connectivity

93/100

The DAC 200 is unusually versatile for a high-end DAC/preamp: it provides balanced and RCA outputs, analogue input, AES/EBU, BNC, coaxial and optical inputs, dual USB, a headphone amplifier and relay-controlled volume. It also supports PCM to 768kHz, DSD to DSD1024, selectable filters and upsampling, with the optional HDMI module adding two HDMI inputs and ARC output; the main omission noted by HiFi News is that its Ethernet ports are for control rather than network playback.

Value for Money

89/100

At roughly £6,180 with the HDMI module or $12,299 AUD, StereoNET initially considered the price a potential concern but concluded that the engineering care and expertise dispelled those doubts. Audiophile Style called it competitively priced, and Future Audiophile considered its performance, functionality and integration a no-brainer, though Golden Sound felt the price is most convincing when used with HQPlayer rather than as a simple plug-and-play DAC.

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Authorized dealers for T+A DAC 200

  • 110Hz — online and in-store — Kielce, Województwo świętokrzyskie, Poland (website)
  • Acoustic Streams — in-store — Lower Drift, England, United Kingdom (website)
  • Alen Audio — in-store — Extramurs, Comunidad Valenciana, Spain (website)
  • Alpha High End — online and in-store — Brasschaat, Vlaams Gewest, Belgium (website)
  • American Sound — in-store — Richmond Hill, Ontario, Canada (website)
  • AUDIO 2000 — in-store — Wuppertal, Nordrhein-Westfalen, Germany (website)
  • Audio 46 — online and in-store — New York, New York, United States (website)
  • Audio Concierge — online and in-store — England, United Kingdom (website)
  • AUDIO EXCLUSIVE — in-store — Wels, Oberösterreich, Austria (website)
  • Audio Gallery — online and in-store — Las Rozas de Madrid, Comunidad de Madrid, Spain (website)

and 95 more verified dealers

110Hz logo
Acoustic Streams logo
Alen Audio logo
Alpha High End logo
American Sound logo
AUDIO 2000 logo
Audio 46 logo
Audio Concierge logo
AUDIO EXCLUSIVE logo
Audio Gallery logo