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Grimm Audio LS1v2
A good monitor combines a high degree of accuracy with untrammeled musicality. There aren’t many of those around – common wisdom has it that you can have one or the other but never both. The LS1 is the first monitor to prove conventional wisdom wrong.
By integrating top quality digital signal processing, converters and amplifiers in one of the speakers’ legs, we were able to apply technical strategies no one had used before. As a consequence, the LS1 is not just a loudspeaker, but a complete audio system that only needs an analog or digital line source to perform.
True accuracy is about getting all the bits in the right place: not losing anything, not adding anything either. The LS1 offers this accuracy, reproducing a truly musical recording accurately, with all beauty intact. At the same time, the LS1 will also reproduce any imperfection, giving you all the information you need to get it right. These qualities make the LS1 an ideal monitor for both mastering and mixing.
Looking at the design, the box is much wider than it is deep, the small (14 litres) sealed box is designed to provide an effective baffle down to around 250Hz. It is suspended between two half cylinders that combat diffractions and function as an integral two-legged floor stand. An 8” magnesium woofer and a 1” dome tweeter divide the work between them. Smart use of DSP via a Computer Aided Calibration process during production linearizes the frequency response and allows for a controlled bass response down to 35 Hz.
Housed in one of the two legs are a 48/76-bit DSP, digital I/O, AD/DA, the same clock circuit as our CC1 master clock and the drive electronics, encompassing two 180W Class D power amplifiers of the groundbreaking Hypex NCore type.
The concept of the LS1 draws maximum benefit from intelligent application of DSP technology. An IIR crossover imposes exact LR4 acoustic slopes crossing at 1550Hz, and the phase is subsequently corrected using an idealised inverted all-pass filter, resulting in a maximally linear phase response without any pre-echo’s. This removes the “digital loudspeaker sound signature” typical of the more ubiquitous impulse inverted FIR designs.
Despite their compact size, the floor standing speakers are clearly intended as main monitors in mastering studios and mixing rooms that have space to put free-standing speakers. The DSP controlled analog subwoofer output allows for easy integration with stereo subwoofers, for those that need high SPL performance below 40 Hz. By selecting our SB1 or LS1s subwoofer, perfect integration with the main system is obtained, effectively turning the LS1 into a threeway system. The MU1 music player or LS1r remote offer convenient control of all functions inside the LS1.
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Professional Reviews 79/100
Just Okay
Sound Quality
78/100
Build Quality
75/100
Value for Money
85/100
The LS1v2 pairs tonal evenness with a wide, deep soundstage, using DSP control and active amplification to create an unusually composed, room-friendly presentation. HiFi News found its spacious imaging especially rewarding when positioned as intended, while the platform’s updated control software adds welcome long-term flexibility for discerning home and studio listeners.
What Reviewers Are Saying
Pros
Unusually even tonal balance creates a smooth, coherent presentation.
Correct setup delivers a notably wide and deep stereo soundstage.
Rebuilt firmware and control software improve stability, sound quality, and access to settings.
&
Cons
Presentation can sound softened rather than fully transparent or incisive.
Dynamic attack and image focus are less precise than the best alternatives on demanding recordings.
SOUND QUALITY PERFORMANCE 78/100
The review praises an unusually even tonal balance and a large, deep presentation when the LS1 is set up as intended. However, it also finds the overall sound somewhat softened rather than ruthlessly explicit, with less precision and impact than the very best alternatives.
Bass
75/100
The review does not directly assess bass extension, weight, control, or texture. Its comments on the speaker's broad tonal balance suggest no obvious low-frequency imbalance, but there is not enough bass-specific listening evidence to draw a firmer conclusion.
Mid
78/100
The LS1 is described as having an unusually even tonal balance, which points to a coherent and broadly natural central range. At the same time, the reviewer hears a softened, cautious character that limits the sense of outright transparency and precision.
Treble
77/100
There is no direct discussion of treble extension, air, glare, or sibilance. The reviewer instead characterises the overall presentation as less than ruthlessly explicit, suggesting a smoother and more forgiving balance rather than a sharply revealing one.
Soundstage Imaging
86/100
A wide, deep stereo soundstage is singled out as one of the LS1's principal strengths when it is correctly set up. Image focus is less convincing, however, with the review finding it somewhat blurred on material that demands strong spatial precision.
Dynamics
74/100
The reviewer specifically finds the LS1 short of the whip-crack dynamic alacrity associated with top performers. Music that should hit with force is described as becoming too emollient, prioritising ease over visceral attack.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
75/100
The supplied review says little about cabinet construction, finish quality, driver execution, controls, or long-term durability. It therefore provides limited direct evidence on the LS1v2's physical craftsmanship.
Value for Money
85/100
The available review considers the LS1 at a €10,000 price point but does not directly judge its value against competing speakers. It presents a distinctive combination of tonal evenness and spaciousness, while also noting limits in transparency, image focus, and dynamic impact.
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