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SPL Director Mk2
The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, tape monitor path, retro-look-VU-meters, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters.
Milled from solid
The massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.
The red marker LED ensures good visibility of the volume parameter even in darkened environments.
Remote control
The volume control can be remotely controlled with any infrared remote control.
The Director Mk2 learns to communicate with it with the simple push of a button.
Learning made easy
This video explains how you can use any infrared remote control to remotely control the volume and the source selection.
“With its 120 Voltair technology, SPL offers a perfect nest for one of the best DA converter chips currently available. This results in excellent dynamic characteristics, but especially in a highly precise, finely staggered sound stage.”
Source of joy
Up to ten (10!) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals.
The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs.
AES, USB, COAX, OPTIC for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768 kHz sampling rate.
The source selection can also be operated remotely if the rotary switch is set to the “Remote” position.
The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors.
On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB.
Well informed
The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Director Mk2 are necessary.
The detected sampling rate is shown in the dot matrix LED display. For example, U768 is an acronym for the source “USB” with a sampling rate of 768 kHz.
DAC768v2 – the SPL reference DAC in the newest revision!
The highly acclaimed AKM AK4493 SEQ VELVETSOUNDTM premium DAC chip is used as the converter chip in the digital/analog converter within the latest version of the SPL DAC “DAC768v2”, which thanks to its architecture reproduces the finest sound details. It impresses with even lower distortion characteristics and a wider dynamic range than its predecessor.
It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DAC768v2 features the newest version of the Spartan FPGA – Spartan 7.
In contrast to the smaller SPL DAC “DAC768xs”, it not only offers an AES/EBU digital input, but also the new, optimized SPL SLP120 with VOLTAiR technology.
The SLP120 (Super Low-Pass)
The analog output of the DAC chip must be filtered by a low pass filter. In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound. The filter specially optimized for the new SPL DAC768v2 is called SLP120 (Super Low-Pass).
The DAC768v2 inside the Director Mk2 is equipped with the SLP120 – an analog “Super Low-Pass” filter with VOLTAiR technology.
1. AK 4493 SEQ
The DAC768v2 is equipped with the latest generation of the premium DAC chip – the AK 4493 SEQ – from Asahi Kasei (previously AK 4490).
The AK 4493 SEQ impresses with even lower distortion characteristics and a wider dynamic range than its predecessor.
2. Spartan 7
The DAC768v2 features the newest version of the Spartan FPGA – Spartan 7 (previously Spartan 6).
3. The newest generation of the SPL low-pass filter “SLP120”
The DAC768v2 comes with a completely new tuned low-pass filter, which perfectly matches the sonic strengths of the new converter chip. It ofers an even better representation of the stereo image as well as a three-dimensionality we never experienced from any other DAC before.
The new DAC revision can be recognized by the “DAC768v2” label on the serial number sticker.
The design of the DAC768v2 is unfortunately not compatible with devices that were built with DAC768.
In addition to the original DAC chip (previously AK4490, now AK4493), other components in the digital environment that are no longer available, such as the previously used version of the Spartan-6 FPGA (now Spartan-7), had to be updated. As the technical characteristics of these components are different from those of their predecessors, further technical adjustments had to be made to the device in order to achieve the best possible sonic performance of which SPL is known for. The analog low-pass filter with 120V technology is also different in the devices with DAC768v2.
It is therefore not possible to simply replace the DAC768 module with the DAC768v2 module.
“Director Mk2 controls, takes nothing away, adds nothing, doesn't gloss over anything. An honest contemporary in the role of asset manager, blindly trusted.”Good ol' times
Two mechanical VU meters visualize the input levels for the left and right audio channel.
With the VU switch you can optimize the display for different signal levels.
“Frankly, the sound of the SPL even startled me. Because it replaced the ... preamplifier and my... Directstream DAC... and I liked it better at first sight than this almost ten-thousand-euro duo. The Director Mk2 impressed from the first bar.”Tape Monitor
A tape monitor circuitry is quite retro.
Who still owns a cassette recorder or a tape machine?
Who else loops in an equalizer?
To put it another way:
Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore?
Well, those who want can again.
Today’s audio levels are much higher than in the past and many recorders will be overloaded by them.
In that case simply press the switch and the level to the recorder is lowered by 10 dB.
To compensate, the level from the recorder is increased by 10 dB. Et voilà.
“The SPL Director Mk2 in its double function as DAC and preamplifier is an excellent director in the sound chain and proves to be a high-end conductor for the HiRes orchestra.”All variable – or Slave Thru?
The Director Mk2 provides two stereo output pairs for connecting power amplifiers or active loudspeakers.
One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the big volume control. Thus, a pair of speakers can be fed via one stereo output and a subwoofer via the second stereo output. The playback volume for both stereo outputs is adjusted together via the volume control on the Director Mk2.
With a DIP switch on the back of the device, the volume control for the RCA and XLR outputs can separately be switched out of the signal path – this makes the respective output a “Slave Thru” output to e.g. connect a headphone amplifier with its own volume control. The volume control of the Director Mk2 no longer affects the playback volume of the connected headphone amplifier when a stereo output’s Slave Thru mode is active.
Home Theater Bypass
Since the hardware revision 2.2, the Director Mk2 features a Home Theater Bypass function. This allows the Director Mk2 to be used in combination with a multi-channel home theater system. The L and R channels of the home theater system can be simply connected to Input 6 of Director Mk2. When the Home Theater Bypass is active (DIP 4), Input 6 is no longer affected by the volume control of the Director Mk2.
Everything under control – AMP CTL
The standby mode of devices with 12V trigger input, can be switched on and off via AMP CTL, together with the Director Mk2. This allows, for example, the SPL Performer s800, Performer m1000 or Performer s1200 power amplifiers to be ideally integrated into the set-up.
Sounds good
With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.
“The Director offers a very smooth sound image throughout with lightness and variety in textures. It is far from dry and hyper-defined electronic aspects.”The VOLTAiR Technology
The 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.
The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.
The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience.
By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.
The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.
VOLTAiR is a composition of the terms Volt and AirVolt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in.
VOLTAiR symbolizes the perceived limitless dynamics resulting from high audio voltage.
What exactly is that?
And what does it do?
Good questions need good answers.
And that’s what the 120V technology (VOLTAiR) video gives you.
Most audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.
SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.
VOLTAiR is that good
In the lab, we pitted Phonitor xe against the best audio measurement system and found that Audio Precision could not measure VOLTAiR technology.
Home is where the heart is
That’s why we manufacture all devices in our own production facility in Niederkrüchten on the Lower Rhine, Germany.
Replacing fuses and voltage selection
The replacement of fuses and the switching of mains voltages must only be performed by qualified technicians. Fuses must only be replaced with fuses of the same type and specifications.
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Professional Reviews 93/100
Deliciously Crispy
Sound Quality
94/100
Build Quality
94/100
Features Connectivity
88/100
Value for Money
94/100
The Director Mk2 brings vanishingly quiet backgrounds, explosive dynamics, and sharply layered imaging to a compact preamp-DAC hub. SoundStage Solo admired its neutral transparency and low-frequency authority, while HomeTheaterHifi heard a broad, deep stage with extended treble and taut bass. VOLTAiR circuitry, high-resolution USB capability, and tactile VU-meter styling make it a compellingly complete control center.
What Reviewers Are Saying
Pros
Exceptionally quiet, transparent presentation with focused images and convincing space between instruments.
Powerful dynamics, punchy bass, and a broad three-dimensional soundstage without harsh treble.
Compact, tank-like build with a silky weighted volume control, plentiful inputs, and flexible learned-remote operation.
&
Cons
At elevated volume, the neutral, vivid balance can turn slightly steely or shouty rather than warm and relaxed.
No built-in streaming, phono stage, headphone output, or room correction.
SOUND QUALITY PERFORMANCE 94/100
Reviewers consistently describe the Director Mk2 as exceptionally open, quiet, transparent, and dynamically alive, with unusually precise image focus. Its neutral, high-definition presentation prioritizes control and insight over tube-like bloom; one reviewer also found the sound could become slightly steely and shouty at elevated levels.
Transparency Resolution
96/100
Multiple reviewers heard an unusually revealing, low-noise presentation. Future Audiophile found recordings more open and detailed than heard with most components in its system, while SoundStage Solo called the SPL vanishingly quiet, transparent, and capable of images emerging from a blacker background.
Tonal Balance Musicality
90/100
The Director Mk2 is widely described as neutral, clean, vivid, and emotionally communicative, with extended but non-harsh treble and punchy bass that avoids excess. SoundStage Solo noted that it gave up some bloom, warmth, textural fluidity, and dimensional ease compared with an ARC reference, and could become somewhat steely or shouty at high volume.
Dynamics
95/100
Dynamics are a major strength: HomeTheaterHifi found music from solo instruments to full orchestra impressively solid and dynamic, while Audiophilepure called the digital presentation highly dynamic, vivid, and powerful. Reviewers also praised the physical impact of drums, strong bass weight, and clear separation of individually dynamic musical lines.
Soundstage Imaging
93/100
Reviews describe a broad three-dimensional stage with convincing front-to-back depth, wide images, and excellent center-image openness. Instruments and voices were repeatedly noted as distinctly spaced, sharply focused, and layered against a notably quiet background, although one comparison found less overall sense of dimension than an ARC preamplifier.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
94/100
The Director Mk2 earns strong praise for its compact but tank-like construction, heavily weighted motorized volume control, and silky Alps RK27 potentiometer action. Reviewers characterize it as well engineered and exceptionally solid, with Future Audiophile likening its execution to components costing substantially more.
Features Connectivity
88/100
This is a versatile preamp-DAC with balanced XLR and unbalanced RCA analog connections, plus AES/EBU, coaxial, optical, and USB digital inputs. The DAC supports PCM through 768 kHz and DSD256 via USB, making it a capable central control unit, though it has no built-in streaming, phono stage, or headphone output.
Value for Money
94/100
At roughly $3,700 to $4,700, reviewers repeatedly regarded the Director Mk2 as unusually competitive against far costlier separates. Future Audiophile compared its preamp performance favorably with a $10,000 Pass Labs XP-22, while SoundStage Solo said it could save buyers thousands versus their expected spend; its internal DAC was nevertheless not rated equal to separate Benchmark and Bricasti DAC references.
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Authorized dealers for SPL Director Mk2
- Accent On Music — in-store — Mount Kisco, New York, United States (website)
- Alma Music & Audio — online and in-store — San Diego, California, United States (website)
- Alta Fedelta — online and in-store — Lombardia, Italy (website)
- Alto Music — online and in-store — Middletown, New York, United States (website)
- Analog Matters — online and in-store — Ormond Beach, Florida, United States (website)
- ARK Audio — online and in-store — Borensberg, Östergötlands län, Sweden (website)
- Art & Voice — online (website)
- Audio 46 — online and in-store — New York, New York, United States (website)
- Audio Archon — online and in-store — Libertyville, Illinois, United States (website)
- Audio Art Cable — online and in-store — San Diego, California, United States (website)
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