The SR-112.2 packs a lot of horsepower into a easy-to-manage “bookshelf” size speaker package.
The SR-112.2 features an 80º x 60º elliptical horn with particularly controlled response that insures every seat in the intended coverage area hears the same accurate sound. The sound quality is particularly “hi-fi” in its accuracy and refinement.
Surprisingly compact, the powerful, high-fidelity SR-112.2 won’t impede on aesthetics – it can be installed discretely, and in tighter locations than other sound reinforcement style speakers of similar output capability, including use as a high-resolution stage monitor.
The SR-112.2 was thoughtfully designed from top to bottom including ergonomic handles, multiple fly points, industry-standard mount points, and pole cups.
It is available in black and white, and in passive or active versions depending on the installation need. Upgrades include custom paint matching and weatherizing (of the passive version only).
Optional accessories include the Theory SplitYoke™ Multipurpose Mounting Brackets used to install the SR-112.2 easily on the wall, ceiling, floor (as a monitor), and other surfaces.
Theory’s new SR Series loudspeakers are built-to-order in the U.S. and unite lively dynamics, high maximum output level, and refined acoustic performance. Unlike most sound reinforcement speakers, and in line with the brand’s promise, Theory is raising the performance bar, not only in terms of accuracy of the reproduced sound, but also in sheer output capability.
Capable of astonishing accuracy and output, the compact SR-112.2 will have you rethinking how you design your next portable or installed sound reinforcement project.
The CEA2034 or “Spinorama” data encapsulates the performance of a loudspeaker in a typical room. The SR-112.2’s “Listening Window” response is ruler-flat, exactly the response that delivers accurate timbre, unmatched detail and coherence to the listener’s ears.
The directivity contour plot shows the coverage the loudspeaker visually as a rectangular “heat map”. The SR-112.2 holds its 80° horizontal pattern uniformly across a wide bandwidth, all the way into the top audio octave.
Here is the data shown in the Directivity Contour Plot shown again on a polar map, making it easier to “see” how the sound is dispersed from the loudspeaker itself. The 0° axis represents the axis perpendicular to the speaker baffle. The SR-112.2 coverage is perfectly controlled, all the way to the top audio octave.
The directivity contour plot shows the coverage the loudspeaker visually as a rectangular “heat map”. The SR-112.2 holds its 60° vertical pattern uniformly across a wide bandwidth, all the way into the top audio octave.
Here is the data shown in the Directivity Contour Plot shown again on a polar map, making it easier to “see” how the sound is dispersed from the loudspeaker itself. The 0° axis represents the axis perpendicular to the speaker baffle. Like the SR-112.2’S horizontal coverage, its vertical coverage is perfectly controlled, all the way to the top audio octave.
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