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Technics Stereo Integrated Amplifier SU-R1000
The SU-R1000 is a new kind of integrated amplifier, equipped with the next evolution of our full digital amplifier technology. In addition to highly pure sound with the influence of noise and distortion eliminated, we have achieved superior drive functions and a sound overflowing with energy.
Equipped with the next evolution of our full digital amplifier technology, the SU-R1000 produces an ideal sound that conveys all the richness and life of the original without any loss of fidelity. The SU-R1000 breaks through to a new world of sound, with superior sound quality and functionality, bringing together the latest Technics technology.
- JENO Engine (Jitter Elimination and Noise-shaping Optimization) to reproduce the nuances of music
- ADCT (Active Distortion Cancelling Technology) for expansive sound ambience
- Advanced Speed Silent Power Supply that results in the best performance from the digital amplifier
- Four Independent Power Supply Units for a high S/N ratio and superb separation
- High-grade Digital/Analog I/O Circuit for outstanding sound quality from any input source
(Active Distortion Cancelling Technology)
ADCT
The Active Distortion Cancelling Technology newly developed by Technics accurately extracts and removes distortion in the power output stage which is generated by the speaker’s counter electromotive force and voltage drops. In the Hi-Fi audio market where an unlimited number of audio systems can be configured by combining various products, high-end audio amplifiers need to optimally drive a diversity of speakers. The Active Distortion Cancelling Technology accurately extracts distortion by determining the difference between the speaker terminal output and JENO output and then applies correction to the output digital signal, thus correcting the conventional digital amp system. This provides powerful speaker driving force and acoustic energy while offering the superior benefits of a digital amplifier, such as low noise, precise sound image and expansive sound ambience, regardless of the types of connected speakers.
Advanced Speed Silent Power Supply
The SU-R1000 uses a switching power supply system to ensure a stable supply of voltage and current required by the digital amp. In a conventional switching power supply system, the ON time of the switching operation was controlled in order to stabilize the voltage, and this causes the switching frequency to fluctuate according to the load, resulting in a modulation noise to affect the sound quality. The Advanced Speed Silent Power Supply has eliminated this noise by fixing the switching frequency in the 400kHz band. Furthermore, a Super Low Noise Regulator is provided in the later stage. This prevents the decrease of regulation resulting from the fixed switching frequency and impedes the mixing of noise component into high frequencies. The result is a high-response power supply that results in the best performance from the digital amplifier.
Four Independent Power Supply Units
In the SU-R1000, every element comprising the power supply has been diligently studied and revised for higher sound quality. What’s more, four independent power supply units are provided for different circuit blocks for further enhancement of sound quality. Since the SU-R1000 is an integrated amplifier, the internal circuits consist of a pre-amp stage and power amp stage in a mix of analogue and digital circuits. The Phono-EQ section which processes minute analogue signals is particularly susceptible to the effect of noise transmitted through the power supply line. The SU-R1000 uses separate power supply units for the analogue circuits and digital circuits in the pre-amp stage. It also uses separate power supply units for the right and left channels in the power amp stage that requires large electrical power. With the four independent power supply units, the SU-R1000 prevents power-line-induced interference among the circuit blocks and realizes a high S/N ratio and superb separation.
High-grade Digital/Analog I/O Circuit
The phono input section and analogue input section feature a full-discrete circuit design. Technics has realized an ideal, symmetrical circuit layout and performed meticulous tuning. The new circuits prevent interference between the right and left channels and achieve excellent channel separation. Furthermore, the phono input section and XLR input section employ completely balanced transmission to ensure high-purity signal transmission with minimum effect of noise. The USB input circuit in the digital input section is equipped with a capacitor of high-quality ruby mica and a power conditioner with nonmagnetic carbon film resistors for blocking electrical noise e.g. from a PC and for minimizing the effect of external noise. The A/D converter incorporates a high-performance chip made by Asahi Kasei Microdevices (AKM) for high-precision A/D conversion. Thus, the SU-R1000 reproduces outstanding sound quality from any analogue or digital input sources.
High Rigidity Chassis and Design
The rigidity of the chassis has been enhanced extensively to suppress the enclosure vibration that is also a source of noise. The inner chassis features a double-deck separated structure. Mounted on the upper deck is the power amp section consisting of the amplification circuit and its power supply circuit. Installed on the lower deck is the pre-amp section which is comprised of the analogue input section, including the phono equalizer, and the digital input section as well as the power supply circuits for those circuits. Not only the upper and lower decks but also individual circuit blocks are separated from one another by steel shield plates. These steel shield plates also serve as reinforcing plates for strengthening the rigidity of the entire chassis. On the outside, the front panel is 10-mm thick, while the side panels and top panel are made of 6-mm-thick alumite-treated aluminum plates. They have also improved the rigidity and vibration resistance. The insulators that support the chassis are made of cast iron with excellent signal attenuation characteristics. All in all, the above parts and materials enhance the quality of internal signals and eliminate the effects of external vibrations at highest levels.
Input and output terminals made of meticulously selected high-quality parts
- Speaker terminals designed to allow connection of extra-large diameter speaker cables
- Y-lug terminals for ensuring reliable cable connection
- Neutrik-manufactured analogue balance input terminals and PHONO XLR input terminals (exclusively for MC)
- Analogue input terminals with gold-plated, machined brass parts
Technics’ refined design
- Attractive front panel embellished with high-quality hairline surface finish and equipped with an iconic, large dual-needle meter
- Volume dial and selector knob made of parts machined from solid aluminum blocks and spin-finished
Accurate EQ Curve – Made possible by hybrid analogue/digital circuit design
An accurate EQ curve is achieved by a hybrid analogue-digital system. The high-gain low-pass filter (LPF) performs analogue processing, while high frequencies are raised after the A/D conversion. The use of the 40-dB LPF(Low-pass filter) in the analogue region suppresses the bit loss during digital filter processing, and high frequencies are raised with high accuracy in the digital region to achieve a high S/N ratio.
Crosstalk Canceller - For measurement and improvement of crosstalk characteristic unique to each cartridge
This function measures the crosstalk characteristic of the installed cartridge by using the crosstalk measuring signal recorded on the Calibration Record bundled with the SU-R1000. It then performs reverse-correction using the built-in DSP to achieve significant improvement of the crosstalk characteristic. This results in a more precise sound image and a wider sound ambience.
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Professional Reviews 94/100
Deliciously Crispy
Sound Quality
93/100
Build Quality
96/100
Features Connectivity
95/100
Value for Money
92/100
The Technics SU-R1000 marries inky-quiet clarity with powerful, composed dynamics, delivering holographic imaging from digital and vinyl alike. StereoNET United Kingdom praised its open, natural detail, while SoundStage Solo highlighted its arrestingly realistic spatial presentation. Intelligent Phono EQ and LAPC calibration make this a uniquely sophisticated reference hub for demanding systems.
What Reviewers Are Saying
Pros
Exceptionally clean, open, low-noise sound with strong detail retrieval and natural composure across analogue and digital sources.
LAPC speaker calibration and phono optimization can improve bass definition, imaging, separation and soundstage stability.
Flexible, high-quality phono stage supports MM, MC and balanced MC cartridges, with calibration profiles and multiple EQ curves.
Exceptional fit, finish and construction, complemented by comprehensive analogue, digital, preamp and power-amp connectivity.
&
Cons
Soundstage is not as expansive, layered or precisely focused as some class-leading rivals.
Rhythmic precision and ultimate dynamic punch fall short of the strongest competitors at this level.
No built-in streaming or Bluetooth facilities.
The manual and menu-driven setup can be cumbersome, particularly for advanced calibration and adjustment functions.
SOUND QUALITY PERFORMANCE 93/100
Reviewers consistently describe an exceptionally clean, open and composed presentation that works impressively with both digital and vinyl sources. Its character is largely neutral and highly controlled, with strong low-level detail, substantial power, and particularly convincing spatial performance when LAPC is engaged; a few listeners found the soundstage less expansive than the best rivals or preferred more tonal color.
Transparency Resolution
95/100
StereoNET heard an open, neutral and highly clear sound that uncovered subtle information obscured by other amplifiers, while The Absolute Sound called it notably transparent and accurate with very little coloration. What Hi-Fi also praised its inky-black background and low audible noise, although it found the phono frequency-response processing could slightly reduce transparency.
Tonal Balance Musicality
92/100
Reviewers find the SU-R1000 smooth, natural, detailed and musically engaging rather than sterile; What Hi-Fi heard a generous, slightly rich balance with real delicacy and fun. The Absolute Sound praised its lack of tonal coloration and realistic instrumental timbres, though one reviewer felt it did not equal Shindo amplification for ultimate tonal and timbral verisimilitude, and Andrew Robinson noted that it can sound slightly lean.
Dynamics
93/100
The amplifier is widely praised for combining high output with composure, from SoundStage's massive and controlled EDM playback to Dagogo's ability to drive demanding Sound Lab speakers while remaining very quiet. Reviewers also heard excellent microdynamic expression and fast, grippy bass, although What Hi-Fi felt rhythmic precision and outright dynamic punch were not quite class-leading.
Soundstage Imaging
91/100
LAPC and the cartridge-optimization functions earn repeated praise for improving separation, depth, image stability and placement. SoundStage and StereoNET describe holographic voices, wide separation and precise three-dimensional imaging, while The Absolute Sound heard especially convincing depth; however, What Hi-Fi found less space, layering and positional precision than it expected at this level.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
96/100
The SU-R1000 receives unusually strong praise for its construction, with reviewers describing lavish, battleship-grade build, thick aluminum panels, excellent fit and finish, and exceptionally quiet operation. Dagogo and Andrew Robinson go further, calling it exceptionally built and among the best-built amplifiers they have encountered.
Features Connectivity
95/100
This is an unusually comprehensive integrated amplifier, with balanced and unbalanced line inputs, MM/MC phono including balanced MC, dual USB-B, coaxial and optical digital inputs, pre-out, main-in, recording connections, A/B speaker terminals and a capable headphone output. Its cartridge-calibration LP, selectable phono curves, LAPC speaker optimization and extensive digital support make it especially appealing to listeners using both vinyl and digital sources, though it omits network streaming and Bluetooth.
Value for Money
92/100
At roughly $9,500-$10,000, reviewers generally regard the SU-R1000 as a compelling all-in-one alternative to separate reference-level amplification, DAC and phono components. The Absolute Sound calls it an excellent buy at its price, and Dagogo emphasizes the amount of reference-caliber functionality in one chassis; StereoNET notes that the less expensive SU-G700M2 delivers much of the same technology for buyers with tighter budgets.
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- The Music Room — online and in-store — Erie, Colorado, United States (website)
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