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PSI Audio A215-M – Compact Mastering monitor
Compact Mastering Monitor
The innovative architecture of the A215-M enables its outstanding performance for professional mastering and audiophile listening. Optimised for both seated or standing listening, it reproduces sonic spaces with breathtaking accuracy.
Main Features
Power
290 + 55W
Frequency Range
36Hz – 23kHz
Peak max. SPL@1m
115dB
Typical listening distance
1.2 to 3.5m
100% Analog – No DSP
Flat frequency response
Perfect stereo image
Handmade Tweeter
True D’Appolito system
Floor-standing
Class G/H Amplifiers
Individually calibrated
5+1 years warranty
Handmade in Switzerland
The perfect journey in your studio
Only you know where your story begins, and who knows where it will take you? While the path may be shrouded in mystery, at least the sound is clear as day – with the A215-M.
Think of mastering monitors. Now strip away their bulk, but retain the sonic quality and reduce its appearance to an elegant floor-standing speaker. What you are imagining now is the A215-M, a very compact yet infinitely capable mastering monitor. It delivers the sound that has earned PSI Audio the respect of sound professionals all around the world with all the precision and detail required for mastering. It may be its sleek exterior design, but listening to the A215-M makes the speaker disappear and the music stand on its own – ready for you to delve right in.
“The A215-M surprises in its capacity to deliver a very broad bandwidth with an increadible SPL, making the add of a subwoofer completely useless.
In the bass range, the A215-M showed itself to be confident, with contoured, dry depths that, despite the bass reflex design, left the impression of the signature of a closed monitor.”
Fritz Fey, Studio Magazin – Germany
True D’Appolito design
The A215-M uses a D’Appolito configuration of 2 woofers, one above and one underneath the tweeter which creates a point source system with reduced dispersion on the vertical plane.
This is typically well suited for mastering rooms or living rooms where reflection on floor and ceiling are best when minimised.
Expand the bottom end
Technically, the A215-M does not need a supporting subwoofer. It already reaches low enough to be rightfully called a full-range system. However, by adding a Sub A125-M or Sub A225-M, not only do the low frequencies benefit from the added power, but midrange clarity can also be further enhanced. The addition of a subwoofer might not dramatically change the performance of the A215-M, but it will let the system as a whole perform at its best.
Flat Response
Each speaker is individually calibrated in our anechoic chamber and is delivered with its frequency response sheet. A proof of quality.
A215-M – Mastering-grade floor-standing speaker
The A215-M is unique in the PSI Audio range as it is the only floor-standing speaker. Employing all the proprietary PSI Audio technologies and boasting a finely tuned D’Appolito driver setup, the A215-M grants outstanding fidelity for both standing and seated listeners.
A215-M – Who is it for?
The evolution of mastering and multichannel techniques, as well as the rise of personal studios, lead us to think that it may be time for a new shape of monitors.
The innovative architecture of the PSI Audio A215-M produces an outstanding full-range performance for mastering even without an additional bass extension. This floor-standing monitor benefits from perfectly coincident sources.
It has been optimized for listening in sitting or standing position and reproduces the sonic space with remarkable precision. The A215-M features all the most advanced technological innovations of the brand: high-yield G/H class amplification, CPR, AOI, ALG and PSC, all of which add to that special PSI Audio experience.
The A215-M is designed to be harmoniously integrated with all the rest of the M series monitor range. The A215-M can easily be used in stereo or in surround systems.
All our products are handcrafted in Switzerland with passion and attention to detail.
Manufacturing by hand allows to match and adjust components so that tolerances cancel each other out instead of building up, as is often the case in industrial production.
Choose your colour
Choose between Studio Red, Metal Black and Pure White.
Cabinets are manufactured with great care and attention from the choice of the wood all the way through to the paintwork.
What our users say
I like the precision, the stereo image, the bass tense and the spectacular rendering of the A215-M in mastering situation.
Benjamin Savignoni – Translab Mastering
Dealers selling PSI Audio near you
Impressively wide soundstage and studio-style authority give the A215-M a commanding presence despite its slender footprint. Reviewers at HiFi News praise its deep, defined bass and studio-grade dynamics, while noting the compact cabinet’s engineered dispersion and solid build. The result is a compact mastering monitor that rewards careful placement.
Pros
- Exceptional, stable stereo width and controlled dispersion from a compact enclosure.
- Authoritative low end with deep, defined bass extension for its size.
- Robust build and studio-class dynamics with high SPL capability.
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Cons
- Ported bass can introduce coloration and cabinet/room excitation if not properly decoupled (no spikes supplied).
- Protection circuitry has been reported to flicker LEDs and even shut a speaker down under heavy bass, reducing usable headroom.
- Treble is controlled but a touch subdued, with a mild 'honk' character and slightly limited fine detail compared with top-tier peers.
Sound Quality
89/100
Weighted average of sub-criteria below.
Bass
91/100
Large, ported design yields deep, defined bass that often surprises for its size; reviewers repeatedly noted 'quite a lot of it' and 'deep and defined' though the low porting can add coloration and cabinet excitation if not properly decoupled. For its size the bass extension and authority are excellent, though not perfectly neutral.
Mid
89/100
Clear, present midrange with good timbre on many tracks ('The Chain' was impressive), but some hardening at higher SPLs and a loss of musical energy at medium levels were reported. Overall very good mid performance with slight stress under loud playback.
Treble
87/100
Treble level is broadly correct and not overly bright, but detail retrieval is a touch subdued compared with pricier peers and reviewers noted a mild 'honk' character. Treble is controlled and non-fatiguing but not the last word in resolution.
Soundstage Imaging
92/100
Excellent width and stable imaging — reviewers described a very wide soundstage that held whether standing or sitting and even improved down the room, aided by strong dispersion from the compact enclosure.
Dynamics
88/100
Noted for impressive dynamic capability and high SPL potential, with 'amazing dynamic levels' in many passages. However, protection circuitry and the speaker's limits under sustained extreme levels (LED flicker, protection-triggered shutdown) reduce the effective headroom in some real-world scenarios.
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Build Quality
92/100
Generally described as high standard, solid and robust construction. Reviewers noted quality studio-oriented design and fit/finish, though fixed grilles and lack of spikes were mentioned as design choices that affect placement and cabinet vibration in some setups.
Features Connectivity
82/100
Active studio monitor connectivity: balanced XLR input and switched IEC mains are provided; no unbalanced RCA/TS inputs or onboard source flexibility. Presence of protection circuitry is a feature but also led to audible interruptions (LED flicker and a shutdown during heavy bass material), limiting practical usability in some cases.
Value for Money
84/100
At the reviewed price (~£5385 in the HiFi News review title; product listing shows ~4689), these are premium-priced studio monitors. Reviewers praise studio-grade performance (wide dispersion, dynamics, authoritative bass) but note some coloration and protection limitations, so while competitive for studio use the package is not described as a 'bargain' relative to peers.
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