90%
PMC twenty5.22i
The more substantial twenty5.22i is designed for use in larger spaces than the 21, and is equally at home on its dedicated stands, console furniture or other flat surfaces.
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Boasting a refined, low-distortion delivery, the twenty5.22i pairs smooth highs with a natural midrange and tight bass thanks to PMC’s ATL. Reviewers like John E. Johnson, Jr. and The Ear note its revealing imaging and controlled dynamics, making it a compact monitor that punches above its size with wide soundstage and low distortion.
Pros
- Very low distortion and refined treble—smooth, natural high‑frequency extension with measured low THD.
- Strong, clean bass from the Advanced Transmission Line (ATL) design—deep, controlled low end for a 6.5" standmount.
- Exceptional imaging and natural midrange—detailed vocals and instrument separation give a deep, well-defined soundstage.
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Cons
- Requires an amp with good gain/headroom—some reviewers found certain low‑gain amps underpowered for optimal dynamics.
- Long break‑in period reported—may take several weeks of use to reach peak refinement.
Sound Quality
91/100
Bass
90/100
Transmission-line ATL and Laminair grille deliver deep, controlled bass down to the spec'd 39 Hz with low distortion (HomeTheaterHifi: 'powerful, punchy bass', Alpha Audio: '1.72-meter-long transmission line'). For its size (6.5" driver class) reviewers repeatedly praise extension and tightness, though the largest twenty5i models offer still more low-end for those seeking floorstander levels.
Mid
92/100
Midrange is natural and low in distortion with excellent vocal presence (The Ear: 'Vocals are particularly well served'; HomeTheaterHifi: 'Human voices natural'). The 170mm woven G-Weave driver and careful crossover tuning yield clear timbre and body without obvious coloration.
Treble
91/100
The 19mm SONOMEX soft-dome tweeter (from the Fact series) provides smooth, refined highs with low THD (HomeTheaterHifi: 'sweet high-end', 0.07% THD at 10 kHz). Reviewers note a smoother, less edgy top end compared with older PMC models, while remaining highly revealing (The Ear: 'highly revealing').
Soundstage Imaging
90/100
Speakers present a deep, well-focused image with wide dispersion and excellent definition (The Ear: 'lets you hear right into a deep and solid image'; HomeTheaterHifi: 'angled up to enhance time alignment'). Reviewers describe very good layering and instrument placement for the class.
Dynamics
90/100
Low distortion and good headroom allow impactful micro- and macro-dynamics (HomeTheaterHifi: 'plays loud without much audible distortion'; The Ear: 'Timing is bang on the money'). Reviewers note amp-dependence for optimal gain, but dynamics remain controlled and punchy.
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Build Quality
93/100
Handmade HDF cabinets with precise finish and a 20-year warranty underline premium build (Alpha Audio: 'handmade...20-year warranty'; 'HDF...seams and lines look very clean'). Rear-panel fit, rhodium-plated terminals and real wood veneer are repeatedly praised (The Ear; HomeTheaterHifi).
Features Connectivity
80/100
Passive single-pair 4mm binding-post configuration (product spec) — passive baseline applied. Reviews note optional powered/wireless amplifier upgrade variants exist, but the standard model is a basic passive bookshelf (Alpha Audio, The Ear).
Value for Money
82/100
Performance is high and reviewers praise the speaker, but pricing for passive twenty5.22i isn't consistently stated (stands cost €499; a powered variant MSRP $4,499 is noted). Reviewers call it a 'knockout' and say there's 'an awful lot to like', but its premium positioning keeps value from scoring into the exceptional band.
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