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Pathos Logos MKII
Close to the spirit that has animated since its origin has always been involved in the search for new solutions and improvement of its machines for Music.
E with this approach that Pathos after more than ten years after the introduction of the integrated Pathos Logos presents its evolution MKII.
Pathos is not usual to introduce updated versions of its models except in the presence of substantial and meaningful new ideas to offer its loyal customers and in general to all lovers of good music.
Indeed behind the usual original design the new Logos MKII hide the introduction of a series of new solutions some thinked in order to further enhance the sound of the amplifier and others to meet the demand for versatility and practicality that a demanding clientele pretends that is also present in a high-end device.
Care for details
As regards the first kind of solutions adopted in the new Logos we find an increased voltage of anodic polarization of the valves in order to optimize the working point of the same and obtain greater linearity and thus a general improvement of the sound in particular an increase of the consistency and definition.
Stabilized power supply for preamp valve and a more accurate collocation of electrolytic capacitors throughout the signal path (and in particular close to each mosfet) allow to have a valuable reserve of “quick energy” that while listening they mean better dynamics, detail and sense of rhythm.
A comfortable listening
Numerous innovations also regarding the practicality of use that they assist pleasantly the owner in the use of the amplifier, we find: volume levels can be stored for each input, the gain differentiation between digital and analog inputs so as to ensure homogeneity of the a level between the different sources used, standby function from the remote control respectful of energy consumption limits imposed by the latest EEC regulations,
Digital music
The ability to have an optional high quality DAC 32bit-384Khz integrated into the device enriches the set of connections with the addition of 2 SPIDF digital inputs and 1 USB type B for computers input, which allow a really meaningful versatility in the management of digital sources and let Logos MkII stand as an ideal amplifier for the use of digital Music.
Expected snags!
A new protection has also been implemented against short circuits and overloads by a “Hall” effect sensor that allows the device to protect itself against shorts caused by speakers and by internal malfunctions, preserving in this case also the speakers and at the same time without diminishing the quality of the musical signal.
Prose
Logos is a hybrid amplifier of 110W per channel into 8 ohms and 220W into 4 ohms with ECC88 preamp valves, end-stage class A / B Mosfet strongly polarized, fully balanced signal until the valve that allows you to take full advantage of a balanced source as Pathos Digit and Pathos Endorphin, volume control purely resistive analog circuitry with digital control and input and output impedance constant, lamellar transformer resin and encapsulated to zero dispersions, brightness display adjustable and all functions remote controlled.
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Pathos Lògos MkII — Hybrid Italian integrated amplifier
The Pathos Lògos MkII marries jewelry-like Italian design with a hybrid tube–MOSFET topology that delivers musical, authoritative performance. Its tube preamplifier gives a smooth, transparent midrange and natural vocal presence, while the solid‑state output supplies punchy, controlled bass and impressive transient slam. Reviewers at Yongki Go, Ph.D. and Audiophilepure highlighted its musicality, dynamics and exceptional craftsmanship. With 2×110W per channel, a high damping factor and a Burr Brown stepped volume stage, the Lògos MkII couples control with tonal richness. Connectivity includes 2 XLR/5 RCA inputs, pre/sub outputs and an optional HiDac Mk2 board for USB/SPDIF DAC functionality. Ideal for listeners seeking tube warmth with solid‑state control and a showpiece chassis, it represents compelling value at its price point.
Pros
- Natural, musical midrange and vocal transparency driven by the tube preamp.
- Punchy, controlled bass and impressive transient authority that belies the spec sheet.
- Excellent build quality and distinctive, timeless Italian design—both robust and show-worthy.
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Cons
- No built-in high-resolution DAC — the HiDac Mk2 is an optional, paid upgrade.
- Runs rather warm in operation and has prominent heat-sink styling that may complicate handling/placement.
- Soundstage is focused and believable but was noted as slightly less wide/deep than some rival integrateds in direct comparison.
Sound Quality
91/100
Dynamics
92/100
Multiple reviewers noted that the amp moved woofers and conveyed attacks and rhythm with more authority than its spec might suggest, describing impressive slam and transient control. With 2x110W and a high damping factor (360@8Ω), the Logos MkII delivers controlled, punchy dynamics and headroom consistent with high-performing Class AB/MOSFET designs.
Soundstage Imaging
89/100
Reviews report focused, believable imaging and accurate spatial cues, producing a musically realistic stage. One reviewer noted a competitor (Michi X3) had a slight edge in overall width/depth, so staging is very good but not absolutely class-leading.
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Build Quality
94/100
Reviewers called the build 'excellent' and likened the unit to a delicate art piece; the substantial 28kg chassis and quality component choices (Burr Brown volume control, tube preamp circuit) back up that assessment. Overall craftsmanship and finish were described as high-end and robust.
Features Connectivity
86/100
The Logos MkII offers 2 XLR and 5 RCA inputs, stereo pre-out and a sub out, plus five-way binding posts; baseline connectivity is strong. An optional HiDac Mk2 board (+USB B, 2 SPDIF coaxial) adds a high-resolution DAC capability (extra cost), which elevates overall feature value but is not standard equipment, placing it in the well-featured range.
Value for Money
90/100
At the stated price (~$5,595) reviewers explicitly said the Logos MkII 'does not break the bank' and that its sonic performance 'easily justifies its price of admission.' Multiple reviews framed the product as a justified-premium offering in its segment rather than overpriced.
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