Potato score: 90.24

90%

Musical Fidelity Nu-Vista 800.2 #1
Musical Fidelity Nu-Vista 800.2 variant 1
Musical Fidelity Nu-Vista 800.2 variant 2
Musical Fidelity Nu-Vista 800.2 variant 3

Musical Fidelity Nu-Vista 800.2

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Nu-Vista 800.2 - Overview

The Nu-Vista 800 was an amplifier that has enjoyed much popularity and use as a high end hybrid integrated over the past few years. Unfortunately, as with all things encompassing modern, as well as more traditional technology, parts were discontinued. The original “retro look” display was suddenly no longer produced at very short notice.


We were therefore left with a choice - discontinue a popular amplifier or workaround and replace the original with updated version but as unchanged as possible from the original formula.

Nu-Vista 800.2 In Brief

A work of audio art using our incredible Nu-Vista circuitry with 300WPC+

Redesigned front panel with new display

Rewound transformer for less noise

Revised power supply circuits

Remote on/standby

Locally decoupled output stage taken from the TITAN power amp

Total stability margin, will drive any loudspeaker with ease

Cutting edge technical performance with the magic of Nu-Vistors

Dual mono power amps with separate preamp

Five versatile inputs - Balanced XLR, CD, Tuner, 2 x Auxiliary

Both fixed line and variable pre outputs

Home Theatre bypass

Superb design, Heroic build quality

Never before in the history of hi-fi have Nuvistor tubes been coupled with state-of-the-art SMD technology and sophisticated modern design techniques. The Nu-Vista 800.2’s technical performance is astonishing.

More than 300 watts per channel with unconditional stability margins and incredible load driving ability.

Incredibly low distortion over a colossal bandwidth.

Extremely low noise.

Extremely flat frequency response.

The Nu-Vista 800.2 measures like a dream but, more importantly, it sounds incredible. It is silky smooth with enormous transients and an effortless feel that is at once relaxing and involving. Of special note how the Nu-Vista 800.2 projects images between the loudspeakers so that you can almost touch them.

The TITAN heritage

The Nu-Vista 800 was an amplifier that has enjoyed much popularity and use as a high-end hybrid integrated over the past few years. It was originally designed in 2013 to bring back the then discontinued Nu-vista family of products.

We reworked the old Nu-Vista circuit to modern practices and it was the first to include the locally decoupled output stage since the TITAN. This involved giving each output device a corresponding high current bulk supply capacitor. These capacitors mounted on the power amplifier PCB, give it similar appearance to a “V10” engine!

Mounting such a capacitor near to the each output transistor allows more immediate access to stored energy, with much lower impedance path to flow through. This results in better transient response and coincidently provides a degree of improved ripple filtering at higher currents in conjunction with the supply capacitors situated elsewhere.

The main supply capacitors are situated right on the rectifiers also decreasing supply impedance and helps to keep rectification and hum noise away from the high gain PA circuit.

This unit was very popular, bringing Nu-Vista sound to a new generation of listeners and also a matching CD player was produced, and received great acclaim as well.

From Nu-Vista 800 to 800.2

Unfortunately, as with all things encompassing modern, as well as more traditional technology, parts were discontinued. The original “retro look” display was suddenly no longer produced at very short notice. We were therefore left with a choice - discontinue a popular amplifier or workaround and replace the original with updated version but as unchanged as possible from the original formula.

The Nu-Vista 800.2 has received a new modernised front plate and a completely new display. It‘s in line with our new range of Nu-Vista products. We soon realised we would have to update the power supply circuits and control and electronic on/off control circuitry to adapt for the new display. Happily, this meant we could also add in the missing remote on/standby function as well.

And while we were already at it, we had our transformers rewound, for lower standing flux, so they are less sensitive to mains DC offset noise. This means a slightly larger (and heavier) transformer which, thankfully, still fits the same casework.

The upshot is we have now a new hybrid integrated, the Nu-Vista 800.2, that will visually fit into the new range of Nu-Vista products, while keeping the audio parameters of the original untouched, while even improving them in certain areas.

Heroic Build Quality

The Nu-Vista 800.2‘s mechanical construction is uncompromisingly rigid and solid in typical Musical Fidelity tradition. Front panel and side panels are milled from extruded aluminium profiles and are extremely massive. The Nu-Vista 800.2 is basically immune against the effects of vibration from the environment. The same can be said about electro magnetic immunity. The massive aluminium case acts as a Faraday cage. It protects the internals against outer electromagnetic fields, and in the same way, the rest of your HiFi gear against electromagnetic fields generated by the Nu-Vista 800.2.

The new Nu-Vista 800.2 is a continued labour of love for Musical Fidelity. Our passion for Nuvistor tubes didn‘t stop. Everyone at Musical Fidelity hopes that you derive as much pleasure listening to the Nu-Vista 800.2 as we had creating it.

Nuvistor Tubes

Nuvistor tubes were invented in the 1950s to solve the many shortcomings of conventional tubes. Unlike them, Nuvistor tubes offer very high reliability, low microphony, low noise, consistency from batch to batch, small size, relatively low power consumption and great technical performance.

One famous application was in the Ampex MR-70, a costly studio tape recorder whose entire electronics section was based on nuvistors. Another limited application of this very small tube was in studio-grade microphones from that era, the AKG/Norelco C12a, which employed the 7586, being a good example.

It was also later found in the famed Neumann U 47 studio microphone. This microphone was highly regarded by artists all over the world, and was used by many top recording artists such as Frank Sinatra, The Beatles, and so on. Remarkably, you can currently see a U47 microphone, with its stand, cables and power supply on eBay for $10.999 „Buy-it-now“.

Unfortunately just as uses for Nuvistor tubes were being explored, the transistor was invented and it was ‘game over’ for Nuvistors. There the matter rested until about fifteen years ago, when Musical Fidelity created the first of its ground-breaking Nu-Vista series. These legendary, limited-edition products sold out in a matter of months. Today, fifteen years later, they command very high secondhand prices because of their beautiful sound, build quality, and longevity.

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Overall Score 90/100

Rating for [object Object]

Deliciously Crispy

Musical Fidelity Nu‑Vista 800.2 — muscular, refined hybrid integrated

The Nu‑Vista 800.2 pairs a nuvistor preamp with a high‑current solid‑state output stage to deliver enormous headroom and a confident, musical presentation. Reviewers including Mark Craven, Phil Gold and Chris Frankland praise its prodigious power (330W/8Ω, 500W/4Ω, 1,000W peaks), effortless control and the way it makes small speakers sound larger. Sonically it favours a smooth, detailed midrange, deep controlled bass and a broad soundstage, though a few reviewers note a mild warmth and modest top‑end roll‑off on some material. The 800.2's milled aluminium chassis, rewound transformers and hefty build underpin its performance, while classic analogue connectivity keeps the focus on pure music reproduction. For listeners after a powerful, musically engaging integrated amp without digital frills, the 800.2 is a compelling proposition.

Audiophilepure

"it plays loud and weighs over 40kg, but it is utterly unflappable with whatever you throw at it."

Pros

  • Massive power reserve and headroom that easily drives demanding speakers and fills large rooms.
  • Smooth, musical midrange courtesy of the nuvistor preamp that keeps listening effortless and engaging.
  • Deep, controlled bass and strong dynamic delivery that handle large‑scale orchestral and bass‑heavy material with confidence.
  • Robust engineering and finish — heavy milled aluminium chassis, rewound transformers and thoughtful layout for low noise and stability.

&

Cons

  • A subtle high‑end roll‑off / warm tilt on some recordings that can reduce extreme top‑end air and transient bite.
  • Binding‑post fasteners make spade terminations awkward to tighten, which may bother users preferring spade connectors.

Sound Quality

90/100

Dynamics

90/100

The amp's large power reserve and current delivery are repeatedly praised ('almost unlimited power', 'dynamic swagger', 330W/8Ω spec), and reviewers heard effortless headroom on demanding material (TED Publications, Audiophilepure, HiFi News). A few listeners noted slightly softened attack or limited micro-dynamics in places (SoundStage Solo), so excellent but not absolutely flawless.

Soundstage Imaging

89/100

Multiple reviews report a broad, large-scale, and well-layered presentation with strong stereo separation and depth on orchestral and live recordings (Audiophilepure, HiFi News, TED Publications). SoundStage Solo noted a very wide but somewhat shallow image in some tracks, so staging is outstanding in scale and width though occasional layering/depth is less than perfect.

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Build Quality

90/100

Construction is described as uncompromisingly solid: heavy 41kg aluminium chassis, milled front/side panels acting as a Faraday cage, upgraded transformers and premium internal layout (TED Publications, SoundStage Solo). Minor practical quibbles (binding-post fastener awkwardness) don't detract from an otherwise very high standard of engineering and finish.

Features Connectivity

85/100

Classic analogue-focused connectivity: four RCA inputs, one balanced XLR, line/pre outputs, two sets of bi-wirable speaker posts and an HT-bypass switch provide flexible, high-quality analogue routing (HiFi News, TED Publications). No phono stage, no digital inputs, no headphone output or streaming features keeps the feature set intentionally traditional, so score reflects a well-equipped analogue amp but not a modern streamer/DAC hub.

Value for Money

98/100

Reviewers repeatedly praised the price/performance: HiFi News explicitly called it 'an absolute bargain', SoundStage Solo and Audiophilepure said you 'get a lot for your money' and gave strong recommendations at the £/€/$11k SRP. Given the class-leading power, engineering, and musical performance reported across multiple reviews, this reflects exceptional value in its high-end segment.

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