Potato score: 89.17

89%

Musical Fidelity A1 #1
Musical Fidelity A1 variant 1
Musical Fidelity A1 variant 2
Musical Fidelity A1 variant 3
Musical Fidelity A1 variant 4
Musical Fidelity A1 variant 5
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Musical Fidelity A1 variant 7

Musical Fidelity A1

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Phono Stage
MC/MM Switching
Pre-Out

A1 - Overview

In Hi-Fi, the Musical Fidelity A1 has become one of the most classic designs – inside and out. First released back in 1985, it quickly made waves for being an absolute beast when it came down to driving some of the most difficult speakers of that time, even though it was actually a rather low powered integrated amplifier. But: it was all done in pure Class A with excellent and expertly laid out discrete symmetrical circuitry topology and using only highest quality components. The A1 showed people that there was more to amplifiers than just high power.


Based on its huge success, the A1 has gone through multiple reissues and new versions over the years.

Now for 2023, for the first time since its initial release we have actually kept all specifications, the appearance and circuits of the 1985 rendition for those who missed out the first time. With an updated transformer, power supplies and modern low noise components we’ve revitalized the formula and are proud to reintroduce the fresh original – three decades later.

Technical Talk

The A1 is built around a completely discrete and symmetrical Class A topology. It‘s able to output 25W of pure Class A power @ 8 ohms load with 25A of maximum output. While the numbers here might seem rather low, the ability for the output stage to drive difficult speakers is a small miracle in itself. The amp design being dynamic class A, and if Class A standing current is exceeded, it will automatically allow more. It therefore “slides” (NOT “switches”) smoothly into class B style operation, temporarily allowing the further current draw needed.

Power Supply

The new A1 has received an updated transformer from shared (1985 original) to more efficient “dual mono split rail” windings. The amp stages are supplied by fully independent left and right power supplies for better power handling and stereo imaging and each power amplifier now has double supply capacity resulting in reduced ripple and noise.

The transformer‘s noise and heat dissipation are reduced due to better efficiency and updated components. The main supplies are filtered for better regulation and reduced switch on surge.

Preamplifier

The low noise preamplifier circuitry is the same as the original 1985 design and, as we have highlighted above, greatly benefits from the improved, fully smoothed and regulated power supplies.

Among the discernible alterations, one that immediately catches the eye is the addition of a new „direct“ switch at the preamp stage. With this switch you can totally bypass the gain block before the volume control, resulting in roughly 10dB less gain. This feature proves particularly advantageous when working with modern or high-output digital sources, enabling fine tuning the range of your volume potentiometer and accommodating sensitive loudspeakers.

Furthermore, a notable upgrade has been made to the volume potentiometer itself, now replaced by a premium ALPS RK series potentiometer. This high-quality component ensures superior performance and enhanced precision. Additionally, the potentiometer is now motorized, granting you the convenience of adjusting the volume from the comfort of your couch, courtesy of the new included remote control.

Phono Stage

The A1 employs a discrete current-mode input stage for lowest noise amplification of MC and MM cartridges. A low noise current to voltage conversion stage is used for further amplification and RIAA equalization. Automatic input impedance matching for the selected MC input, along with increased gain increases the versatility of the A1‘s phono stage.

The return of a true Hi-Fi classic

The A1 has one secret. This secret is simple: it makes music. It sounds sweet and fluid and creates a beautiful atmosphere around natural instruments. Especially in small to mid-sized rooms, carefully set up with a pair of great two-way speakers. It is not a powerhouse, but music lovers will cherish its abilities.

It‘s also not a product that you‘ll want to hide. A perfect example of form follows function. The oversized heatsinks define the A1‘s look, but they are essential for its operation. Truly unique, from the outside and inside.

The A1 has a sweet, warm, full and exciting sound. No harshness. No grain. Just pure music. It doesn‘t get muddy, and despite its lower power, drives difficult speakers with ease. It remains clean right up to its power limit. To hear what the A1 does is to hear what Hi-Fi is supposed to do: it makes music, pure and simple.

The A1 through time - Improvements to the original

Updated transformer to more efficient “dual mono split rail” windings

High quality and updated ALPS RK series potentiometer as volume control

IR remote control added for volume

Gain block before volume control totally by passable using “direct” switch (-10dB)

All transistors including output devices are carefully selected modern equivalents

All capacitors in signal path are polypropylene (PP) type

Resistors are modern low noise metal film types

Care and attention made to not change any component specification from original but to update them to modern equivalent with long lifespan

Layout faithfully follows original within circuit sections on circuit board

Circuit sections better laid out, in particular the separate supplies and power amplifiers

Phono stage and preamplifier improved for less noise and hum

The A1 in Brief

25W Pure Class A power @ 8 Ohm

Discrete symmetrical topology

Planar Audio transistors with 25A maximum output

Dynamic class A, slides (NOT switches) smoothly into Class B, allowing more current as needed

Therefore drives difficult speakers with no problems

Updated transformer to “dual mono split rail” windings

Fully independent left and right power supplies

Each power amplifier now has double supply capacity

Transformer noise and heat dissipation reduced

Filtered main supplies

Gain block before volume control totally bypassable using “direct” switch

High quality and updated ALPS RK series potentiometer

Low noise TL071 JFET preamplifier circuitry

Discrete current-mode MM/MC phono input stage

Low noise current to voltage converter for further amplification and RIAA equalisation

Automatic input impedance matching (1K nominal) for MC along with increased gain

Original (1985) A1 appearance and circuits with modern improvements

Remote control added for volume

Modern updated low noise components

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Overall Score 89/100

Rating for [object Object]

Nicely Roasted

Musical Fidelity A1 — revived Class A charm

The reissued A1 reclaims its reputation as a small, characterful Class A integrated that prioritises musical engagement over technical neutrality. Reviewers praise its Class A warmth and timing, with an especially sweet midrange, smooth treble and a coherent, airy soundstage (Audiophil-Online, HiFi News, StereoNET). Despite its modest 25W rating the A1 is described as lively and rhythmically engaging, able to drive many efficient speakers and retain composure when pushed (Part Time Audiophile, The Ear). Build quality follows the original intent—oversized heatsinks, a motorised ALPS pot, and a usable MM/MC phono stage—making the A1 a distinctive, well‑priced choice for analogue-focused listeners seeking musicality rather than feature overload.

Pursuit Perfect System

"I don't want to imagine my life without it."

Pros

  • Rich, musical midrange and smooth, low‑grain treble that creates an engaging, nearly tube‑like presentation.
  • Surprisingly punchy dynamics and rhythmic drive for a 25W Class A amp — remains lively and controlled with efficient speakers.
  • Thoughtful analogue feature set and solid execution — motorised ALPS volume, MM/MC phono (auto impedance), Direct bypass and robust Class A topology deliver strong value.

&

Cons

  • Runs very hot in operation—requires good ventilation and care (top heatsink can reach dangerous temperatures).
  • Limited power and no digital inputs: the 25W rating and analogue‑only connectivity mean careful speaker matching is essential for loud, dense material.

Sound Quality

89/100

Dynamics

88/100

Though only 25W into 8Ω Class A, the A1 is repeatedly described as lively, rhythmically engaging and surprisingly punchy for its size (Part Time Audiophile: 'reminded me of the Naim NAIT sound'; Pursuit Perfect System: 'surprising sound ... like a much bigger amplifier'). Reviewers acknowledge the design 'slides' into Class AB under demand and praise its ability to keep control and drive music without sounding strained, while noting limits at very loud/dense rock or with low‑sensitivity speakers (StereoNET, What Hi‑Fi?).

Soundstage Imaging

90/100

The A1 is regularly credited with an airy, well-layered and credible soundstage: good depth, stable images and an intimate but expansive presentation (Part Time Audiophile: 'relatively large and airy soundstage'; The Ear: 'puts you in the performance'; HiFi News: 'huge width and depth'). A minor comment from one review suggests stage width could be slightly greater, but imaging focus and depth are strong overall.

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Build Quality

87/100

Construction is solid and purposeful: heavy heatsinks, discrete symmetrical Class A topology and thoughtful internal layout are noted (HiFi News, Audiophil-Online). Several reviewers call out significant operating heat (The Ear: ~73°C; What Hi‑Fi?: 'like a radiator'), which is expected for Class A but is a practical quirk buyers should accept. Overall finish and parts quality are praised even if the aesthetic is more 'enthusiast' than lifestyle.

Features Connectivity

86/100

Baseline analogue feature set with five line inputs, MM/MC phono (with auto impedance matching and MC/MM switching), tape out and variable pre-out, plus a motorised volume and simple remote (reviews & specs). No digital inputs, Bluetooth, headphone jack or balanced I/O, so functionality is focused on analogue listeners; the phono implementation and Direct bypass switch meaningfully raise its utility compared with a barebones amp.

Value for Money

92/100

Multiple reviewers explicitly call the A1 good value or justify its price in its segment (Part Time Audiophile: 'great value'; The Ear: 'justified its £1,500 price'; StereoNET: 'affordable esoterica' offering performance hard to beat at multiples of the price). While some mention stronger-featured modern rivals exist, consensus is that the A1's musical performance and construction make it a strong proposition for its price bracket.

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