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Mission QX-2 MKII
An improved acrylic fibre cone material has been chosen for the QX MKII drivers. By it’s very nature, acrylic fibre is hard-wearing but offers a delicate appearance, in contrast of harsh driver materials seen in typical speakers of this price-class. Implemented into the Mission DiaDrive System, the acrylic fibre brings natural mids and exceptional lucidity. The seam-free curvilinear design has a conical support with an increased area of contact with the voice coil. This highly efficient and uncompromising system means the QX MKII series series will excel in terms of timing, with outstanding transient impact.
Aesthetically, the QX MKII series brings new Black Oak and Matte White to the series, with the classic walnut pearl option. The new colour co-ordinated aluminium top-plate is more than just a visual ‘cherry-on-the-cake’; the added rigidity and support offered by this sturdy but stylish addition further enhances the performance of the precision engineered cabinets of this stand-out loudspeaker series.
Overcoming problems inherent in the physics of conventional domes, the ‘ring dome’ centre is fixed with a distinct and visible ‘phase plug’. This design enables extended HF reproduction by preventing cancellation across the centre axis of high frequency waves produced near the centre of the diaphragm. The resonance experienced by traditional domes means that, when they approach high-energy, HF performance inevitably induces distortion. Managing this phenomena inevitably reduces the HF capabilities in traditional domes, whereas the ‘ring dome’ is all but exempt of this complication. The result is a better controlled and much more consistent behaviour from 10kHz to 20kHz, and way, way above! Transient performance is dramatically improved, as is musical detailing, particularly of instrument overtones and harmonics.
Maintaining the basis of QX styling, the QX MKII is configured in the classic Mission IDG (Inverted Driver Geometry) format. By positioning the treble unit below the bass/midrange driver, the length of path is equalized so the sound waves coincide at the listener’s head height. This principle improves ‘time alignment’.
QX MKII also takes the ground-breaking serrated driver surrounds to a new level. More than just a technical appearance or pretty design touch, the surrounds have been improved by way of detailed air-flow analysis and precise measurement. The new-look QX MKII surrounds help scatter reflections and reduce airflow interference to improve the silky smooth performance of the drivers and ports.
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The QX-2 MKII delivers a big, engaging sound with powerful bass and punchy, energetic dynamics, all housed in a notably solid cabinet with aluminium top/bottom plates. Mission’s inverted driver geometry helps deliver precise imaging and coherent staging, a trait highlighted by What Hi‑Fi? and Fidelity Magazine.
Pros
- Powerful, weighty bass with surprising low extension for a 6.5" standmounter.
- Robust build quality—aluminium top/bottom plates and well-damped cabinet reduce resonance and look premium for the price.
- Inverted Driver Geometry and careful time-alignment yield focused, coherent imaging and convincing soundstage for the class.
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Cons
- Not as transparent or dynamically refined as some key rivals; can sound a touch one-dimensional in comparison.
- In the home‑cinema package the centre speaker is a weaker match—more closed‑in presentation and reduced dialogue clarity.
Sound Quality
87/100
Bass
90/100
6.5" driver + rear-ported (bass-reflex) design with measured -6dB extension ~38Hz and reviewers repeatedly calling out 'powerful, weighty bass' and 'surprisingly deep' supports an excellent-for-size result. Port is ribbed to reduce chuffing and distortion at high volumes, but reviewers note placement sensitivity (can be overbearing if close to a back wall). Overall authoritative low end for a 6.5" standmounter.
Mid
87/100
Reviews describe a solid, well-bodied midrange that communicates vocal character well ('fine job communicating the sarcastic... tone'), giving good presence and solidity. Some reviewers caveat that the speakers aren't the most transparent or revealing compared with key rivals, so mids trade a touch of ultimate clarity for body and engagement.
Treble
86/100
1.5" textile ring-dome tweeter (double ring) intended to reduce distortion is praised for controlled, detailed highs and lack of harshness. Treble is refined and controlled, supporting detail without becoming bright, though overall transparency is middling versus more revealing rivals.
Soundstage Imaging
88/100
Inverted Driver Geometry (tweeter below mid/woofer) and deliberate time-alignment yield a robust, well-focused soundstage with convincing centre imaging and scale. Reviewers note very good left-right consistency and imaging when positioned ~60cm from the wall, producing satisfying width and depth for the class.
Dynamics
84/100
Speakers deliver lively punch and immediacy (punchy piano, energetic guitar) and handle rhythmic material with authority, but several reviews note they are 'not the last word in dynamic finesse' and can lack ultimate openness and micro-dynamic shading. Needs adequate amplification for best headroom given 88dB sensitivity and 25-120W recommended power.
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Build Quality
90/100
Multiple reviews praise solid cabinet construction, choice of four finishes, aluminium top/bottom plates for damping, and quality driver construction (seam-free cones, larger voice-coil contact). Overall finish and mechanical design are impressive for the price and aid resonance control.
Features Connectivity
80/100
Passive single-post bookshelf baseline applied. Rear-ported design and ribbed ports noted, but no bi-wire/bi-amp terminals or digital features to adjust score.
Value for Money
88/100
Reviewers call the speakers an 'affordable' and 'very good' option; What Hi‑Fi notes an original price of £399 reduced to £309, and praises the build and musicality for the money. Strong performance-to-price language from multiple reviews supports a high value score.
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