Potato score: 88.9

89%

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Mission Mission 700

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Revisited as a sister model to the eagerly anticipated reintroduction of the Mission 770 – a model which heralded the return to UK manufacturing for the Mission brand; the Mission 700 takes what was referred to as an ‘industry benchmark, in the original 700 model, but utilises Mission’s 45 years of evolution and development in loudspeaker design.


Led by Mission’s Director of Acoustic Design, Peter Comeau, the new Mission 700 bears a striking aesthetic resemblance to the original. However, there are many complex innovations and improvements that bring this revered model bang up to date.


Available in:


Walnut Pearl & Black Oak


As with the flagship 770, Mission has developed a new polypropylene bass/midrange driver and model-specific motor system. This transducer not only upgrades the loudspeaker’s integral design to take account of modern power handling and dynamic requirements, but it also maintains the extended response and low colouration of the original model with all the hallmarks and distinction of a class-leading loudspeaker. From the rigid, cast chassis to low-density surround, every aspect has been revisited to offer a driver with improved rigidity and precision-controlled cone-termination for dynamic performances and offer tight, fast, energetic output.


The distinctive reflex port has been carefully profiled both internally and externally to achieve very low distortion and extension to below 38Hz in-room – quite an achievement from a cabinet of this size!


Employing a new lightweight, coated microfibre dome for the high-frequency driver, the Mission 700 replicates the flagship 770 with a specially damped rear chamber that offers super smooth treble performance, largely thanks to the resonance control offered by such a design.


The Mission 700 was a precursor for what would become a Mission standard in an unconventional driver array, something Mission refers to as ‘Inverted Driver Geometry’. Not just a design statement, IDG is a staple of Misson loudspeaker design from the 700 onwards. By positioning the treble unit below the bass/midrange driver, the length of the path is equalised so the sound waves coincide at the listener’s head height. This principle improves ‘time alignment’. Such design requires more than just inverting the speaker cabinet. Every aspect of the industrial and mechanical design requires a precision calculation to ensure the positioning, spacing and alignment aids the objective of optimum ‘time alignment’. This is perfected by an artisan-level crossover design.


Part of the Mission design process includes advanced software-based crossover mapping and simulation to accurately equalise the balance of the drivers for seamless integration into the overall loudspeaker performance. Not breaking with tradition or protocol, the efficiency of the software-based development is matched in equal part with 1000s of hours of listening tests. The resulting crossover design brings a musical character with thrilling detail and musicality not just matching but superseding the acclaimed level of performance set by the original Mission 700.


As it was in the beginning with the original, the new Mission 700 packs technology and know-how into a benchmark loudspeaker design that is never short in bass definition, frequency response; lack of colouration; imaging; transient attack; depth and perspective; accuracy and linearity; speed and dynamic range. And as you’d expect from a model with such nostalgia and history, the emotion in the musical performance is never short in supply!


Form factor remains true to the original, wherever possible. This includes hand-applied, rich rose-tinted walnut or black real wood veneers and a luxurious laminated white-front baffle. However, as spoken of in the original design, the Mission 700 makes use of less visible innovations incorporated into the design. The new 700 cabinet uses a sandwich construction of differing woods bonded by a layer of damping adhesive. Internal bracing adds further strength and support while a mixture of foam and long hair fibre provides internal resonance and reflection absorption..


Perfected to a fraction of a millimetre, the Mission 700 Stand is precision manufactured. The base plate and structure are perfectly stable and offer critical damping from unwanted vibrations, ensuring you hear the Mission 700 perform as it was intended!


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Overall Score 89/100

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Nicely Roasted

Delivering a surprisingly deep and authoritative low end, the Mission 700 pairs punchy low end with a transparent midrange and seamless imaging that places voices and instruments with uncanny focus. Reviewers from Fidelity Magazine and What Hi‑Fi? note its clear treble, tight dynamics and solid build — a standmount that punches above its size for small-to-medium rooms.

Fidelity Magazine

"Transparency, dynamics and a seamless presentation of all frequencies, detached from the speakers, are on the credit side of the 700."

Pros

  • Taut, deep bass that outperforms typical standmounts for cabinet size, delivering texture and authority down to the low notes.
  • Transparent, well-bodied midrange with an excellent tweeter/woofer transition that keeps vocals natural and focused.
  • Clear, open treble that adds air and detail without harshness, handling imperfect recordings with composure.
  • Robust build and well-damped cabinets with internal bracing and quality finishes; recommended stands complement performance.

&

Cons

  • Slightly less cohesive and lacking the finest dynamic finesse compared with some class leaders; benefits from careful amp/system matching.

Sound Quality

89/100

Bass

91/100

For a 6.5" ported standmount the 700s deliver notably deep, textured and authoritative low end (–6dB ~38Hz). Multiple reviews describe it as 'surprisingly deep for its size' and 'taut and punchy', with good integration to the midrange; a slight low‑bass slur is noted by one reviewer but overall bass performance is exceptional for the driver/enclosure class.

Mid

89/100

Reviewers consistently praise a clear, well-bodied midrange and an excellent tweeter/woofer transition (3kHz crossover). Voice presence is natural and detailed ('perfect' midrange British character noted), though a touch of upper-mid liveliness can push forward with bright sources.

Treble

88/100

The 28mm soft-dome treble is described as tidy, open and non‑sharp; it brings air and detail without harshness. Reviewers note refinement that handles imperfect recordings well, with good control of overtones and space imaging.

Soundstage Imaging

90/100

Speakers produce wide, well-focused and stable images when positioned/titled correctly; reviewers mention convincing layering, a solid centre image and holographic qualities that render strong stereo width and good instrument placement.

Dynamics

88/100

Large-scale dynamics are delivered with punch and authority; the 700s communicate rhythm and impact well and like more powerful amps. Some critics note slightly less finesse in the very finest dynamic nuances, but overall dynamic drive is lively and engaging.

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Build Quality

90/100

Solid, well-damped cabinets with internal bracing and quality veneers; modern, carefully designed drivers and attention to resonance control are repeatedly praised. Fit-and-finish and mechanical execution are described as beyond reproach.

Features Connectivity

80/100

Passive bookshelf baseline applied: single-wire five-way binding posts (chunky and user-friendly). No bi-wiring/bi-amping or DSP expected — passive baseline score per rules.

Value for Money

88/100

Reviewers call the 700 an excellent speaker at its price point (StereoNET quoted £1,299 RRP; Fidelity ~€1,500); several reviews say competitors may struggle to match its combination of bass reach, dynamics and build for the money. (Product_data lists 1999; reviewer prices indicate street/launch price was lower.)

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