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LAKE PEOPLE Phone-Amp G108
The Lake People Phone-Amp G108 combines the advantages of the G105 MKII with a four-channel amplifier for true balanced headphone playback. That's what we call “True Balanced”. The 4-pin XLR connector on the front panel is functional and not just a “convenience feature”.
While balanced headphone operation, with all its advantages, has now found a broad base among discerning music lovers, this type of playback is not yet very widespread in studios. The Lake People G108 is here to change that.
Like the G105 MKII, the G108 also has useful additional functions such as a balance control, which becomes a mixer between the two inputs when set to “MONO”, and a “PHASE” function that inverts the right channel to check the stereo image.
This functionality and the true four-channel headphone operation make it unique on the market.
The Lake People G108 contains everything that is still important to us today:
- robust, indestructible amplifiers with high transmission quality
- long-term stable Alps RK14 and RK11 potentiometer
- 25 mm volume knob and balanced knob milled from aluminum
- more than sufficiently dimensioned internal power supply
Inputs & Outputs
Inputs analog Stereo:-> 1x RCA unbalanced
-> 1x Neutrik XLR balanced
Kopfhörer Ausgänge-> 1x Neutrik XLR 4-pol. balanced
-> 1x TRS, 6,3 mm, unbalanced
Too loud - too quiet - the solution: Lake People PRE-GAIN
7-stage adjustable amplification for optimal adaptation to all sources and headphones (internal, -18, -12, -6, 0, +6, +12, +18 dB)
Unlike comparable models, the overall amplification can be adjusted to the headphones in use via internal jumpers. Thanks to this special technology from Lake People, the headphone amplifier can be operated with almost all known headphone impedances from 8 - 600 ohms and is as low-noise and dynamic as possible.
Lake People TRUE BALANCED - be part of the orchestra
When listening to music over loudspeakers, you experience the sound like a listener in a concert hall, surrounded by the acoustic atmosphere of the room. If you use conventional headphones, on the other hand, you take on the role of the conductor – the sound seems to come from a clear, centered perspective. But the real leap into the sound world comes when listening with balanced headphones: here, the listener literally becomes part of the orchestra, enveloped in impressive detail and precision.
Balanced headphones offer particularly high channel separation, resulting in an even more spatial and differentiated listening experience. They usually come with specialized connectors, such as a 4-pin XLR or a Pentaconn, that allow for optimal signal transfer. However, true balanced operation requires a high level of technical sophistication: four separate power amps boost the signal to deliver the sound accurately and precisely.
But beware – not every amplifier with balanced connections also offers full balanced operation. Some devices may have the appropriate connections, but only operate two power amplifiers, which does not deliver the full sound quality. Only true balanced systems with four power amplifiers can exploit the full potential of this technology and offer an unparalleled listening experience. That's why we call our headphone amplifiers with balanced output “TRUE BALANCED”.
Additional features
In the neutral center position of an amplifier's “BALANCE” control, a stereo signal is passed unchanged and without attenuation, so that both channels are reproduced at the same volume. If the control is turned to the left, the volume of the right channel is reduced while the left remains unchanged. Conversely, turning it to the right attenuates the left channel while the right continues unchanged. This function allows for precise adjustment of the stereo image, depending on the spatial situation or the individual preferences of the listener.
The “MODE” switch of the Lake People G108 offers several options for influencing the incoming stereo signal as needed. In the neutral center position, the signal is passed through unchanged, so that both channels are reproduced in their original form.
In the upper “MONO” position of the switch, indicated by a yellow LED, the incoming stereo signal is summed to a mono signal. In this mode, the balance control acts as a mixing control: turning it to the left reduces the signal of the right channel, while turning it to the right reduces the signal of the left channel. This allows the mono signal to be individually adjusted.
In the lower “PHASE” position of the switch, also indicated by a yellow LED, the right channel is inverted, i.e. the phase is rotated by 180 degrees. This makes the stereo signal sound unusually wide and unnatural. This function is mainly used to check the phase of a signal and to identify possible phase cancellations.
Perfect headphone protection
Lake People headphone amplifiers are equipped with various protection circuits to prevent defects in headphones. These circuits protect against overvoltages, sudden current spikes or short circuits that could damage sensitive headphones. The integration of such protective mechanisms ensures that the amplifier always supplies the headphones with safe and stable power, which significantly extends their lifespan.
Housing and elements of the highest quality
The housing of the G108 is made of black anodized aluminum. This promises high mechanical stability and resistance to harsh environmental influences. The high electrical conductivity of the surfaces results in excellent EMC properties.
The thickness of the front panel is 3 mm.
The solidly milled 25 mm aluminum knob is characterized by its clear design and forms the center of the Lake People G108. Thanks to its balanced weight and the Alps RK14 potentiometer, it delivers a smooth, highly precise turning feel for precise volume control.
Turn it on and get started
The “POWER” switch is located on the front panel. The switched-on state is indicated by a green LED below the “POWER” switch. Two short-circuit proof transformers generate the internal operating voltages of approx. +/- 25 V.
Features
- balanced inputs via gold plated Neutrik XLR connectors
- unbalanced inputs via gold plated RCA connectors
- PRE-GAIN: internal gain adaption in seven steps
- TURE BALANCED: playback with 4 amplifiers featuring power op-amps OPA551
- compact and extremly rugged aluminum case
- Made in Germany
Dealers selling LAKE PEOPLE near you
LAKE PEOPLE Phone-Amp G108 — compact, studio-grade Class-A headphone amp
The LAKE PEOPLE Phone-Amp G108 is an uncompromising, fully balanced Class-A headphone amplifier that brings studio pedigree to the desktop. Its presentation is neutral and highly detailed, delivering tight low end, transparent mids and articulate treble with a spacious, well-controlled soundstage. Driven by four Burr Brown OPA551 op-amps and a stout power supply (Talema transformer with 6000 μF reservoir), the G108 provides notable headroom and superb transient control; measurements show a dynamic range >126 dB and very low output impedance for secure headphone matching.
Construction is sober and robust, with a minimalist control set and both balanced and single-ended outputs. Ideal for serious listeners using full-size or planar headphones, it pairs studio-level engineering with a no-frills, value-focused proposition — as noted by Jaap Veenstra for Alpha Audio.
Pros
- Robust, studio-grade build and power supply engineering (Talema transformer and 6000 μF reservoir) that underpins stable performance.
- High dynamics and headroom driven by four Burr Brown OPA551 op‑amps in a fully balanced Class‑A topology, delivering authoritative transient control.
- Very low noise and wide measured dynamic range (>126 dB) plus low output impedance, making it technically well-suited to both sensitive IEMs and harder-to-drive headphones.
Sound Quality
92/100
Reviewers note the use of OPA551 op-amps capable of ~200 mA per device and explicitly discuss the ample current/headroom, implying very strong transient control and punch. Class-A operation and a robust PSU are cited, which align with lively, authoritative dynamics across material.
Noise Floor
86/100
Measured specs (SNR < -100 dB unbalanced, dynamic range >126 dB) indicate a very quiet amplifier suitable for sensitive cans and IEMs, and no audible hiss is reported in the review. The reviewer does not use explicit listening phrasing such as 'black background' or 'dead quiet', so the score is conservative despite excellent measured figures.
Headphone Compatibility
89/100
Very low output impedance (<0.125 Ω unbalanced / <0.25 Ω balanced) and ample current capability make the G108 technically well-suited to both sensitive IEMs and harder-to-drive full-size/planar headphones. The review only documents listening with the Focal Elear (no broad headphone matrix), so the score reflects excellent specs but limited published listening diversity.
Build Quality
92/100
Reviewer describes the unit as sober, solid and purist with emphasis on a well-executed interior; explicit mention of a quality Talema transformer and substantial reservoir capacitance (6000 µF) underlines robust engineering. Overall construction and component choices are presented as professional and durable.
Features Connectivity
82/100
Very simple control set: front on/off, balance and volume buttons plus a rear pushbutton to toggle balanced/unbalanced operation; the amp provides both regular and balanced headphone jacks. No DAC, digital inputs, remote, or detailed balanced connector type is specified in the review, so the score remains slightly above the minimal baseline to reflect the presence of balanced capability but limited extras.
Value for Money
90/100
Reviewer cites a purchase price of €699 and frames that in a positive light ('And that for €699'), suggesting the reviewer sees the G108 as well-priced for its performance and build. Product metadata lists a street range around €799–€800; even at the higher end the reviewer’s tone and the spec/build package justify a solid value score in its class.
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