Potato score: 88.9

89%

ELAC UBR62 #1
ELAC UBR62 variant 1
ELAC UBR62 variant 2
ELAC UBR62 variant 3
ELAC UBR62 variant 4
ELAC UBR62 variant 5
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ELAC UBR62 variant 7
ELAC UBR62 variant 8
ELAC UBR62 variant 9
ELAC UBR62 variant 10

ELAC UBR62

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Overall Score 89/100

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Nicely Roasted

Built around a coaxial mid/tweeter, the UBR62 delivers a wide soundstage with striking coaxial point‑source imaging and a smooth, controlled treble. Reviewers praised its musical midrange and surprisingly useful bass for a bookshelf speaker, though its low sensitivity rewards a powerful, stable amp. Solid bracing and refined voicing make it an unusually capable monitor for the price.

Enjoy The Music

"What Andrew Jones has designed is an affordable and excellent way to bring music into your life, highly recommended."

Pros

  • Wide, deep soundstage and precise imaging from the coaxial point‑source design.
  • Clear, musical midrange with strong vocal detail and natural timbre noted by multiple reviewers.
  • Sturdy, well‑braced MDF cabinet and refined construction reduce coloration and support accurate imaging.
  • Surprisingly useful low‑end for a bookshelf design—listening tests reported usable bass down near the low 30Hz region.

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Cons

  • Relatively low sensitivity (~83–85dB) and measurable compression at very high levels, so a powerful, stable amplifier is recommended.
  • Some listeners noted a mild upper‑mid bump (around 500–700Hz) that can produce slight resonance on certain female vocals.

Sound Quality

89/100

Bass

90/100

6.5" woofer in a ported 3-way yields bass that reviewers described as surprisingly deep for its size (Ron heard useful bass to 31.5Hz), though some measurements/spec claims (41Hz) drew skepticism. Ported design and multiple comments about low-end extension support an excellent-for-size rating; requires placement/sub for some music per Erin.

Mid

88/100

Reviewers praised clear, musical midrange ("reel-to-reel" tonal character, strong vocal presence) and good integration from the 6.5" driver, though Erin noted a mild broad bump around 500-700Hz that produced slight upper-vocal resonance for her.

Treble

89/100

Coaxial mid/tweeter and deliberate slightly-tilted on-axis response yield controlled, non-harsh treble with good extension (reported out to 20kHz). Reviewers highlighted wide dispersion and in-room balance rather than bright on-axis presentation.

Soundstage Imaging

92/100

Dual-concentric point-source design produced wide, deep and well-layered soundstages in multiple reviews (noted as 3D and accurately scaled; convincing imaging and depth). Placement/toe-in sensitivity was noted but the imaging performance was consistently praised.

Dynamics

84/100

Speakers deliver lively dynamic energy and good micro/macro drive, but low sensitivity (~83–85dB) and measured compression above very loud levels limit maximum output without a powerful, stable amp. Reviewers recommend not skimping on amplification.

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Build Quality

90/100

Heavily braced MDF cabinet, rounded corners, quality finishes and Andrew Jones’s well-regarded design approach were repeatedly cited; weight and internal reinforcements reduce coloration and support the sound.

Features Connectivity

82/100

Passive bookshelf baseline applied (80) with +2 for bi-wire/bi-amp 5-way binding posts; no DSP/streaming deduction (not applicable).

Value for Money

93/100

At ~$999/pair reviewers call it one of the best price-versus-performance monitors in its class and an easy recommendation; strong consensus that the UBR62 punches above its price.

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