Potato score: 90.9

91%

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Dynaudio Special Forty

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The Special Forty anniversary speaker draws on 40 years of cutting-edge research – and brings it totally up to date with Dynaudio’s most celebrated techniques and technologies.


Laurels aren’t for resting on

We still surprise ourselves. Some people might be content to sit back and be complacent about their successes after 40 years of constant innovation. We aren’t. In fact, we only get hungrier for new techniques and technologies

That’s why we developed the Special Forty: we wanted to revisit those innovations and see what we’d do differently this time.

What you won’t find here is anything revolutionary. Instead, you’ll discover a look at our past – along with some special sneak-previews of the future.

The Special Forty is classic Dynaudio: all the craftsmanship, attention to detail and total love of authentic sound you’ve come to expect. It’s the connoisseur’s choice – a simple pair of passive hi-fi speakers. But it isn’t about looking back, misty-eyed, at past glories and leaving it at that. It’s about using those glories as a platform from which to launch our next set of breakthroughs.

Greatest hits… reimagined

We do compact speakers really well. We always have. So, as a nod back to classics including the Special One, the Special Twenty-Five, the Crafft and the Contour 1.3SE, we kept the Special Forty pure – if incredibly advanced.

Of course, it wouldn’t be an anniversary speaker if it didn’t include some of our greatest hits. But we haven’t just got the old band back together to trot out the same old stuff, unchanged. We’ve remixed, remastered and rearranged things to bring those old favourites into 2017 – and beyond.

That’s why it has one of our classic first-order crossover designs, incorporating our unique Phase Alignment and Impedance Alignment technologies. The crossover expertly marshals the input signal between the woofer and the tweeter – so each driver gets only the frequencies it’s supposed to, and can perform at its very best. Its specially selected components handle the impedance optimisation and, because both drivers have extended frequency ranges for even better overlap and integration, that performance borders on the mesmerising.

The song remains the same

The Special Forty uses our proprietary MSP (Magnesium Silicate Polymer) material for its main driver. MSP delivers precisely the right combination of rigidity, damping and stability for the most faithful sound reproduction. And, unlike other cone materials, it doesn’t change over time – so your Special Forty speakers will still be singing just as sweetly come our next anniversary. 

The cone itself uses a painstakingly developed symmetrical excursion for even better midrange performance. Behind it sits our asymmetrical spider – our passive harmonic rectifier. It minimises upper harmonics to further tighten the performance and make it possible not only to pick out individual parts in a piece of music, but even individual instruments in an orchestra. (So now, finally, the Third Violin section can have its day in the sun.) And, like all our other MSP cones, it’s a one-piece design (you can tell by the special balance ribs around the central dust-cap). This gives it an incredibly solid connection to the voice-coil, as well as stabilising its form – which is crucial when you decide to turn it up to 11.

It all sits in our special AirFlow Basket – the bit that holds the whole driver motor securely in place in the cabinet. Its development was one of those ‘Eureka!’ moments our engineers seem to get a few times a week in Dynaudio Labs (you can often hear them cheering from across the road in our factory). We asked them to reduce internal reflections and increase air movement without compromising the basket’s stiffness or stability, and this genius design is what they came up with.

Airflow is king

The new Esotar Forty tweeter takes air-movement to another level. It moves the air in typically sweet fashion in front of the DSR (Dynaudio Secret Recipe) precision-coated soft-dome, of course, but there’s a lot of engineering going on behind it as well.

Take the new pressure conduit. It’s a shaped vent in the back of the hybrid magnet system that allows more space in the rear chamber. That space lets us pack in more damping material and reduces back-pressure, while the shape itself optimises airflow coming backwards from the rear of the dome.

Then there’s the outlet; the aero-coupled pressure-release system. It sits underneath the voice-coil and reduces unwanted pressure build-up that could affect its movement. Stopping those pockets of air from forming reduces resonance – and less resonance equals even greater potential for detail.

Flux optimisation and beam control

We love playing with the laws of physics. Physics wins in the end, of course (usually), but we almost always manage to bend it to our will along the way. Just like we have with our magnet systems.

The magnet turns electrical energy that flows from your amplifier into the voice-coil, into the physical back-and-forth movement of the driver diaphragm. These movements are very small and very fast (especially in the tweeter), so they need a lot of finesse if you want to hear all that luscious detail and emotion in your music.

Behind the woofer

In the woofer, we’ve achieved that finesse in two ways: by placing the magnet inside the voice-coil, and by playing with magnetic energy itself.

Other manufacturers typically put it around the outside edge, leaving the voice-coil hollow. Putting the magnet inside keeps the magnetic energy (or flux) in the optimum position for getting itself wrapped around the voice-coil – where it should be. That means we can use more of its power for a given weight. It also reduces internal reflections because there’s less material for sound to bounce off inside the driver.

Second, we use a hybrid magnet for even greater control over the flux and voice-coil movement. An incredibly powerful neodymium rare-earth magnet provides the muscle and flings flux around with abandon, while a ferrite magnet tempers that enthusiasm by gently moving the flux back to exactly where it’s needed most. The result? Symmetrical excursion, a reduction in second-harmonics, and an even more accurate, authentic sound.

2020 finish update

Dynaudio’s award-winning anniversary speaker, Special Forty, has been given a makeover with two stunning new finishes. Black Vine is a striking contrast of dark veneer shot through with vivid orange, while Ebony Wave is a captivatingly sinuous take on the classic hardwood.

Both veneers are man-made to Dynaudio’s specs, ensuring total consistency between pairs of speakers. And the level of finish possible is simply astonishing – they look as smooth as glass, and as lustrous as a piece of luxury antique furniture. Just as you’d expect from a nation of design-fanatics.

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Overall Score 91/100

Rating for [object Object]

Deliciously Crispy

Transparent, highly detailed midrange and an expansive, three‑dimensional soundstage define the Special Forty. Its 17cm MSP woofer and Esotar Forty tweeter deliver surprisingly weighty, tight bass to about 40Hz, while highs remain airy and revealing. Reviewers from SoundStage and The Absolute Sound praised its transparency and value.

Audiophilepure

"The Dynaudios captured Bebe’s voice with a rare quality of immediacy and razor-sharp focus that would do credit to far more expensive loudspeakers."

Pros

  • Exceptionally transparent, natural midrange with strong vocal clarity and realism.
  • Very wide, deep and well-focused soundstage that often exceeds the speakers’ compact footprint.
  • Bass-for-size: tight, tuneful low end with surprising weight and low distortion down to ~40Hz.
  • High build quality, elegant veneers and an outstanding performance-to-price ratio at the launch $3k level.

&

Cons

  • Bottom octave is limited—the speakers don’t reproduce deep 20–40Hz extension, so true sub-bass is absent.
  • Port/room sensitivity and tonal balance can vary with placement and amplification; careful pairing may be required.
  • Some listeners noted the top end can sound a touch tipped-up on certain recordings—slightly bright for very treble-sensitive tastes.

Sound Quality

91/100

Bass

91/100

For its size, bass extends surprisingly deep and with weight and punch (reviews repeatedly note floorstander-like low-end and extension to ~40Hz). Some listeners noted the 20–40Hz octave is missing and room/placement can emphasize port boom, but overall the ported 17cm woofer delivers exceptional bass-for-size with tight, tuneful response.

Mid

92/100

Multiple reviewers praised natural, uncolored, immediate midrange and excellent vocal presence (SoundStage, TAS, ToneAudio). Mids are clear, detailed and well-bodied without forwardness, yielding outstanding timbre and realism.

Treble

89/100

Treble is extended, clean and detailed (Esotar Forty silk-dome praised), with good air and low-level detail. A few listeners found the top slightly 'tipped-up' or a touch bright on some recordings, so refinement is excellent but not wholly neutral for every taste.

Soundstage Imaging

94/100

Reviewers consistently cited wide, deep, three-dimensional soundstaging and precise imaging—often remarking the speakers produce a stage bigger than the cabinet size and sometimes beyond room boundaries (SoundStage, TAS, ToneAudio). Imaging focus and solidity were highlighted across material.

Dynamics

89/100

The Special Forty shows strong macro- and micro-dynamic ability with convincing crescendos and punch; reviewers described 'big-boy dynamics' and energetic delivery. It can play loud and clean for most listening, though it’s not intended for extreme, ear-splitting SPLs and a very powerful amp may alter tonal balance.

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Build Quality

92/100

High-quality fit-and-finish, attractive birch/gloss veneers, robust cabinets and premium driver materials (MSP woofer, Esotar Forty tweeter). Dynaudio engineering details (magnet/voice-coil design, thin-ply laminates) and supplied port bungs underline strong craftsmanship.

Features Connectivity

81/100

Passive bookshelf baseline applied (single pair of five-way binding posts = baseline 80). No biwire/bi-amp capability; includes two-stage foam port bungs (port output limiting) → +1, yielding 81. No penalty for lack of DSP/streaming on passive design.

Value for Money

94/100

Multiple reviewers called the Special Forty a bargain/terrific value at its launch price (~$3k), stating performance punches well above its price and occasionally sounding like more expensive floorstanders. Strong consensus of excellent value versus peers supports a high score.

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