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Conrad Johnson ART 88
The ART88 Preamplifier has been designed to serve as an industry reference standard for line-stage preamplifier performance, a role filled for more than a decade by its legendary predecessor, the GAT preamplifier.
At the same time, it is notable for its convenience and ease of use. The unit features input selection and level adjustment by microprocessor-controlled relays, allowing level and balance to be adjusted in 100 steps of approximately .7 dB per step. All functions can be controlled by the hand-held wireless remote control. The ART88 Preamplifier will be available in a numbered, limited edition of 250 units which will be sold through select conrad-johnson dealers.
The ART88 is essentially a dual-monaural preamplifier, the two channels sharing only the power transformer and chassis. The circuitry is elegant in its simplicity. Each channel’s audio circuit features two high-transconductance twin triode vacuum tubes. Gain is provided by a composite triode of paralleled sections of one NOS Philips PCC88. This amplifier stage is coupled to the preamplifier outputs through a high-current buffer stage consisting of paralleled sections of a second PCC88 twin-triode. This buffer stage provides a sufficiently low output impedance to make the ART88 compatible with a wide range of interconnect cables and amplifiers. Each channel’s audio circuit is powered by its own dedicated DC power supply featuring discrete voltage regulators that isolate the audio circuits from each other and from the AC power line. Infrasonic noise is minimized by operating the tube filaments (heaters) on a DC voltage supplied by another regulated power supply.
Considerable care and attention have been paid to the physical aspects of the design as well. Microprocessor controlled relays, used for selecting sources and level setting, are located right at the input connectors, keeping signal paths short to minimize crosstalk between channels and inputs. The level control section and the audio circuitry are each shock mounted on independent daughter circuit boards to isolate the audio circuits from mechanical vibrations from the level control relays as well as from external vibrations. The elegant casework is executed in heavy gauge aluminum to assist in minimizing microphonics.
Experience has taught us that the full potential of any circuit can only be realized by using the finest available parts. Each part for the ART88 has been selected on the basis of both sonic performance and durability. The audio circuit (including the level control) is executed entirely with precision metal foil resistors and proprietary CJD Teflon capacitors. Tubes have been carefully hand selected for minimum noise and microphonics. The DC regulated power supplies use the same quality resistors as the audio circuits. Capacitors for the power supplies are exclusively CJD polypropylene and Teflon – there are no electrolytic capacitors in the audio circuits or their related power supplies. All signal switching is done by special relays designed for signal applications. These relays are sealed and have gold plated silver contacts. Input and output connectors are machined from oxygen free copper, and are silver plated with a Rhodium flash. The ART88 is built without compromise to achieve a new standard in musical performance, and it is built to last.
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Conrad-Johnson ART 88 — reference-level single-ended line preamplifier
Conrad Johnson ART 88 is a reference-level, dual‑mono tube line preamplifier that pairs single‑ended purity with modern engineering to deliver astonishing transparency and dynamic life. The sound is centred on a grainless, natural midband with crisp, focused bass, airy treble and expansive, precisely layered imaging — qualities praised by HiFi News and hi‑fi+. Its short, zero‑feedback signal path, generous polypropylene/Teflon capacitor banks and separated channel chassis underpin reference-level transparency and very low noise. Build is meticulous: rhodium-plated RCAs, floating valve sub‑assemblies and a machined remote reflect supreme craft. Ideal for high‑end systems seeking tube character without coloration, the ART 88 rewards careful system matching and—if desired—tube rolling to tailor gain and ambience. For listeners after soundstage realism, dynamic punch and tonal purity, it stands as a high‑end benchmark.
Pros
- Exceptional transparency and very low noise floor, yielding a grainless, highly resolving midband.
- Outstanding build and dual‑mono construction with precision wiring, floating valve sub‑assemblies and premium capacitors.
- Lively dynamics and controlled, punchy bass that extend beyond typical tube preamp expectations.
- Superb stereo imaging and expansive soundstage, helped by physical channel separation and careful circuit layout.
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Cons
- Tiny volume display and awkward remote button placement can make balance checks fiddly in normal use.
- Relay clicks during volume changes are audible and may distract in very quiet listening sessions.
- Premium pricing positions the ART 88 as a high‑end, specialist purchase rather than a mainstream value option.
Transparency
95/100
Multiple reviewers explicitly praise an extremely quiet background and lack of coloration: HiFi News notes the ART is "grainless, almost featureless" and hi‑fi+ reports "black within silences" with ECC88s. The spec'd hum and noise (<50µV) and dual-mono power supplies support impression of an exceptionally low noise floor. Overall the unit consistently 'gets out of the way', justifying a top-tier transparency score.
Sound Quality
93/100
Dynamics
93/100
Reviewers emphasize lively, punchy dynamics: HiFi News notes a 'zest for musical life' and punchy bass, while hi‑fi+ reports faster transient response and solid, extended low frequencies under control. The ART preserves micro- and macro-dynamics very well for a tube-based line stage.
Soundstage Imaging
92/100
Stereo imaging and soundstage depth are repeatedly praised: HiFi News calls stereo images 'simply superb' and hi‑fi+ describes a more developed, ethereal soundstage (especially with EH6922 tubes). The preamp maintains excellent channel separation (physical dual-channel enclosures) and delivers wide, well-defined images.
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Build Quality
95/100
Craftsmanship is outstanding: hi‑fi+ highlights precise manufacture, neatly dressed wiring, suspended valve sub-assemblies and symmetrical construction, while HiFi News notes dual enclosures and component-driven design. Dual mains transformers and careful mechanical isolation further reinforce premium build impressions.
Features Connectivity
83/100
Feature set is strong but conservative: remote control, 100-step volume with balance readout, two tape loops and external processor switching are present (HiFi News), and Cardas RCA sockets on the back panel are used (hi‑fi+). Lack of balanced XLR I/O, no built-in phono/DAC/headphone output and a conventional RCA-only rear panel limit the connectivity score.
Value for Money
88/100
Reviewers place the ART88 at a very high price (HiFi News notes a high price point for CJ; hi‑fi+ lists £32,995) but both justify the cost through exceptional performance, calling it among the best preamps and elevating CJ's design to another level. The language implies a justified premium rather than bargain value, so the model scores as a high-end purchase that delivers on its promise.
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