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Authorized dealers for Luxman L-505Z

  • In Living Stereo — in-store — New York City, New York, United States (website)
  • Acoustic Sounds — online and in-store — Salina, Kansas, United States (website)
  • Acton Gate Audio — online and in-store — Cymru, United Kingdom (website)
  • All Elite Audio — online and in-store — Perry Hall, Maryland, United States (website)
  • Alpha High End — online and in-store — Brasschaat, Vlaams Gewest, Belgium (website)
  • Alta Fedelta — online and in-store — Lombardia, Italy (website)
  • Analog Emporium - GEM Dandy — in-store — Memphis, Tennessee, United States (website)
  • Analog Matters — online and in-store — Ormond Beach, Florida, United States (website)
  • Analogue Seduction — online and in-store — Whittlesey, England, United Kingdom (website)
  • Arizona Hi-Fi — in-store — Phoenix, Arizona, United States (website)

and 129 more verified dealers

Luxman L-505Z #1
Luxman L-505Z variant 1
Luxman L-505Z variant 2
Luxman L-505Z variant 3
Luxman L-505Z variant 4
Luxman L-505Z variant 5
Luxman L-505Z variant 6

Luxman L-505Z

Japan flag

The Luxman L-505Z pairs refined transparency with sweet tonal richness, authoritative bass and vivid microdynamics. Twittering Machines admired its effortless musical engagement and strong speaker control, while A British Audiophile praised its natural balance, precise imaging and exceptional detail. Add a capable MM/MC phono stage, balanced headphones and heirloom-grade finish, and this all-analog integrated feels genuinely special.

View at Luxman
Specifications15 reviews & sources

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94/100
Rating for L-505Z

Deliciously Crispy

Sound Quality

94/100

Build Quality

94/100

Features Connectivity

93/100

Value for Money

94/100

Pros

Natural, highly resolving sound combines rich tonal color with refined transparency and long-term listening ease.

Strong bass articulation, rhythmic drive and lively microdynamics provide authoritative control with a broad range of speakers.

Extensive analog facilities include an effective MM/MC phono stage, balanced and single-ended headphone outputs, XLR input, pre/main connections and dual speaker terminals.

Substantial 22.5kg construction, tactile aluminum controls and classic illuminated VU meters create a premium, built-to-last ownership experience.

Cons

At very high listening levels, bass grip, soundstage scale and midrange composure can diminish compared with more powerful rivals.

There is no onboard DAC or network streamer, so digital playback requires an external source component.

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What Reviewers Are Saying

"Perhaps its greatest strength is its rich, refined purity that allows all of the other elements that go into music making on a hifi sing through with their own voice(s)."

— Twittering Machines

SOUND QUALITY PERFORMANCE 94/100

Reviewers describe a notably transparent yet full-bodied Class AB presentation, combining natural tone, strong bass articulation and unusually engaging microdynamics. Spatial performance is widely praised for precision and depth, although one comparison found the phono stage less airy and wide than a separate PS Audio unit, and very high listening levels can reduce composure.

Transparency Resolution

95/100

Twittering Machines calls the sound “see-through,” pure and nuanced, saying the amplifier lets each component of a recording speak with its own voice. A British Audiophile similarly found it stunningly detailed, with open highs that preserve timing information and a particularly nuanced presentation at low and moderate levels.

Tonal Balance Musicality

96/100

The L-505Z is repeatedly praised for marrying naturalness with richness rather than sounding sterile. Reviewers heard sweet fullness, lush and creamy mids, substantial bass, and a balance from bass through treble that A British Audiophile regarded as exceptionally well judged.

Dynamics

94/100

It is consistently described as authoritative and lively, with effortless clean power into varied speakers, strong rhythmic drive, and more microdynamic “jump factor” than several alternatives. A British Audiophile notes that bass definition and stage stability diminish when pushed toward very loud settings, so its best control is not entirely limitless.

Soundstage Imaging

92/100

A British Audiophile heard a wide, deep stage with precisely located performers, crediting the amplifier's resolution and timing. The picture is not uniformly unqualified: Darko Audio found its phono input less airy and less wide-staging than a PS Audio comparison, while high volume could make the stage contract.

Assessments of Build Quality, Usability, and Overall Propositions.

Build Quality

94/100

The 22.5kg chassis, substantial power supply, loop-less construction and attention to internal wiring and circuit layout point to a carefully engineered amplifier. More importantly, A British Audiophile found the panel thickness, aluminum controls and tactile resistance of the knobs to feel exceptional at the asking price and built for long service.

Features Connectivity

93/100

This is an unusually accommodating analog integrated amplifier: it includes four RCA line inputs, balanced XLR input, MM/MC phono stage, pre-out and main-in, dual speaker terminals, trigger/control connections, remote operation and defeatable tone and loudness functions. Headphone provision is especially strong, with both 6.3mm single-ended and 4.4mm Pentaconn balanced sockets, though there is no onboard DAC or network streaming.

Value for Money

94/100

At $5,995 in the US and roughly £5,500 in the UK, it is a serious purchase, but the reviews make a persuasive case for the package. Darko Audio found it convincingly superior to less expensive Quad, Audiolab and Musical Fidelity alternatives, while A British Audiophile called it the best amplifier heard to date for the money.

Reviews & Sources

Professional reviews and sources for this product's Watt'n Potatoes analysis.

Online Reviews & Mentions

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Specifications

Rated output
100W + 100W (8Ω),150W + 150W (4Ω)
Input sensitivity/input impedance
PHONO (MM): 2.5mV/47kΩPHONO (MC): 0.3mV/100ΩLINE: 180mV/47kΩBAL.LINE: 180mV/55kΩMAIN IN: 1V/47kΩ
Output voltage
PRE OUT: 1V
Frequency response
PHONO: 20Hz to 20kHz (±0.5dB)LINE: 20Hz to 100kHz (within -3dB)
Total harmonic distortion
0.009% or less (8Ω, 1kHz)0.09% or less (8Ω, 20Hz to 20kHz)
S/N ratio (IHF-A)
PHONO (MM): 87dB or morePHONO (MC): 70dB or moreLINE: 104dB or more
Volume adjustment
LECUA
Amplification feedback circuit
LIFES 1.0
Output configuration
Bipolar parallel push-pull
Damping factor
200
Max. amount of tone control
BASS: ±8dB at 100HzTREBLE: ±8dB at 10kHz
Power supply
230V~(50Hz) / 115V~(60Hz)
Power consumption
330W90W (under no signal), 0.5W (at standby)
External dimensions
440(W) x 178(H) x 454(D) mmfront side knob of 20mm and rear side terminalof 27mm included in depth
Net weight
22.5kg (main unit)
Accessories
Remote control (RA-17A)Power cable
Speaker terminalSupported Y-lug terminaldimension
Width of part a: 15mm or less Width of part b: 8mm or more * Connection may not be performed depending on the shape of the Y-lug terminal.
Phono Stage
MC/MM Switching
Tone Controls
Pre-Out
Balance Control

Manufacturer's Description — Luxman

Our latest amplification feedback engine brings music to life with LIFES Version 1.0


The L-505Z, like the L-509Z and L-507Z, is equipped with our “LIFES” high quality amplification feedback engine, a feature integral to our next generation of amplifier designs. LIFES is based on the technical concept of our revolutionary ODNF feedback circuitry, which achieved excellent static characteristics without feeding back any of the musical input signal to the main amplifier, yielding a natural sound quality more akin to a non-feedback system. The circuit has been redesigned from scratch through multiple simulations. By combining carefully selected components and through repeated listening tests, we have achieved the ultimate performance and sound quality, truly worthy of being adopted for LUXMAN’s next-generation components. In LIFES Version 1.0, the entire circuit has been reconstructed and simplified, improving performance, whilst also successfully reducing the number of parallel elements, reducing distortion during amplification to less than half. The output stage uses a parallel push-pull configuration with bipolar transistor elements, achieving ample Class AB power of 100W+100W (8Ω) and 150W+150W (4Ω).


Electronically controlled attenuator LECUA


The volume control section is crucial to both the functionality and performance of an integrated amplifier and requires dedicated signal processing. The L-505Z is equipped with LUXMAN’s original, high-clarity LECUA* electronically controlled attenuator, which has been significantly downsized by adopting a solid-state (IC) circuit configuration. LECUA is an ideal level control system that minimizes variations in audio quality and enables smooth and detailed volume adjustment over 88 steps. The LR balance adjustment control also relies on LECUA's volume shift function. Despite multitasking, LECUA succeeds in minimizing deterioration of sound quality across the full range of the volume control. Intuitive operability is maintained while linked with operations from the remote control. A traditional rotary volume knob achieves that weighty, tactile response and operational feel enthusiasts will enjoy, combining convenience with pleasing operability.


Discrete buffer circuitry for preamp


The concept of a “power amp driver” is fundamental to the design of a preamp section, outputting an energy-rich signal is its ideal state of operation. The L-505Z is equipped with discrete buffer circuitry and high current supply capability at the output of the preamplifier stage, maintaining the fidelity of delicate musical signals whilst significantly enhancing the driving energy and performance of the power amplifier stage. The input selector switch controls a switching IC with excellent separation and low crosstalk. Proudly joining our latest Generation Z series, the L-505Z has achieved a dramatic development in musicality that far surpasses its class. In addition, responding to the reestablishment of vinyl record playback as an important contemporary source, a high-quality MM/MC compatible phono EQ amp circuit with a parallelized first stage is provided to realize supreme analog playback similar to our other high-end components.


Highly regulated power supply circuit


The power supply is the beating heart of an amplifier and must supply instantaneous current and stable output voltages. The L-505Z is equipped with LUXMAN’s traditional, highly stable, 540VA large-capacity, EI type power transformer, combined with four custom-made 10,000μF filter capacitors. This combination provides the instantaneous energy required to faithfully reproduce the most radical or gentlest of musical dynamics and maintain a stable voltage supply under any load fluctuations.


Large needle VU level meter and 7-segment LED


Like our higher-end models, the L-505Z is equipped with large needle-type VU meters, highly visible with white LED back-lighting, that smoothly follow changes in the music signal. Between the left and right meters, a new 7-segment LED level display has been installed, allowing you to check the current volume level from your listening position. Using the remote control, you can turn the meter lighting and 7-segment LED on and off as you like.


Headphone terminals with independent grounding


The L-505Z's high-quality headphone playback functions support the most intimate of listening environments. In addition to a standard φ6.3mm terminal, the L-505Z has a new φ4.4mm terminal with independent left and right ground wiring and separate unbalanced amplifiers, vastly improving left-to-right separation. By connecting compatible headphones and cables, the listener can enjoy further enhanced, three-dimensional, high-quality playback.


Various functions and in/output terminals


The L-505Z has our proprietary tone controls, loudness, LR balance adjustment and a separate function, facilitating bi-amp configuration with an additional power amplifier or coexistence with an AV amplifier set-up, all in one unit. On the rear panel, the 18mm pitch RCA input/output terminals offer compatibility with high quality cables with large plugs, and the robust speaker terminals with an in-line layout (same LR characteristics) are compatible with Y-lugs and banana plugs.


LUXMAN’s original technology


The L-505Z is designed with sound quality as the top priority in every detail, including the non-angled wiring on the circuit boards that ensures smooth current transmission. “Bee-Line” construction informs component location, offering the most logical and shortest route for audio signals to travel. Internal wiring using OFC copper cable that ensures natural signal transmission with spiral wrap shielding for each non-plated core wire, and a loop-less chassis structure which suppresses increases in ground impedance.


Multi-functional remote control


The substantial, ergonomic aluminum remote control can also operate compatible LUXMAN CD players released after 1996.


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Verified Dealers

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Authorized dealers for Luxman L-505Z

  • In Living Stereo — in-store — New York City, New York, United States (website)
  • Acoustic Sounds — online and in-store — Salina, Kansas, United States (website)
  • Acton Gate Audio — online and in-store — Cymru, United Kingdom (website)
  • All Elite Audio — online and in-store — Perry Hall, Maryland, United States (website)
  • Alpha High End — online and in-store — Brasschaat, Vlaams Gewest, Belgium (website)
  • Alta Fedelta — online and in-store — Lombardia, Italy (website)
  • Analog Emporium - GEM Dandy — in-store — Memphis, Tennessee, United States (website)
  • Analog Matters — online and in-store — Ormond Beach, Florida, United States (website)
  • Analogue Seduction — online and in-store — Whittlesey, England, United Kingdom (website)
  • Arizona Hi-Fi — in-store — Phoenix, Arizona, United States (website)

and 129 more verified dealers