JH Audio ROXANNE

The variable bass control gives Roxanne an unusually broad range, from a clear, dry low end to enormous subwoofer-like output. Reviewers praise its fullness and impact enthusiastically, but warn that maximum bass can drown out the rest of the mix and cloud the upper-bass/lower-mid region.

At sensible bass settings, the midrange is described as rich, balanced and naturally present, without an aggressive upper-mid push. The main caveat is setting-dependent: excessive bass can make the lower mids sound muddled.

Treble is repeatedly praised for extension, air and smoothness rather than brightness. High vocals, choirs and acoustic guitar were heard as silky, precise and free of abrasive edge.

Reviewers hear substantial accuracy, fast transients and useful separation, with lower bass settings improving mid-bass texture and clarity. However, one review found that fuller, anthem-style rock could become somewhat congested through the mids.

One reviewer found the presentation wide and deep enough to feel grand, with spot-on imaging. Another compared its unusually large, full-bodied scale to a big speaker, reinforcing the sense of expansive presence.

Roxanne is described as very snappy, with phenomenal percussion and a notably quick transient response. Reviewers also praise the coherent, synchronized character of its multi-driver presentation, particularly when the bass control is set judiciously.

The universal Roxanne was reported to be easy to fit and to achieve a strong seal. The custom version was also praised for its earpiece angle and secure, purpose-made fit.

Although the housings look large, the universal version was found to be light, with over-ear memory wire that caused no problems. A reviewer who heard both versions strongly preferred the custom fit and called it great.

Reviewers found that Roxanne cuts out a substantial amount of external sound. Its stated -26 dB attenuation was specifically seen as useful for reducing ambient and stage noise.

The custom carbon-fiber version was described as tank-like, solid and reassuringly built, although somewhat heavy. The package includes a carrying case, cleaning tool, bass-adjustment screwdriver, and both foam and silicone tips in multiple sizes; the cable uses a locking four-pin connection and gold-plated 3.5 mm plug.

The reviewed version costs well over $2,000, and the reviewer plainly characterizes that as a lot of money for in-ear monitors. The reviews strongly praise its sound and custom-fit experience, but provide no direct claim that it is a standout value against similarly priced rivals.