E.A.T. - European Audio Team E-Glo FB Phono Stage
Built for demanding vinyl systems, the E-Glo FB pairs ultra-flexible MC loading with up to 77dB gain, balanced RCA/XLR connectivity and a dedicated external PSU. Its expansive impedance and capacitance options promise precise matching for moving-magnet and especially low-output moving-coil cartridges, making this a seriously specified analogue control centre for listeners pursuing fine-tuned cartridge performance.
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Kinda Soggy
Sound Quality
50/100
Cartridge Compatibility
94/100
Build Quality
50/100
Value for Money
85/100
Pros
Exceptionally broad MM/MC cartridge-matching provision, including two high-gain MC modes, extensive loading choices, and balanced or single-ended connections.
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What Reviewers Are Saying
SOUND QUALITY PERFORMANCE 50/100
No product-specific listening review of the E-Glo FB was supplied. The available SoundStage review covers the different, much less expensive E-Glo S, so its praise for tube texture, dimensionality, and musicality cannot be treated as evidence of the FB's performance.
Transparency Noise Floor
50/100
There is no listening evidence for the E-Glo FB's background silence, hum rejection, or low-level resolution. The supplied review discusses the separate E-Glo S model, including faint tube rush only at maximum gain with no music playing, but that result cannot be assigned to the FB.
Tonal Balance Musicality
50/100
The supplied material contains no E-Glo FB listening impressions concerning tonal balance, timbre, warmth, or neutrality. The E-Glo S was described as textured, subtly sweetened, and musical, but it is a different product and should not stand in for the FB.
Dynamics
50/100
Reviewers supplied no product-specific comments on the E-Glo FB's transient response, punch, rhythmic drive, or microdynamic expression. No dependable conclusion about its dynamic character can be drawn from the available evidence.
Soundstage Imaging
50/100
No E-Glo FB review excerpt addresses image focus, stage width, depth, or layering. The E-Glo S review praised ambience and larger, denser images while noting softer image edges, but those observations cannot be transferred to the FB.
Assessments of Build Quality, Usability, and Overall Propositions.
Cartridge Compatibility
94/100
The E-Glo FB is unusually adaptable on paper, with MM and MC operation, two high-gain MC settings, balanced and single-ended inputs and outputs, and extensive impedance and capacitance selections. Its 72dB and 77dB MC modes, including loading from 2 ohms to 1.2k ohms across the stated settings, should accommodate a particularly broad range of low- and medium-output moving-coil cartridges as well as moving-magnet designs.
Build Quality
50/100
The supplied material gives dimensions, separate power-supply details, and finish options, but contains no direct review evidence about the E-Glo FB's construction, shielding, internal execution, or long-term reliability. The available praise for the E-Glo S's aluminium casework applies to that different model only.
Value for Money
85/100
No supplied review assesses whether the E-Glo FB is competitive at its stated $12,999-$19,999 price range or compares it directly with similarly priced phono stages. The E-Glo S review called that separate $2,995 model's casework sufficient to justify its price, which is not meaningful evidence of value for the FB.
Reviews & Sources
Professional reviews and sources for this product's Watt'n Potatoes analysis.
Online Reviews & Mentions
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Specifications
- Model
- E.A.T. E-Glo FB Phono Stage + PSU
- Color options
- Black, Silver
- Magnetic side panel options
- Piano Black, High Gloss Makassar Wood
- Input impedance MC / 72dB
- 10, 18, 43, 75, 150, 300, 600, 1200 Ohm
- Input impedance MC / 77db
- 2, 5, 10, 20, 40, 80, 150, 300 Ohm
- Load capacity
- 50, 150, 270, 370, 520, 620, 740, 840 pF
- Output impedance
- 150 ohms
- Gain MM
- 48dB / 42dB (XLR / RCA Out)
- Gain 1 MC
- 77dB / 71dB (XLR / RCA Out)
- Gain 2 MC
- 72dB / 66dB (XLR / RCA Out)
- Signal to noise Ratio
- MM 85dBV (100dBV – IEC -A), MC 77dBV (96dBV – IEC -A)
- THD MM / MC
- 0,05% / 1V RMS
- RIAA accuracy
- within 0,3dB/20Hz – 20kHz
- Subsonic
- 12dB/Octave
- Power supply
- 230V/115 VAC selectable on the back panel, 50/60Hz /52VA
- Input
- RCA, XLR
- Output
- RCA, XLR
- Power consumption
- 80 VA maximum, <0.5 W in standby
- E.A.T. E-Glo FB Phono Stage Dimensions W × H × D
- 395 × 86 × 262 mm
- E.A.T. E-Glo FB Phono Stage Weight
- 5.3 Kg
- E.A.T. E-Glo FB PSU Dimensions W × H × D
- 395 × 61 × 280 mm
- E.A.T. E-Glo FB PSU Weight
- 5.4 Kg
Manufacturer's Description — E.A.T. - European Audio Team
FB – Fully Balanced – State-of-the-art fully balanced and fully discrete tube phono stage with MC step-up transformer
- NEW fully balanced throughout all stages: Input, gain, EQ, sub-sonic, output
- NEW fully balanced real tube amplification – not just tube-buffer or single ended tube usage
- NEW balanced XLR input for MM & MC cartridges
- NEW 4x ECC83 and 4x ECC88 tubes
- Semi-crystalline hydrocarbon polypropylene film capacitors instead of previously used MKP capacitors in gain and RIAA stage
- Ultra-low loss factor, highest frequency and temperatur stability and longevity
- Fully discrete MM & MC phono stage design
- Lundahl step-up transformer for MC stage
- Rectifying circuitry uses special diodes with noise suppressing resistors
- Fully split-passive RIAA equalisation
- Power supply with custom made toroidal transformer comes in separate matching box
- External PSU s exterior aluminium case redesigned to match the main phono stage unit s look
- Dimmable & colour changeable tube LED backlighting
- Magnetic side panel options: high gloss Makassar or piano Black
- Available in silver or black
The E.A.T. E-Glo, first shown privately to the trade at CES in Las Vegas in January 2013, received a fine update in the form of the E-Glo 2 ten years after its original debut. Like the original and the E-Glo 2, the E.A.T. E-Glo F B is an all-tube phono stage completely free of semiconductors in its signal path. The E-Glo F B adds two ECC88 tubes into its circuitry allowing for a fully balanced tube-based design and fully balanced operation through all amplification stages. Its tube complement now consists of the four ECC83s and four ECC88s glassware. The use of these valves will ensure that supplies of replacement tubes are always readily available, while experimentation is encouraged for those who love to fine-tune the sound of their systems by changing tubes, such as EAT s premium offerings.
The MC stage: step up transformer
For the MC stage, we fitted a Lundahl step up transformer with an amorphous core, type LL1932. The unit s gain is 45db, plus the voltage gain of the step-up transformer. The amplifier section uses split, fully passive equalisation, without any equalisation in global negative feedback loop, which can harm the sound.
NEW is the balanced XLR input for MM & MC cartridges. MC cartridges or balanced MM cartridges* are a necessity for fully balanced operation, and the new XLR inputs enable you to reach new levels of pristine phono amplification without any added interference and unprecedented low noise floor.
- Please note: typical MM cartridges are not compatible with balanced phono stages as they will exhibit increased noise in the right audio channel due to the grounding of the internal cartridge generator. Modified, special balanced versions of MM cartridges are available and only those MM cartridges should be used with balanced phono preamps like the E-Glo FB.
Updated Components
At this level of performance, only the best components will suffice. The choice of output capacitor is the highly-praised Mundorf. Mundorf Connectors with Teflon insulation have been chosen for their unparalleled integrity. We have replaced previously used MKP capacitors with polypropylene film capacitors. They are used in the signal path and in the passive equalisation circuit.
In particular we have chosen a semi-crystalline hydrocarbon film, which is the undisputed #1 for high performance audio. These capacitors meet the highest demands in terms of application safety, pulse load, AC voltage and dielectric strength. Unique is the stability of the excellent electrical parameters, especially the vanishingly low temperature and frequency dependence of the capacitance value as well as the ultra-low loss factor.
External Power Supply
Ensuring quiet operation is the use of an external power supply that is included on delivery. Machined in a matching full aluminium case, it is connected to the E-Glo F B via a special 9-pin connector, familiar to those who recall the legendary Cello Palette preamplifier.
Its heart is a custom-made toroid transformer. The transformer features double shielding between the primary and secondary windings. This avoids the intrusion of RFI, while acting as superior mains filter.
Separate power supplies feed the tube phono preamplifier because the best way to shield a mains transformer from electromagnetic radiation of is to distance it from the electronics. Metal shielding alone cannot perform the task as well as a separate power supply.
State-Of-The-Art
For the rectifying circuitry, E.A.T. fitted special diodes with noise suppressing resistors. Also employed are high-quality electrolytic capacitors, followed by a voltage regulator with capacitor multiplier. The power component is a FET transistor.
E.A.T. s E-Glo F B is a state-of-the-art phono stage able to extract the ultimate performance from any cartridge it s asked to accommodate.
A Feast For The Eyes
The handsomely styled E.A.T. E-Glo FB is housed in a full aluminium chassis, its valves peering through with new selectable valve illumination. Across the front section are rows of switches for instant access to all settings no need to "get inside" to set the E-Glo 2 for your cartridge of choice.
NEW optionally available mangetic side panels, available in real makassar wood or piano black, offer additional style for your E-Glo FB.
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- Analogue Seduction — online and in-store — Whittlesey, England, United Kingdom (website)
- Art & Voice — online (website)
- Atelier 13 Audio — in-store — Forest Hills, Tennessee, United States (website)
- Audio Advice — online and in-store — Raleigh, North Carolina, United States (website)
- Audio Advisor — online and in-store — Michigan, United States (website)
- Audio Breakthroughs — in-store — Manhasset, New York, United States (website)
- Audio Creativ — in-store — Riedenburg, Bayern, Germany (website)
- Audio Lust — online and in-store — Mönchengladbach Ost, Nordrhein-Westfalen, Germany (website)
- Audio Natali — in-store — Montecatini Terme, Toscana, Italy (website)
- Audio Solutions — online and in-store — Indianapolis, Indiana, United States (website)
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