Conrad Johnson ART27A and ART108A
The Conrad Johnson ART27A and ART108A pair Class A triode finesse with authoritative tube power: the ART27A favours intimate, efficient-speaker systems, while the 160W ART108A brings scale and slam to demanding floorstanders. Alan Sircom found the larger monoblocks exceptionally refined, tonally balanced and revealing, with stable bass and an alluringly textured musical flow.
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Deliciously Crispy
Sound Quality
93/100
Build Quality
94/100
Value for Money
85/100
Pros
ART108A combines commanding large-speaker dynamics and slam with the grace, speed and precision associated with the smaller ART27A.
Bass remains composed across volume levels, avoiding thinness at low level and looseness when played hard.
Refined tonal balance and textured midrange presentation help challenging close-miked recordings sound less hard or grating.
Sophisticated regulated power supplies, premium passive parts and custom output transformers support serious build quality.
Cons
Class A operation generates substantial heat and demands periodic output-tube biasing; KT88 life is reduced if the amplifiers are left on unnecessarily.
The ART108A does not equal the very best solid-state amplifiers for ultimate detail extraction and grip.
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What Reviewers Are Saying
SOUND QUALITY PERFORMANCE 93/100
The available listening report on the ART108A describes a highly refined, emotionally involving presentation with substantial scale and control. Its strengths are most clearly documented in tonal naturalness and large-speaker authority, while the ART27A material is primarily design and specification information rather than a full listening assessment.
Transparency Resolution
92/100
Alan Sircom says the ART108A can make familiar recordings sound new again, and praises its ability to reveal the texture and beauty within a challenging modern recording. He also found it able to move beyond the hardness and grating quality often associated with closely miked instruments.
Tonal Balance Musicality
95/100
The ART108A is described as having the refinement and tonal rightness long associated with Conrad-Johnson, alongside an impassioned, textured rendering of music. The review characterizes its presentation as a distinctive slice of sonic perfection rather than merely an exercise in technical detail.
Dynamics
95/100
The ART108A is specifically praised for retaining composure when driven hard, without approaching problematic distortion or overheating. It delivers the scale and slam required for big high-performance tower loudspeakers while preserving much of the smaller ART27A's grace, speed, and precision.
Soundstage Imaging
90/100
The review explicitly commends the ART108A's staging qualities, describing a refined and correct overall balance. There is less detailed commentary on image specificity, stage depth, or layering than on tone and dynamics.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
94/100
Both amplifiers use a notably serious regulated-power-supply approach, with independently regulated output stages; the ART108A further separates supply sections for input and output duties. Its use of precision Vishay bulk-metal-foil resistors, carefully selected internal wiring and connectors, customized output transformers, and substantial monoblock construction indicates thorough engineering execution.
Value for Money
85/100
The stated price is $22,000, placing these amplifiers firmly in the high-end market. The supplied reviews enthusiastically discuss performance, but do not offer a meaningful comparison with similarly priced rivals or a direct judgment on value at the asking price.
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Specifications
- ART27A
- Power: 36 Watts rms per channel from 30 Hz to 15 KHz at no more than 1.5 % THD into 4 ohms (also available connected for 8 or 16 ohm loads) Sensitivity: .6V rms to rated power Small Signal Distortion: less than .25% at mid-band Frequency Response: 20 Hz to 20 kHz, +/- .25 dB Hum and Noise: less than 200 microVolts Phase: phase correct Input Impedance: 100 kOhms Tube Complement: 3 x 6922, 4 x KT88 (matched pairs, selected) Dimensions: 17.5D x 19W x 8.875H inches Weight: 63 lb net
- ART108A
- Power: 160 Watts rms both channels driven into 4 ohms from 30 to 15KHz at no more than 1.5% total harmonic distortion Sensitivity: 1.0V rms to rated power Small Signal Distortion: less than .25% at mid-band Frequency Response: 20 Hz to 20 kHz, +/- .25 dB Hum and Noise: less than 200 microVolts Phase: phase correct Input Impedance: 100 kOhms Tube Complement: 3 x 6922, 8 x KT88 Dimensions: 21.0D x 19W x 8.625H Weight: 89 lb net
Manufacturer's Description — Conrad Johnson
Speaker systems vary in sensitivity with some highly regarded speakers measuring an output of 86 dB or less from one Watt at one meter to other high-efficiency systems producing as much as 104 dB. Further, room dimensions, speaker placement, and listening placement vary widely – also significantly impacting power demands. Accordingly, the power demands of different high-end audio installations vary widely. To address a range of these needs, we offer these two amplifiers utilizing the same basic circuits and built to identical standards, differing only in the number of output tubes, size of the output and power supply transformers, and scale of the power supply required to achieve their different output power levels.
The circuit for these amplifiers is designed for Class A operation of KT88 output tubes configured as triode devices – a single pair for each channel achieves 36 Watts per channel in the stereo ART27A suitable for highly efficient systems, while the mono ART108A employs four pair to produce 160 Watts – ample power for the vast majority of applications.
The amplifiers boast independent discrete regulated power supplies for the output stage in addition to separate regulated supplies for both input and inverter stages (with separate regulators for each channel in the ART27A).
Our design team has long appreciated the critical importance of parts quality in achieving top performance.
Our commitment to executing our reference level products with only the highest quality parts is unmatched in the industry. Precision laser-trimmed bulk metal foil Vishay resistors are used throughout the voltage gain stages and related power supplies. CJD Teflon dielectric capacitors are used for coupling the inverter stage to the output stage, and to bypass the large value polypropylene capacitors in the regulated power supplies for the voltage gain and inverter stages. Amplifier output is coupled to speakers through proprietary wide-bandwidth Translinear output transformers optimized for Class A operation of triode connected KT88s. Even the machined OFC connectors and the internal wiring have been carefully selected for optimal sonic performance. Attention to every detail enable us to extract the full potential from our circuit designs and ensures that our products will perform to this potential for years to come. The ART27A andART108A amplifiers are built without compromise to achieve a new standard in musical performance, and they are built to last.
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- Ajasom — online and in-store — Amadora, Lisboa, Portugal (website)
- ALAIN CHOUKROUN — online and in-store — Paris, Île-de-France, France (website)
- Audio Breakthroughs — in-store — Manhasset, New York, United States (website)
- Audio Foundations — in-store — Hutto, Texas, United States (website)
- Audiogears — in-store — Casalecchio di Reno, Emilia-Romaña (website)
- Blumenstein Audio — in-store — Tacoma, Washington, United States (website)
- Chicago Hifi — in-store — Northfield, Illinois, United States (website)
- Class D Audio USA — online — United States (website)
- Fidelis Audio — in-store — Nashua, New Hampshire, United States (website)
- George Meyer AV — in-store — Los Angeles, California, United States (website)
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