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Audia Flight STRUMENTO n° 1
STRUMENTO N°1 evo Stereo Preamplifier
When we introduced the Strumento n.1 mk2 we wrote:
“It has long been said, “the heart of any audio system is the preamplifier.” The preamplifier’s job sounds simple: convey a purity of sound, without coloration or adulteration of original audio signal, with nothing being added but also nothing being lost in translation.
Okay, so it’s not that easy. And yet that’s where our efforts at Audia Flight have elevated the preamplifier state of the art.”
In our continous job to find the perfection, we have exceeded the limits of the Strumento n.1 mk2 designing a new output stage and new gain modules that give a more natural sound, more large and deep soundstage for a true “live” experience!
The new Audia Flight Strumento N°1 evo Stereo Preamplifier is the perfect device to transfer a perfect signal to any power amplifier with its precision, accuracy, dynamics and incredible signal speed (bandwidth more than 1MHz). We’ve used our trained human ears to aide us with circuit refinements over the original Strumento N°1 (such small, but critical changes include the value of resistors and capacitors). This effort has allowed us to more closely achieve our goal of sonic perfection with the Strumento N°1 evo, much like a luthier uses years of experience, craftsmanship, and keen ear to find the perfect tonal character and emotional response for their instruments.
The Strumento N°1 evo chassis begins its life as an ultra high grade, bespoke aluminum cast. After the CNC finishing work is completed, every part is then closely inspected and “mirror polished” by hand. Some critical areas are further finished by hand, with shot peening and anodization completing the
beautiful metal work. The final touch is an elegant silk-screening process.
Within the Strumento N°1 evo’s gorgeous chassis one finds it is powered by four toroidal transformers (two 75VA toroidal audio transformers for the main stages, one 25VA toroidal audio transformer for the control boards, and one 15VA toroidal transformer for the logic board), all enclosed within a
ferromagnetic shield and encapsulated by epoxy resin. The main power supply is extremely low noise, the filter being made by ultra-fast rectifiers and n.40 680µF 100V extra low impedance capacitors. On the electrolytic capacitors an EMI shield and vibration damping material is used to reduce any
physical noises to a minimum.The main power supply is composed of eight, very low noise power supply stages. Each amplification channel with its fully balanced circuitry is on an independent print board. Custom printed circuit boards with an extra high-grade surface copper are used, as ultra pure copper bars are used for ground and power supplies. After the input selection and a buffer, the input signal meets the volume control.
A crucial point in all preamplifiers is represented by the volume control. Often the volume control can introduce a variable impedance element as a function of the attenuation value (that is to say, the position of the potentiometer). The undesirable result is that the frequency response, slew-rate
and even the internal impedance couplings among different stages are not fixed and become a function of the attenuation value (volume).
This ultimately reduces the preamplifier’s ability to produce an accurate signal for the power amplifiers to further amplify. For this reason, Audia Flight has developed a constant impedance attenuator. This custom Audia Flight attenuator is composed of discrete components (low-noise metallic film resistors and relays) and provides a gain range as high as 127 dB while providing constant steps of 0.5 dB.
The accurate high-performance result we have obtained with this attenuator likely is well beyond standard attenuators found elsewhere, as our measurements show that the Strumento N°1 evo has an out of the ordinary extended frequency response (3Hz / 1MHz –3 dB) and the high value of slew rate (>250V/µs throughout the entire gain range (-90 / +10 dB).
This completely new volume control has constant impedance and it is absolutely silent as the volume is raised and lowered.
The Strumento N°1 evo’s gain stage is an exclusive Audia Flight design consisting of an entirely class A current-feedback circuitry.
It is fed by four stabilized independent stages per each channel: two for the input stages and two for the output stage.
The gain stage is enclosed within an aluminum box and encapsulated by epoxy resin to grant a thermal stabilization for all gain stage’s components.
The high-current low-noise output stage is made of Class A biased MOSFET audio devices, and is able to drive any kind of amplifier.
A modular system of cards for MM/MC phono inputs; SPDIF and USB 192kHz/32bits digital inputs; analog unbalanced and balanced inputs;
and other options (inquire).
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Audia Flight STRUMENTO n° 1
The STRUMENTO n° 1 is a heavyweight, high-resolution stereo preamplifier that marries muscular build with refined musicality. Praised by Anthony Kershaw for Audiophilia, it delivers an impressively dark, revealing background and a “fully balanced circuitry” approach that preserves transient detail and timbral accuracy. The sound is neutral yet engaging, with tight, controlled bass, articulate midrange and natural treble decay—excellent for orchestral crescendos, vocal intimacy and piano transients. Performance highlights include authoritative dynamics, precise imaging and a wide bandwidth driven by a purpose-built multi-supply power system. Mechanically, the n° 1 is built like a tank with high-grade capacitors, precision resistors and a silence-engineered volume control. Ideal for serious listeners seeking a versatile, expandable front end, the STRUMENTO n° 1 offers class-leading transparency and comprehensive connectivity as a long-term system hub. Ultra-low noise floor and modular I/O are standout traits.
Pros
- Exceptionally low noise floor and high transparency that reveals micro-details and a very black background.
- Robust, high-end build with multiple power supplies, large computer-grade capacitors and precision components for electrical and mechanical solidity.
- Extensive, modular connectivity (phono and SPDIF/USB card slots plus multiple balanced XLR and RCA I/O) combined with authoritative dynamics and precise imaging.
Transparency
93/100
Reviewer explicitly praises a "bottomless noise floor" and describes the background as "so low, so black," enabling fine nuances to shine. Audia Flight's emphasis on ultra-low-noise power supplies and high-precision components (quoted "fully balanced circuitry... 60.000µF on the main power suppliers") supports a high transparency rating. There is a single caveat: the reviewer also notes the unit "added a synergy" rather than being a pure "straight wire with gain," so a small allowance is made for subtle musical coloration.
Sound Quality
90/100
Dynamics
90/100
Reviewer commends the n1's energy, speed and control (citing AF's spec claims of >1.5MHz bandwidth and praising "precision, energy and speed"). Specific dynamic examples (piccolo, bass drum, piano transients) are cited as handled cleanly and with authority. The preamp is described as 'alive' and capable of delivering micro and macro dynamic detail.
Soundstage Imaging
90/100
The reviewer reports excellent imaging and three-dimensional presentation (voices "floated in the soundstage between and around" the speakers) and calls the control "effortless" in the best-preamp company. This indicates strong channel separation, depth and precise placement of instruments. Imaging performance is consistently praised across material.
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Build Quality
92/100
Build is described as a "beast" with substantial, high-quality internals: multiple power supplies, large computer-grade capacitors, special PCBs, copper bars and ultra-fast rectifiers. The volume control uses high-precision, low-noise 0.1% metal foil resistors with constant impedance and silent commutation — all signs of high-end mechanical and electrical design. The heavy chassis, large knob and detailed power supply design support a top-tier build score.
Features Connectivity
94/100
Very well featured: modular card slots for phono and SPDIF/USB (192kHz/32-bit) inputs, rear-panel XLR or RCA on inputs 1 & 2, XLR-only on inputs 3-5, RCA tape-out, one pair RCA output and two sets of balanced XLR outputs. The unit is explicitly described as "fully balanced circuitry" and offers extensive I/O and expansion options, putting it at the top end of feature counts for preamps.
Value for Money
89/100
The reviewer lists the (high-end) price and calls the n1 a product that provides "maximum musicality, maximum flexibility, and yes, even value," ending with "Highly recommended." That language constitutes a justified-premium assessment: expensive but seen as worth the cost by the reviewer for its capabilities and build. Value is positive though contextual to the high-end segment.
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