93%
Audia Flight STRUMENTO n° 1
STRUMENTO N°1 evo Stereo Preamplifier
When we introduced the Strumento n.1 mk2 we wrote:
“It has long been said, “the heart of any audio system is the preamplifier.” The preamplifier’s job sounds simple: convey a purity of sound, without coloration or adulteration of original audio signal, with nothing being added but also nothing being lost in translation.
Okay, so it’s not that easy. And yet that’s where our efforts at Audia Flight have elevated the preamplifier state of the art.”
In our continous job to find the perfection, we have exceeded the limits of the Strumento n.1 mk2 designing a new output stage and new gain modules that give a more natural sound, more large and deep soundstage for a true “live” experience!
The new Audia Flight Strumento N°1 evo Stereo Preamplifier is the perfect device to transfer a perfect signal to any power amplifier with its precision, accuracy, dynamics and incredible signal speed (bandwidth more than 1MHz). We’ve used our trained human ears to aide us with circuit refinements over the original Strumento N°1 (such small, but critical changes include the value of resistors and capacitors). This effort has allowed us to more closely achieve our goal of sonic perfection with the Strumento N°1 evo, much like a luthier uses years of experience, craftsmanship, and keen ear to find the perfect tonal character and emotional response for their instruments.
The Strumento N°1 evo chassis begins its life as an ultra high grade, bespoke aluminum cast. After the CNC finishing work is completed, every part is then closely inspected and “mirror polished” by hand. Some critical areas are further finished by hand, with shot peening and anodization completing the
beautiful metal work. The final touch is an elegant silk-screening process.
Within the Strumento N°1 evo’s gorgeous chassis one finds it is powered by four toroidal transformers (two 75VA toroidal audio transformers for the main stages, one 25VA toroidal audio transformer for the control boards, and one 15VA toroidal transformer for the logic board), all enclosed within a
ferromagnetic shield and encapsulated by epoxy resin. The main power supply is extremely low noise, the filter being made by ultra-fast rectifiers and n.40 680µF 100V extra low impedance capacitors. On the electrolytic capacitors an EMI shield and vibration damping material is used to reduce any
physical noises to a minimum.The main power supply is composed of eight, very low noise power supply stages. Each amplification channel with its fully balanced circuitry is on an independent print board. Custom printed circuit boards with an extra high-grade surface copper are used, as ultra pure copper bars are used for ground and power supplies. After the input selection and a buffer, the input signal meets the volume control.
A crucial point in all preamplifiers is represented by the volume control. Often the volume control can introduce a variable impedance element as a function of the attenuation value (that is to say, the position of the potentiometer). The undesirable result is that the frequency response, slew-rate
and even the internal impedance couplings among different stages are not fixed and become a function of the attenuation value (volume).
This ultimately reduces the preamplifier’s ability to produce an accurate signal for the power amplifiers to further amplify. For this reason, Audia Flight has developed a constant impedance attenuator. This custom Audia Flight attenuator is composed of discrete components (low-noise metallic film resistors and relays) and provides a gain range as high as 127 dB while providing constant steps of 0.5 dB.
The accurate high-performance result we have obtained with this attenuator likely is well beyond standard attenuators found elsewhere, as our measurements show that the Strumento N°1 evo has an out of the ordinary extended frequency response (3Hz / 1MHz –3 dB) and the high value of slew rate (>250V/µs throughout the entire gain range (-90 / +10 dB).
This completely new volume control has constant impedance and it is absolutely silent as the volume is raised and lowered.
The Strumento N°1 evo’s gain stage is an exclusive Audia Flight design consisting of an entirely class A current-feedback circuitry.
It is fed by four stabilized independent stages per each channel: two for the input stages and two for the output stage.
The gain stage is enclosed within an aluminum box and encapsulated by epoxy resin to grant a thermal stabilization for all gain stage’s components.
The high-current low-noise output stage is made of Class A biased MOSFET audio devices, and is able to drive any kind of amplifier.
A modular system of cards for MM/MC phono inputs; SPDIF and USB 192kHz/32bits digital inputs; analog unbalanced and balanced inputs;
and other options (inquire).
WATT RECOMMENDS
Save your favorites. Compare them anytime.
Create a free HiFi Hub account to save products to your Wishlist and compare your favorites side by side.
Professional Reviews 93/100
Deliciously Crispy
Sound Quality
95/100
Build Quality
97/100
Features Connectivity
92/100
Value for Money
88/100
With a black background, poised imaging, and a richly musical solid-state character, the STRUMENTO n° 1 sounds like a reference preamp built to disappear. Audiophilia praised its effortless control, natural timbres, and expansive soundstage, while its modular flexibility and hefty, silent engineering make it a serious centerpiece for high-end systems.
What Reviewers Are Saying
Pros
Exceptionally low noise floor reveals fine detail and microdynamics with striking clarity.
Produces a spacious, well-focused soundstage with voices and instruments placed naturally in space.
Delivers controlled, musical solid-state sound with strong timbral accuracy and no obvious coloration.
Extensive connectivity and modular expansion add real system flexibility for analog and digital use.
&
Cons
Its very high price places it firmly in the luxury end of the market.
SOUND QUALITY PERFORMANCE 95/100
Reviewers describe an exceptionally black, quiet presentation that lets fine detail emerge naturally, with the preamp adding little obvious coloration and revealing many nuances. The tonal presentation is praised as highly musical rather than clinical, and the unit is repeatedly described as fast, controlled, and effortless. Imaging is a strong point too, with voices floating convincingly in space and a sense of control that reviewers associate with top-tier preamps.
Transparency Resolution
97/100
The reviews stress an extremely low noise floor and a very black background, with 'many nuances' allowed to shine through. The preamp is also described as giving 'no indication of coloration,' which supports a highly transparent, revealing character.
Tonal Balance Musicality
95/100
Reviewers say it 'added a synergy to the system that was so musical' and call it a 'great solid state preamp.' The tonal impression is not dry or sterile; instead it is repeatedly framed as natural, engaging, and satisfying over long listening.
Dynamics
94/100
The n1 is praised for 'energy and speed' and for helping complex orchestral material stay clear and composed. Comments about 'precision, energy and speed' and clear low-level instrument separation point to excellent dynamic grip and ease, even if the reviews stop short of dramatic slam language.
Soundstage Imaging
95/100
Voices are said to 'float in the soundstage between and around' the speakers, and the reviewer highlights effortless control comparable to 'the very best preamps.' The spatial presentation sounds open, dimensional, and finely focused, with strong image placement and depth.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
97/100
Reviewers portray the unit as a 'beast' with Germanic heft, and they give concrete praise to the engineering: fully balanced circuitry, selected parts, extensive power supplies, high-grade capacitors, and a silent constant-impedance volume control. The chassis details, large control knob, and overall execution all point to extremely serious construction.
Features Connectivity
92/100
This is a highly flexible preamp with balanced and RCA inputs, dual XLR outputs, a tape out, and modular slots for phono and digital input cards. The mix of connectivity is strong, though the core product still leans toward a purist high-end preamp rather than an all-in-one feature stack.
Value for Money
88/100
The asking price is clearly high, but the reviewer still frames the n1 as delivering 'maximum musicality, maximum flexibility, and yes, even value' and ends with a strong recommendation. That reads as a justified premium rather than a bargain, especially in a top-tier product class where flexibility and performance are both being sold.
Reviews
Online Reviews & Mentions
YouTube Reviews
Forum Mentions
No forum mentions found yet
Verified Dealers
Online Dealers
All Dealers
Zoom out the map to see more dealers
Authorized dealers for Audia Flight STRUMENTO n° 1
- The Audio Association — in-store — Anaheim, California, United States (website)
- 110Hz — online and in-store — Kielce, Województwo świętokrzyskie, Poland (website)
- A/V Solutions — in-store — Pleasanton, California, United States (website)
- Absolute Hi End — in-store — Ormond, Victoria, Australia (website)
- Alma Music & Audio — in-store — San Diego, California, United States (website)
- Assai Audio — in-store — Centro, Comunidad de Madrid, Spain (website)
- Atelier 13 Audio — in-store — Forest Hills, Tennessee, United States (website)
- Audio Living Design — in-store — Area Produttiva, Marche, Italy (website)
- Audio Omega — in-store — Ourense, Spain (website)
- Audio Vision San Francisco — online and in-store — San Francisco, California, United States (website)
and 41 more verified dealers
