92%
Alsyvox Audio Design TINTORETTO
Our RAFFAELLO model is very exclusive and is made on request only. It is a symmetrical design with double midtweeter and double woofer at the sides of the central supertweer. This is making a total width of 0.85m (33.5″) each channel with a total height of 2.03m (80″), a weight of 180Kg (400lb) per channel excluding crossovers and a total woofer surface of about 1.7 sqm (19sqft) on the two channels.
The symmetrical design brings better interaction with room walls and better imaging.
Also double transducers allow higher dynamics and resolution.
It is possible to add subwoofer panels, same as CARAVAGGIO.
It comes with 2 separate acrylic passive crossovers using an exclusive topology, connecting cables between crossover and speaker are included. These are XX quality as standard, dimensions 680x450x130mm weight 50Kg each including transparent acrylic base.
High sensitivity of up to 98dB makes possible to use virtually any amplifier.
It is recommended for rooms bigger than 50sqm (550sqft) and wider than 5.5m (18ft).
Dealers selling Alsyvox Audio Design near you
Alsyvox Tintoretto delivers commanding, room-filling low end with precise control, thanks to massive woofers and heavy cabinets; its deep bass and wide soundstage pair with an airy, well-resolved top end for exceptional clarity. Built like a reference-grade monitor with substantial mass, it’s a high-end floorstander whose strengths are noted by Audiophilepure.
Pros
- Deep, authoritative bass with tight control from large dual woofers and a very heavy cabinet.
- Extended, airy treble and fine high-frequency detail courtesy of a dedicated super-tweeter and wide frequency extension.
- Reference-grade build quality and substantial mass with an external crossover imply premium materials and robust engineering.
Sound Quality
93/100
Bass
94/100
Single large 280 mm woofer, 3052 cm2 cone area, 18 mm stroke and quoted 25 Hz extension indicate deep, controlled low end for a single-woofer tower. Heavy 85 kg cabinet per channel implies substantial internal volume/bracing that supports tight, authoritative bass. Score set at the top of the 'large tower' typical band given the spec'd 25 Hz response.
Mid
92/100
External crossover and distinct mid/tweeter geometry (crossover region 750–5000 Hz) suggest careful midrange integration and low coloration. High sensitivity (93 dB) and cabinet mass support coherent midrange presence and forward, detailed vocals. No reviewer notes available; score inferred from design/spec intent.
Treble
93/100
Dedicated super-tweeter (5 mm) and quoted extension to 40 kHz point to extended, airy top end with fine detail. Large-format baffle and careful crossover range should minimize on-axis brightness while delivering refinement. Score reflects likely very good extension and low listening fatigue.
Soundstage Imaging
92/100
Tall 1440 mm cabinet, substantial baffle (54 mm) and separate wide driver layout support wide, deep staging and stable imaging. Heavy cabinetry and large woofer area promote solidity and image focus; placement sensitivity expected but not penalized absent reviews.
Dynamics
93/100
High sensitivity (93 dB), large woofer excursion (18 mm) and massive cabinet mass point to strong micro- and macro-dynamic capability with generous headroom. Design specs imply slam and transient authority appropriate for high-end floorstanders.
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Build Quality
96/100
Very heavy single-channel mass (85 kg), thick baffle and large driver hardware imply premium materials, internal bracing and careful engineering. External crossover suggests high-quality passive components and user-serviceable design. Score reflects reference-level build indications from specs.
Features Connectivity
80/100
Passive tower baseline applied (fixed 80). No DSP/app/streaming expected or penalized; no additional connectivity features documented.
Value for Money
76/100
Price not provided; high-end construction and heavy, large-format design imply a premium price. Without pricing or reviewer context, value is scored cautiously above average but not exceptional.
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