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Watt’n Potatoes

Authorized dealers for Allnic/ZL Technologies L-8500 OTL/OCL

  • Audioplus Hi End — in-store — San Benedetto del Tronto, Marche, Italy (website)
  • East End Hi-Fi — in-store — Brookhaven, New York, United States (website)
  • Kronos Audio Visual — online and in-store — Staplefield, England, United Kingdom (website)
  • Live Fidelity — in-store — Utrecht, Utrecht, Netherlands (website)
  • Moorgate Acoustics — online and in-store — Woodseats, England, United Kingdom (website)
  • Norsk Audio Teknikk — in-store — Sofiemyr, Akershus, Norway (website)
  • Perfect sense Audio — in-store — Stockholms län, Sweden (website)
  • Rennaissens — online and in-store — Boulogne-Billancourt, Île-de-France, France (website)
  • SALLINGBOE AUDIO — in-store — Svebølle, Denmark (website)
  • Salon One Audio — in-store — Ormond Beach, Florida, United States (website)

and 6 more verified dealers

Potato score: 90

90%

Allnic/ZL Technologies L-8500 OTL/OCL #1
Allnic/ZL Technologies L-8500 OTL/OCL variant 1
Allnic/ZL Technologies L-8500 OTL/OCL variant 2
Allnic/ZL Technologies L-8500 OTL/OCL variant 3
Allnic/ZL Technologies L-8500 OTL/OCL variant 4

Allnic/ZL Technologies L-8500 OTL/OCL

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View at Allnic/ZL Technologies
Remote Control
Balanced Output
Dual Mono Design

The L-8500 OTL/OCL (Output Transformer-Less/Output Capacitor-Less) is a triple gain stage, remote controlled, line-stage preamplifier, without transformers or capacitors in its single-ended signal path.


  • OTL, OCL Direct Coupled preamplifier
  • Two SEPP 12B4s output
  • True Dual Mono design
  • 41-step Silver Contact Constant Impedance attenuator

The L-8500 Preamplifier is a Direct Coupled OTL/OCL Tube Preamplifier.


OTL/OCL means “Output Transformer Less” and “Output Capacitor Less”.


In an OTL/OCL preamplifier, there is no coupling device between the preamplifier and the power amplifier , that is, the preamplifier’s final output tubes are directly connected to the power amplifier. Normally, an Output Capacitor or Output Transformer for separating AC music signal from the DC operating potential; if this is not done, the latter will destroy the power amplifier or loud speakers.


But these two types of coupling devices are effectively obstacles to transmission that add their own character (color), increase distortion, and consume small signals according to physical efficiency theory. In addition, they limit signal dynamics.


Because of all these adverse effects, OTL/OCL has been considered the best solution for amplifiers in order to maintain signal purity.


* Removing these two coupling devices from the signal path, gives the best results.
* No coloration is added to the musical signal.
* Extremely detailed expression, natural harmonics and subtle musical decay are achieved.
* There is the lowest distortion possible due to the absence of coupling parts.
* The widest musical dynamics are attained.
* Some circuit experts might worry about DC potential in the music signal, but there is no need to worry. Allnic uses a “floating power supply circuit” which prevents the creation of any DC potential in the first place.


*The OTL/OCL circuit is basically SEPP, “Single Ended Push Pull”, so we need a “cancellation circuit”, which adjusts the balance of signal between the upper and lower power output tubes’ input grids.


Allnic uses the most sophisticated “Active Balanced Positive and Negative Feedback Circuit”, in which a 6AN8 pentode perfectly controls all the circuit’s entire operation with extremely low distortion and the greatest speed.


Allnic Audio’s Technology

OTL/OCL Ciruitry

OTL/OCL means “Output Transformer-Less” and “Output Capacitor Less”. In an OTL/OCL preamplifier, there is no coupling device between the preamplifier and the power amplifier, that is, the preamplifier’s final output tubes are directly connected to the power amplifier. Normally, an Output Capacitor or Output Transformer for separating AC music signal from the DC operating potential; if this is not done, the latter will destroy the power amplifier or loudspeakers. But these two types of coupling devices are effectively obstacles to signal transmission that add their own character (color), increase distortion, and consume small signals according to physical efficiency theory. In addition, they limit signal dynamics. Because of all these adverse effects, OTL/OCL has been considered the best solution for amplifiers in order to maintain signal purity. Some circuit experts might worry about DC potential in the music signal, but there is no need to worry. Allnic uses a “floating power supply circuit” which prevents the creation of any DC potential in the first place.


Soft-start Circuitry

Allnic uses soft start circuitry that, after sufficient warm-up only, provides the high voltage supply to the plate of each tube. This protective design results in prolonged tube life and fewer and less frequent issues with tube performance.


Beautiful 100kHz square wave response

We can show you how beautifully a 100kHz square wave response is reproduced.


New vacuum tube damping technology

Allnic Audio’s patented “Absorb GEL tube damper” technology prevents harmful vibrations from reaching the signal/gain tubes and, therefore, prevents micro-phonic noise propagation in the tubes. The Allnic Audio Absorb Gel damper technology effectively solves a problem that plagues most tube amplification systems. Provided other tube components do not introduce micro-phonic noise into your system, with the Absorb Gel damping system, you will enjoy a degree of transparent sound that will surprise and please you.


Powerful driving circuitry

Allnic believes in the importance of using high-quality, low noise and powerful driving circuitry in all its amplifying devices. Therefore, for example, in the M-3000 mk2, we employ the E282F tube (E55L for M-5000) in triode mode as the second stage driver tube, with a load of about 6 k ohms, and using 20 mA of current. The listener can easily hear and even “feel” the differences between this design and other, more conventional, ones. Please imagine, as you listen to the M-3000 mk2, its sound compared to the sound of an amplifier with conventional 12AU7 or 12BH7’s used as drivers, with a load of about 47 k ohm, and using 2 to 3 mA of current.


Analogue power tube current monitors

In order to provide constant current (bias) monitoring for the power tubes, Allnic uses a separate analogue current meter for each tube. The meters make it exceptionally easy to see the status of each tube at any time and to respond immediately to any variation in bias by use of the bias control knob for the relevant tube. The meters offer a simple, unambiguous indication of each tube’s status compared to conventional LED bias monitors.


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Professional Reviews 90/100

Rating for L-8500 OTL/OCL

Deliciously Crispy

Sound Quality

92/100

Build Quality

89/100

Features Connectivity

91/100

Value for Money

85/100

Richly musical and strikingly lifelike, the L-8500 OTL/OCL wins praise from Audiophilepure for its vivid instrumental texture, addictive midband flow, and “liquid gold” sense of tonal color. Its OTL/OCL topology pairs deep refinement with a natural timbre that keeps drawing the listener back, though it stops just short of the last word in spatial grandeur.

What Reviewers Are Saying

"The 8500 spun the bits into liquid gold."

Audiophilepure

Pros

Exceptionally lifelike timbre and instrumental texture with an addictive, emotionally engaging midband.

Highly musical presentation that makes digital and vinyl sound vivid, fluid, and involving.

OTL/OCL topology brings a refined, natural tonal character that stands out in long listening sessions.

&

Cons

Does not quite match the last bit of spatial expansiveness and dimensional magic of the reviewer’s reference preamps.

SOUND QUALITY PERFORMANCE 92/100

Reviewers describe the L-8500 as vividly lifelike and highly engaging, with 'liquid gold' presentation and timbres that feel full of life and passion. The one clear caveat is that it does not quite match the very last bit of magic or spaciousness of the reviewer’s reference units.

Transparency Resolution

92/100

The review presents the preamp as 'accurate' and especially good at reproducing instruments with convincing realism. The language suggests a clear, refined window onto the music rather than a veiled or muddy presentation.

Tonal Balance Musicality

94/100

This is where the strongest praise lands: 'liquid gold,' 'timbres so full of life and passion,' and 'addictive' all point to a richly musical, emotionally involving character. The reviewer clearly found the tonal rendering intoxicating rather than merely correct.

Dynamics

92/100

The remarks about the sound being irresistible and repeatedly drawing the listener back imply strong forward momentum and ease of expression. The review does not directly call out macro-dynamic slam, but the language supports a lively and unforced presentation.

Soundstage Imaging

90/100

The review does mention spatial performance in comparative terms, saying it falls just short of 'the vistas set free' by a reference preamp. That suggests a capable and appealing stage, though not quite the most expansive or dimensional presentation in the comparison.

Assessments of Build Quality, Usability, and Overall Propositions.

Build Quality

89/100

The review gives little direct commentary on chassis fit, finish, or long-term construction, but the unit’s complex OTL/OCL tube design and substantial 16 kg weight suggest serious engineering. Still, the review itself does not spend much time assessing build details.

Features Connectivity

91/100

Connectivity is strong for a line preamp, with 2 RCA inputs, 3 XLR inputs, 2 RCA outputs, and 1 XLR output. Balanced and single-ended flexibility gives it a useful, well-appointed feature set without straying into unnecessary complexity.

Value for Money

85/100

The reviews provided do not really discuss whether the $15,500 asking price is justified versus competing preamps, so there is little direct value commentary to work from. On the evidence here, it reads more as a premium purchase than an obviously judged bargain or overreach.

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Authorized dealers for Allnic/ZL Technologies L-8500 OTL/OCL

  • Audioplus Hi End — in-store — San Benedetto del Tronto, Marche, Italy (website)
  • East End Hi-Fi — in-store — Brookhaven, New York, United States (website)
  • Kronos Audio Visual — online and in-store — Staplefield, England, United Kingdom (website)
  • Live Fidelity — in-store — Utrecht, Utrecht, Netherlands (website)
  • Moorgate Acoustics — online and in-store — Woodseats, England, United Kingdom (website)
  • Norsk Audio Teknikk — in-store — Sofiemyr, Akershus, Norway (website)
  • Perfect sense Audio — in-store — Stockholms län, Sweden (website)
  • Rennaissens — online and in-store — Boulogne-Billancourt, Île-de-France, France (website)
  • SALLINGBOE AUDIO — in-store — Svebølle, Denmark (website)
  • Salon One Audio — in-store — Ormond Beach, Florida, United States (website)

and 6 more verified dealers

Audioplus Hi End logo
East End Hi-Fi logo
Kronos Audio Visual logo
Live Fidelity logo
Moorgate Acoustics logo
Norsk Audio Teknikk logo
Perfect sense Audio logo
Rennaissens logo
SALLINGBOE AUDIO logo
Salon One Audio logo