Allnic/ZL Technologies L-7000
The L-7000 delivers explosive dynamics, tactile transparency and richly dimensional tone, bringing exceptional air, presence and instrumental texture to high-resolution systems. Anthony Kershaw found its characterful bass, nuanced timbre and enveloping soundstage especially compelling, while the dual-mono, transformer-coupled design and precision attenuator make it a seriously refined tube linestage.
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Deliciously Crispy
Sound Quality
96/100
Build Quality
91/100
Features Connectivity
89/100
Value for Money
85/100
Pros
Exceptional dynamic range conveys both delicate low-level shifts and large orchestral crescendos with unusual energy.
Highly transparent, tactile presentation reveals subtle instrumental lines, timbral inflections and abundant air.
Bass is full-bodied and characterful rather than merely forceful, with strong texture and definition.
Solid construction, true dual-mono topology and a precise 61-step motorized attenuator support its flagship-level execution.
Cons
Premium pricing places it firmly in endgame-system territory.
No onboard phono stage, DAC or headphone output; it is a purist line preamplifier rather than an all-in-one control center.
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What Reviewers Are Saying
SOUND QUALITY PERFORMANCE 96/100
The L-7000 is described as exceptionally transparent, vivid and musically involving, combining fine-detail retrieval with rich instrumental and vocal colour. Its presentation is said to remain smooth and tactile while delivering unusually expansive dynamics and a highly present, airy soundscape.
Transparency Resolution
96/100
The review calls the L-7000 transparent and says it brings musicians into clearer focus than a respected Jeff Rowland preamp. It also reports exceptionally fine timbral resolution, including the subtle tonal change caused by a flutist's alternative fingering.
Tonal Balance Musicality
96/100
The L-7000 is characterized as an "ultra musical" component with gorgeous vocal and instrumental timbres. Bass is described as fleshed out, characterful and satisfying, while the overall delivery is smooth, vibrant and emotionally involving.
Dynamics
97/100
Dynamics are singled out as a central reason for the preamp's excellence. The reviewer praises its ability to convey music from the softest ppp passages through full fff peaks with a sense of life, freedom and scale.
Soundstage Imaging
95/100
The review hears abundant air, presence and vibrancy, with a tactile "reach out and touch it" quality. It portrays the L-7000 as creating a wonderfully enveloping soundstage rather than merely placing images cleanly between the loudspeakers.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
91/100
The reviewer describes the L-7000 as industrial and solid, with beautiful casework and distinctive tube chimneys. Its true dual-mono arrangement, precision 61-step motorized attenuator and regulated tube complement further indicate a carefully considered execution.
Features Connectivity
89/100
Connectivity is strong for a purist line preamplifier, with three RCA and two XLR inputs plus both RCA and dual XLR outputs. Useful refinements include a motorized 61-step attenuator, phase control, low output impedance and a true dual-mono layout, though there is no onboard phono stage, DAC or headphone provision.
Value for Money
85/100
At $16,500 in the review and within the stated premium price range, the L-7000 is presented as an end-of-journey component and is very highly recommended. The review strongly praises its performance, but does not directly compare its value with similarly priced alternatives or say that the price is especially compelling.
Reviews & Sources
Professional reviews and sources for this product's Watt'n Potatoes analysis.
Online Reviews & Mentions
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Forum Mentions
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Specifications
- Inputs
- 3 x RCA, 2 x XLR
- Outputs
- 1 x RCA, 2 x XLR
- Input Impedance
- 10k ohms (RCA, XLR)
- Frequency Range
- 20 Hz to 20 kHz flat, 16 Hz to 50 kHz (-3dB)
- Voltage Gain
- +20dB
- THD (1kHz, 1V RMS)
- 0.06% at 0.3V, 0.15% at 1.0V
- S/N ratio
- -90dB (CCIR, 1 kHz)
- Maximum Output
- 15V RMS (non clipping)
- Output Impedance
- 150 ohms
- Power Consumption
- 30W
- Tubes
- E810F × 2 (gain stage); 300B × 2 (voltage regulator); 5654 × 2 (voltage error detector, similar to EF95, 6AK5)
- Fuse
- 2A/230V
- Dimensions
- 430mm (W) 410mm (D) 173mm (H)
- Weight
- 18 kg (39.7 lbs) unpacked
Manufacturer's Description — Allnic/ZL Technologies
Immerse yourself in the original recorded space. The L-7000 is a single gain stage, transformer coupled, remote controlled line stage pre-amplifier. It uses the DHT 300B as a voltage regulator.
- DHT 300B as a series voltage regulator
- Single gain stage
- True Dual Mono design
- 41-step Silver Contact Constant Impedance attenuator
The 300B has justly won the reputation for being a superb output tube in single-ended amplifiers. But it will take some rethinking to imagine this great tube in a non-audio role. The benefit the 300B brings to as a voltage regulator is its ability to pass a fair amount of current at low cathode-to-plate voltages, the result of having a low Rp.
The L-7000 offers world class, holographic sound-staging combined with incredible resolution, clarity, micro-dynamics, and drive. Instrument and vocal tone and timbre are lifelike; placement of instruments and bodies in three dimensions startling, life-size, and addictive. The L-7000 has no voice of its own. It is silent, except for the music emanating from the blackest of backgrounds. The outstanding sonic quality is matched by the simple elegance, flexibility and ergonomic functionality of the casework and connection options. Few pre-amplifiers can compete. The L-7000 is, simply, a revelation.
The L-7000 is Allnic Audio’s reference line stage pre-amplifier. Like all Allnic Audio products, it uses permalloy (iron and nickel alloy) for its transformer cores. Allnic is grateful to Mr. G.W. Elmen of We stern Electric for inventing permalloy for transformer core use, and in so doing, providing an enormous service to recorded music listeners everywhere.
• DHT 300B as a series voltage regulator. The benefit the 300B brings to a voltage regulator is its ability to pass a fair amount of current at low cathode-to-plate resistance, the result of having a low voltage drop.
• True Dual-Mono design. Each of the two channels operates completely independent of the other. The chassis, attenuator control and the AC power connection are the only parts of this pre-amplifier that both channels share.
• Single gain stage. A single gain stage circuit uses only one tube for amplification (“gain”). This reproduces a purer, more detailed, more spacious and more dynamic sound than multiple gain stages.
• Line output transformer coupling. The L-7000 is “transformer coupled”. In tube amp circuitry, there are two coupling methods; one is capacitor coupling and the other is transformer coupling. Capacitor coupling is the traditional, low cost method. It is somewhat stable but transfers only voltage, not wattage (i.e., not real energy). With transformer coupling, about 90% of real wattage is transferred (there is still a transformer loss of about 10% of wattage, while voltage is not affected).
• In-house transformer manufacturing and transformer/tube matching. While transformer coupling is superior to capacitor coupling, all the advantages of transformer coupling depend on the quality of the transformer and on the choice of tubes. Allnic Audio manufactures its own transformers and uses what it views to be the best core material, permalloy. Allnic Audio’s unprecedented, wide (16 Hz ~ 50 kHz, -3db), low distortion, and ultra-flexible (up to 20 kHz square wave response) output transformer helps Allnic Audio to realize the ideal transformer coupled pre-amplifier. Of course, gain tubes are also carefully selected for three critical factors for function with the permalloy output transformers: high gm, low internal resistance and high mu.
• Power supply circuit with under 1% voltage regulation. The voltage regulation of the transformer is the percentage change in the output voltage from no-load to full-load. To get the best performance out of your transformer, you need the lowest possible voltage regulation. The voltage regulation of Allnic’s power supply circuit is under 1%. It yields an improved power transfer and lower regulation factor, resulting in increased current speed and better dynamics.
• Constant and low output impedance. One of the benefits of transformer coupling is that it facilitates constant low output impedance. Low output impedance is critical to the design of a good pre-amplifier. The L-7000 has a 150ohm (150Ω) constant output impedance at all frequencies. In capacitor coupling (C-R coupling), a “cathode follower circuit” is usually used to lower output impedance. Unfortunately, this method of lowering output impedance is accompanied by high distortion and has an “L” shaped output impedance curve. Please compare the two graphs below, especially for low frequency response. Allnic’s (left), other’s (right)
Allnic Audio’s Technology
Soft-start Circuitry
Allnic uses soft start circuitry that, after sufficient warm-up only, provides the high voltage supply to the plate of each tube. This protective design results in prolonged tube life and fewer and less frequent issues with tube performance.
Permalloy output transformers
Allnic uses very large permalloy (Nickel/FeSi) core output transformers. This provides for higher inductance with fewer windings than other designs can provide and results in the great benefit of an extremely wide range of output frequencies.
Line output transformer coupling
In tube amp circuitry, there are two coupling methods; one is capacitor coupling and the other is transformer coupling. Capacitor coupling is the traditional, low-cost method. It is somewhat stable but transfers only voltage, not wattage (i.e., not real energy). With transformer coupling, about 90% of real wattage is transferred (there is still a transformer loss of about 10% of wattage–voltage is not affected). Transformer coupling is superior to capacitor coupling. However, all the advantages of transformer coupling depend on the quality of the transformer and on the choice of tubes. Allnic Audio manufactures its own transformers and uses what it views to be the best core material, permalloy. Allnic Audio’s unprecedented, wide (16Hz ~ 75kHz,-3db), low distortion, and ultra-flexible(up to 20kHz square wave response) output transformer helps Allnic Audio to realize the ideal transformer coupled amplifier. Of course, gain tubes are also carefully selected for three critical factors for function with the permalloy output transformers: high gm, low internal resistance and high mu.
Beautiful 20kHz square wave response
We can show you how beautifully a 20kHz square wave response is reproduced.
New vacuum tube damping technology
Allnic Audio’s patented “Absorb GEL tube damper” technology prevents harmful vibrations from reaching the signal/gain tubes and, therefore, prevents micro-phonic noise propagation in the tubes. The Allnic Audio Absorb Gel damper technology effectively solves a problem that plagues most tube amplification systems. Provided other tube components do not introduce micro-phonic noise into your system, with the Absorb Gel damping system, you will enjoy a degree of transparent sound that will surprise and please you.
Full engagement output transformers
Conventional output transformers use pre-set secondary windings to accommodate 4, 8 and 16-ohm loudspeaker loads. However, these conventional transformers utilize only one secondary winding at a time, while the other secondary windings remain “idle”. This approach has two adverse effects. First, the output transformers are not working at their maximum efficiency, reducing their output relative to their potential. Second, the “idle” windings are not actually “idle”; they are subject to parasitic oscillations, producing their own “signal”. This undesirable electrical information is additive to the transformer’s output, distorting the amplified signal going to the loudspeaker. Allnic’s “Full Engagement” transformers address these issues by having 4 independent, secondary windings which are always fully connected, never “idled”. This means that all secondary windings are always connected to your loudspeakers, regardless of which output switch position.
Powerful driving circuitry
Allnic believes in the importance of using high-quality, low noise and powerful driving circuitry in all its amplifying devices. Therefore, for example, in the M-3000 mk2, we employ the E282F tube (E55L for M-5000) in triode mode as the second stage driver tube, with a load of about 6 k ohms, and using 20 mA of current. The listener can easily hear and even “feel” the differences between this design and other, more conventional, ones. Please imagine, as you listen to the M-3000 mk2, its sound compared to the sound of an amplifier with conventional 12AU7 or 12BH7’s used as drivers, with a load of about 47 k ohm, and using 2 to 3 mA of current.
Analogue power tube current monitors
In order to provide constant current (bias) monitoring for the power tubes, Allnic uses a separate analogue current meter for each tube. The meters make it exceptionally easy to see the status of each tube at any time and to respond immediately to any variation in bias by use of the bias control knob for the relevant tube. The meters offer a simple, unambiguous indication of each tube’s status compared to conventional LED bias monitors.
Verified Dealers
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Authorized dealers for Allnic/ZL Technologies L-7000
- Audioplus Hi End — in-store — San Benedetto del Tronto, Marche, Italy (website)
- East End Hi-Fi — online and in-store — Brookhaven, New York, United States (website)
- Kronos Audio Visual — online and in-store — Staplefield, England, United Kingdom (website)
- Live Fidelity — in-store — Utrecht, Utrecht, Netherlands (website)
- Moorgate Acoustics — online and in-store — Woodseats, England, United Kingdom (website)
- Norsk Audio Teknikk — in-store — Sofiemyr, Akershus, Norway (website)
- Perfect sense Audio — in-store — Stockholms län, Sweden (website)
- Rennaissens — online and in-store — Boulogne-Billancourt, Île-de-France, France (website)
- SALLINGBOE AUDIO — in-store — Svebølle, Denmark (website)
- Salon One Audio — in-store — Ormond Beach, Florida, United States (website)
and 6 more verified dealers