Aavik Acoustics I-880
Powerful with a maximum of musicality
The primary development goal of this series was to create a powerful non-switching pure class A amplifier with the lowest possible output impedance that would contribute to a better signal and less noise, thus improving speaker performance, resulting in a much more organic sound and more musicality.
Technologies and Components
Through a long and intensive research and development process, Aavik’s engineering team identified several characteristic elements in the traditional Class A amplifier design that could be improved, which has had a very positive effect on the soundstage and musicality.
Aavik 200W pure class A amplifier
Aavik have designed a circuitry that constantly keeps the bias spread 0,63 V above the required current, no matter where it is in the cycle. So, no matter how much current the power amp requires to perform, it always stays in Class A up to an impressive 2×200 W into 8 ohms, while at the same time not consuming unnecessary power.
This significant reduction in the power requirements of the amplifier allowed Aavik to design the capacitors as smaller units and place them locally, so that essentially each of the eight pairs of output transistors has its own capacitor bank right next to it. This means that the current does not have to flow through long wire harnesses and long circuit boards. The current is always directly at the output transistor, which means a shorter signal path and therefore less noise. In addition, this innovative Aavik design also means that the 880 amplifiers do not get as hot as conventional Class A amplifiers, resulting in higher efficiency.
Resonant mode power supply
This Aavik series is designed to ensure massive power resources with ultra-low noise. Unlike the square waves used by conventional switch mode power supplies, this Aavik series boast a resonant mode design which is principally driven by sine waves.When more power is needed, the operating frequency increases, which, in turn, has the advantage that the power density also increases, thus allowing higher peak power when required by the music.The noise floor in the raw power supply is extremely low but could be even further lowered by the ultra-low noise regulators supplying the different parts of the circuit. The noise of these regulators is measured in a few microvolts respectively nanovolts, which is significantly lower than the noise level of conventional regulators.
The principle of a traditional class A power supply is to create switching noise. This happens when the large capacitors have to absorb current from the transformer. Current can only flow into the capacitors when the voltage on the outside is less, so when current is needed, the voltage across the capacitors will be lower than the 50/60 Hz cycle. Although defined as a linear power supply, there are a lot of current transients flowing in these power supplies.The Aavik 880 amplifier has four 500W power factor corrected resonant mode power supplies. The 500w power supplies combined with the extremely large power banks mean that the amplifier can deliver peak currents in excess of 80A, so it is not the power supply in the Aavik 880 amplifier that will limit how much you can feed into your speakers in transient and they will never switch .
Volume control
Affects the sonic experience.The Aavik 880 amplifier features a unique inverted amplifier topology with virtual ground for maximum stability. Feedback becomes so strong that the signal can be attenuated to a gain of less than 1. This maintains the full signal with the lowest signal-to-noise ratio, whether the volume is turned up or down. This provides the speakers with a clear and distinct flow of information, making even the subtlest nuances of timbre and texture audible against an extremely quiet soundstage.
Switchless optical input board
LDR based.The LDR (Light dependent resistor) is ultra quiet thanks to the switchless principle. The traditional switch arrays and relays are more noisy. They suppress subtle sound details and unnaturally color the tone.
The 880 cabinet design
A study of materials and shapes
The exterior design of the Aavik 880 amplifier is the result of Flemming Erik Rasmussen’s artistic and aesthetic work. However, his design philosophy is and always has been that design must serve purpose. The cabinet of the Aavik 880 amplifier was designed primarily with the goal of maintaining the best audio characteristics of the electrical design, i.e. the lowest inductance, reducing hysteresis to an absolute minimum, and ensuring excellent resonance control. In addition, since this was a Class A amplifier that was to be developed, there were some predefined premises for the design. With these goals in mind, the design process became a study of shapes and materials that opened up a unique and constructive synergy between Flemming Erik Rasmussen and Michael Børresen.
In addition, the amplifier features cooling elements on the sides and top that clearly bear Flemming’s design signature. The outer part of the volume button is covered with titanium, and the control panel is designed as a large LCD touchscreen display.
The choice of materials, as well as the interior and exterior design, are the result of Fleming and Michael’s collaboration and are characterized by functionality, but also by a very aesthetic and elegant design.
Bottom plate sandwich construction
The bottom plate is designed as a sandwich construction with a copper plate, a heavy compact laminate plate, and a titanium layer on the bottom. This unique sandwich construction ensures minimum resonance and supports a natural and organic sound.
The solid copper enclosure
Based on Flemming Erik Rasmussen’s fascination with copper for its visual appearance and feel, and Michael Børresen’s insight into the sonic properties of copper, this material was chosen as a fundamental component of the design. As a result, the Aavik 880 amplifiers feature a solid copper enclosure. This results in a further reduction in hysteresis, lower output impedance, lower inductance, a positive effect on the damping factor, and cooler operation of the amplifier. All these components ensure that the music is reproduced with more energy and power.
Active Analog Crossover
The Aavik active analog crossover secures a precise timing in the delivery of sound signals to the receiving components. This is essential to avoid a harsh and compressed sound. The Aavik active crossover has been designed to either very precisely control a subwoofer or with the integrated low pass and high pass filter to control a 2.1 home theater system. Alternatively, Aavik’s analog crossover can function as analog room correction control.Excellent and absolutely precise subwoofer controlSince the crossover is analog, there is no latency. The timing of the signal transfer to both the speakers and the subwoofer is absolutely precise. This results in an utmost pristine and authentic sound. Other conventional crossovers, such as DSP transport the signal through a digital circuit. This results in a latency of 15-20 msec. The effect of a failing precision in the timing of the signal transfer to the speakers, respectively the subwoofer, impairs an authentic audio reproduction, creates a compressed sound and adds a harsh tone to the music.Control your home theater and your 2.1 audio setupBy using the low pass and high pass filter, the sound performance of your individual speakers can be optimized. When directing the low frequencies to the subwoofer, more energy to the main speakers will be released. To ensure an even volume of the speakers and the subwoofer, the gain on the high pass and the low pass filter can separately be controlled.Analog Room Correction – prevent “Room Boom”, the annoying pressure resonanceRoom correction is a matter of identifying and eliminating room resonance. The one specific resonance that creates an unpleasant and disturbing sound is a pressure resonance resulting from the given size of the room – subjectively, it feels like a “boom” emanating from the speakers. To eliminate this room specific resonance, the Aavik amplifiers can adapt their audio performance and make allowances for any given room size. Both the low pass and high pass filter allow the listener to set the exact frequency progress around those low frequencies which cause this disturbing ‘Boom’ effect.
The Tesla coil principle
The principle is to have two coils that are wounded in each direction / a coil and a counter coil. In Ansuz words: “a double inverted coil” – the two coils are both carrying voltage – and when the Tesla coil encounters a voltage spike a counter spike is activated in order to eliminate the noise. As Noise spikes are pure voltage and carries virtually no charge, the cancelation is quite good, but not 100%. By adding more P-TC coils in parallel the performance increases. By implementing this the perceived blackness in the music improves significantly.Ansuz Tesla coils are available in various types as they complement each other in terms of strengths /weaknesses.
Analog dither technology 3rd generation
A 3rd generation of the Ansuz analog dither technology has been developed. Analog dither technology originated in radar, where it ensured a stronger signal and thus greater range. The active Tesla coils send pulsating signals at precisely defined frequencies. These signals are sent in anti-phase. This significantly amplifies the musical signal and eliminates the background noise floor.
Analysis and studies have led to new options – and a lot of listening has resulted in this 3rd generation design which is a further optimization of the most effective frequencies which opens the soundscape even more and with the tiniest details when it comes to reproduction of the recordings.
Active Tesla coil
Effective noise killer.The active Tesla coils are power supplied which secures a remarkable lower impedance and thus a better ability to eliminate noise. The active version is about three to four times more efficient than passive Tesla coils.
Active square Tesla coils
Impressive noise reduction.The active square Tesla coils are embedded in our circuitry boards – one coil on the top and the counter coil on the rear side. The principle is exactly the same as the active Tesla coil and thus a great ability to eliminate noise than the passive Tesla coil.
Anti aerial resonance coil technology
Prevents airborne noise. All cables and cable screens are acting like antennas for airborne RF noise which of course is a huge problem. The passive cable Tesla coil is wounded on the external part of the cable and protects the signal from absorbing the airborne RF noise. This noise is absorbed in the Tesla coil. As there is a voltage running in the conductor itself, and it is wounded in the counter direction – this is used as the counter coil and the RF noise is then eliminated.
Active zirconium anti aerial resonance Tesla coil
Based on Ansuz general curiosity on the properties of different materials, Ansuz has implemented a zirconium bar in their anti aerial resonance coil design. This is another impressive upgrade to the Ansuz anti aerial resonance coil technology.
The properties of this zirconium bar allow for unprecedented resonance control resulting in outstanding musical refinement that creates a natural soundstage, unrivalled in its purity, precision and attention to musical detail.
Active zirconium cable anti aerial resonance Tesla coil
When Aavik designs new audio equipment, one of the main tasks is always to eliminate as much unwanted noise as possible to provide uncompromising musical authenticity. Therefore, Aavik always integrates the most effective Tesla coil technologies from the sister brand Ansuz into the Aavik products. Audio Group Denmark has learned that many technologically groundbreaking advances in product development of its three individual brands, Ansuz, Aavik and Børresen, can often be leveraged across brands. The knowledge and technology sharing that takes place between the three brands has proven to be extremely insightful and valuable.
Based on their studies of the properties of zirconium and their recent experience with the use of zirconium, Ansuz has also designed an active cable zirconium Tesla coil technology. The new design includes not less than three zirconium bars. Furthermore, the Tesla coil itself is extended as well. The complete solution is improving the signal handling dramatically – both in terms of eliminating noise and controlling resonances, ensuring a crystal-clear sound.The active zirconium cable anti aerial resonance Tesla coils is wound directly on the out part of the cable and protects the signal from absorbing the airborne RF noise. This noise is absorbed in the Tesla coil. The active version is about three to four times more efficient than the passive cable Tesla coil
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Professional Reviews 93/100
Deliciously Crispy
Sound Quality
96/100
Build Quality
97/100
Features Connectivity
90/100
Value for Money
84/100
The black-background transparency and immense composure of Aavik Acoustics’ I-880 make it feel more like a statement component than an integrated amp. Fidelity Magazine, hi-fi+ and 6 Moons all praise its holographic staging, rich tone, and effortless drive, while the analogue crossover adds real system-tuning flexibility.
What Reviewers Are Saying
Pros
Delivers exceptionally transparent, low-noise playback with a holographic, deeply layered soundstage.
Combines natural, full-bodied midrange tone with strong dynamics and effortless headroom.
Build quality is repeatedly described as outstanding, with lavish copper and titanium construction.
The onboard analogue crossover and configurable filtering add unusually useful setup flexibility.
&
Cons
Its very high price places it firmly in ultra-luxury territory, even if reviewers feel the execution helps justify it.
The chassis is extremely large and heavy, making installation awkward.
It is single-ended only, so owners needing balanced inputs or outputs will find the connectivity limited.
SOUND QUALITY PERFORMANCE 96/100
Reviewers consistently describe the I-880 as exceptionally revealing, with an extremely low noise floor, black background, and a striking absence of grain or glare. Its tonal character is widely praised as natural, rich, and evenly balanced, while also staying free of overdone warmth or softness. The amp is repeatedly credited with effortless dynamics, massive headroom, and an expansive, highly precise soundstage with strong depth and image focus.
Transparency Resolution
97/100
Multiple reviewers stress how little the amplifier obscures the recording, citing extreme low noise, strong clarity, and subtle details emerging with unusual ease. Comments about a "blackness" to the background, "literally oodles of background detail," and an absence of grain or haze all point to top-tier resolution.
Tonal Balance Musicality
95/100
The I-880 is described as lush, rich, vivid, and organically natural, with one reviewer noting "no rose tinting" and another praising full-bodied, fleshed-out mids and very low fatigue. Reviewers clearly hear musical ease and color, though the amp is also admired for avoiding excess bloom or sweetness.
Dynamics
97/100
Dynamics are one of the strongest themes in the reviews, with repeated praise for limitless headroom, expressiveness, speed, and both micro- and macrodynamic punch. Reviewers describe it as unusually boisterous, effortlessly controlled, and able to handle real-world speakers without strain or compression.
Soundstage Imaging
96/100
The soundstage is repeatedly called holographic, expansive, and deeply layered, with precise placement both laterally and front-to-back. Reviewers emphasize strong image stability and a stage that extends beyond the speakers, with especially convincing depth and spatial realism.
Assessments of Build Quality, Usability, and Overall Propositions.
Build Quality
97/100
Reviewers are very positive about the chassis and execution, praising the copper-heavy construction, titanium elements, and an overall sense that the amplifier is beautifully and carefully made. One review calls it "perfectly put together," and another says the level of quality and care is "simply outstanding."
Features Connectivity
90/100
The I-880 offers useful high-end extras beyond basic amplification, including the onboard analogue crossover with high- and low-pass filters for subwoofer integration or room-mode control. Reviewers also note the quiet LDR volume control and the ability to support sophisticated system tuning, though the amp remains notably single-ended only and lacks balanced inputs.
Value for Money
84/100
Reviewers acknowledge the asking price is very high, even when they argue the materials, engineering, and performance make it feel understandable rather than outrageous. The value case is therefore more about justification than bargain appeal, and the price places it among elite alternatives where buyers will expect a very high standard.
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